Yamaha CS6R Owner's Manual - Page 125

Performance Mode s Time Set the pitch transition time. Higher values mean longer transition times. You can also set this using the PORTAMENTO knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 QED Filter (Quick Edit Filter) These parameters control filters which govern the tonal quality of the Voice. If you are using LPF (Low Pass Filter) and HPF (High Pass Filter) combined together, the parameters in the QED Filter screen only affects LPF. QEDíFilter) Common Cutoff +63 Reso +63 s Attack Set the transition time from the moment a key on the keyboard is pressed to the point at which the output level of the Layer Part reaches its peak. You can also adjust this parameter using the [ATTACK] knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 s Decay Set the transition time from the point at which the output level of the Layer Part reaches its peak to the point at which it levels off. You can also adjust this parameter using the [DECAY] knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 s Cutoff Raise or lower the Cutoff frequency for each Voice of a Layer Part. You can also adjust this parameter using the [CUTOFF] knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 s Reso (Resonance) Set the amount of Resonance (harmonic emphasis) applied to the signal at the Cutoff frequency. You can also adjust this parameter using the [RESONANCE] knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 s Sustain Set the output level of the Layer Part maintained while the key on the keyboard is being held down. You can also adjust this parameter using the [SUSTAIN] knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 s Release Set the transition time from the point at which the key on the keyboard is released to the point at which the output level of the Layer Part reaches zero. You can also adjust this parameter using the [RELEASE] knob on the front panel of the CS6x. t Settings: -64 ~ 0 ~ +63 QED EG (Quick Edit Envelope Generator) The EG (Envelope Generator) controls the transition in output level over time for each Voice in a Layer Part. There are four parameters governing the transition in output level from the moment a note is pressed on the keyboard to the moment it is released or the point at which the output level has faded to zero. These Layer Part settings make use the each of the Part Edit settings. QEDíEG) Attack Decay Sustain Release Common +63 +63 +63 +63 Common Arpeggio The following four screens govern the behavior of the Arpeggiator. The parameters are the same as those used in Voice Edit Mode. Details are given on Page 82. To use the Arpeggiator in Performance Mode, the Arpeggio and Layer Switches (Page 133) must be set to "on." ARP Type (Arpeggio Type) ARP Limit (Arpeggio Note Limit) ARP Mode (Arpeggio Mode) ARP PlayEF (Arpeggio Play Effect) Level Sustain Level Attack Decay Time Time Key on Release Time Key off Time Common Controller You can assign MIDI Control Change Numbers to the controls and front panel knobs. For example, Knob [1]/[2] can be set to control the amount of effect applied to a sound and the Foot Controller can be set to control modulation. You can set different Control Set assignments for each Performance. The following two Control Set screens are available. CTL Assign1 (Controller Assign 1) CTL Assign2 (Controller Assign 2) 125