Yamaha CS6R Owner's Manual - Page 63
PCH Pitch and PEG Pitch EG, Screens, FLT Filter and FEG Filter EG
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Basics Section OSCíLimit) Note Limit EL1234 C-2 - G 8 6 FLT (Filter) and FEG (Filter EG) Vel Limit 1 - 127 Screens You can use the filter to change the tonal characteristics of each Element, by adjusting overtones (harmonic tones) included in the waveform from the Element. There are several Element 3 types of filters, but its basic idea is similar. As Velocity Element 2 illustrated below, the filter is used to pass overtones Element 1 at specific frequencies and cut off (does not pass) Element 4 others, to alter the harmonic factor of an original waveform. You can determine such frequencies by specifying a pointing or center frequency (cutoff frequency). With some filters, you can adjust signal C-2 G8 levels at several frequency bands. You can also set the Filter Envelope Generator (FEG) for time variance of how the filter works, which results in a 5 PCH (Pitch) and PEG (Pitch EG) dynamic change in tonal characteristics. Here we Screens introduce how FEG works. Set the basic pitch parameters for each Element. You can detune Elements, apply Pitch Scaling and so on. Also, by setting the PEG (Pitch Envelope Generator), you can control how the pitch changes over time. Level Cutoff range Range passed Cutoff range • PEG (Pitch Envelope Generator) Using the PEG, you can control the transition in pitch from the moment a note is pressed on the keyboard to the point at which it is released. As illustrated below, the Pitch Envelope consists of five Time (transition speed) parameters and five Level (pitch) parameters. This is useful for creating automatic changes in pitch. Furthermore, different PEG parameters can be set for each Element. PEGíTime) Hold Attack Decay1 Decay2 EL1234 127 127 127 127 Pitch Attack Decay1 Sustain Release Level Level Level Key off Level Center frequency Time Details about Filter Types are given on Page 93. • FEG (Filter Envelope Generator) Using the FEG, you can control the transition in tone from the moment a note is pressed on the keyboard to the point at which it is released. As illustrated below, the Filter Envelope consists of five Time (transition speed) parameters and five Level parameters (for the amount of filtering). When you press a note on the keyboard, the cutoff frequency will change according to these envelope settings. This is useful for creating automatic wah effects, for example. Furthermore, different FEG parameters can be set for each Element. Hold Level FEGíTime) Hold Attack Decay1 Decay2 EL1234 127 127 127 127 0 Hold Time Attack Decay1 Decay2 Time Time Time Time Release Time Details about PEG parameters are given on Page 91. Level Hold Level Attack Decay1 Sustain Level Level Level Key off Release Level 0 Hold Time Attack Decay1 Decay2 Time Time Time Time Release Time Details about FEG parameters are given on Page 95. 63