Yamaha CVP-201 Owner's Manual - Page 57

Playing with the Auto Accompaniment, Using the Auto Accompaniment

Page 57 highlights

Playing with the Auto Accompaniment The Clavinova includes a sophisticated Auto Accompaniment system that can provide automated rhythm, bass and chord backing for your performance in 125 different styles, as well as 35 different types of piano-only accompaniment. The Auto Accompaniment playback data is normally not output by the MIDI [OUT] terminal. To send the Auto Accompaniment data to another MIDI instrument, use the ACMP&RHY and HARMONY functions in the FUNCTION [MIDI 4] display described on page 150. ACMP ON VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN DEMO HELP ACMP ON 8BEAT 16BEAT BALLAD ST YLE DANCE ROCK/ R&B PIANIST MUSIC DATABASE SWING/ JAZZ INTRO LATIN MAIN A COUNTRY BALLROOM TRAD/ WALZ AUTO ACCOMPANIMENT AUTO FILL MAIN B MAIN C MAIN D DISK HARMONY CUSTOM ENDING FADE IN/OUT METRONOME TEMPO RESET START /STOP TAP SYNCHRO START/STOP ANCEL CONTRAST BEAT FUNCTION MIXER PAGE DIRECT ACCESS EXIT SONG CONTROL SONG PLAY/ STOP REC PAUSE REW FF GUIDE CONTROL SOUND EASY PLAY NEXT NOTE REPEAT PIANO E. PIANO GUITAR VOICE SYNTHESIZER ORGAN STRINGS/ CHOIR DUAL REVERB BRASS SAX / FLUTE BASS PER- CUSSION ENSEMBLE XG SPLIT EFFECT REGISTRATION/ONE TOUCH SETTING REGIST- ONE TOUCH 1 2 3 4 BANK BANK RATION SETTING Using the Auto Accompaniment You can use one of several methods to indicate the chords that are to be played by the Auto Accompaniment. Choose the accompaniment mode that best suits your playing style. q Single Finger The Single Finger method makes it easy to obtain accompaniment in major, seventh, minor, and minor-seventh chords by pressing certain keys (according to simple rules) to the left of the split point indicated by the keyboard guide lamp. (See page 60.) Detailed explanations of each accompaniment mode are given on pages 60 and 61. q Multi Finger When you select the Multi Finger mode, you can use either the Single Finger method or the Fingered 1 method to indicate chords for the accompaniment. (See page 60.) q Fingered 1 The Fingered 1 method lets you control the Auto Accompaniment by playing full chords to the left of the split point. (See page 60.) q Fingered 2 This mode accepts the same fingerings as the Fingered 1 mode, with the exception that the lowest note played to the left of the split point is used as the bass root (in Fingered 1 mode, the root of the chord is always used as the bass root). Hence, you can select this mode to play "on bass" or "fraction" chords. (See page 61.) q Full Keyboard The Full Keyboard mode automatically produces appropriate auto- matic accompaniment for virtually anything you play, anywhere on the keyboard. (See page 61.) CVP-201 57 55

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57
CVP-201
The Clavinova includes a sophisticated Auto Accompaniment
system that can provide automated rhythm, bass and chord
backing for your performance in 125 different styles, as well as
35 different types of piano-only accompaniment.
The Auto Accompaniment playback data is normally not output by the
MIDI [OUT] terminal. To send the Auto Accompaniment data to another
MIDI instrument, use the ACMP&RHY and HARMONY functions in the
FUNCTION [MIDI 4] display described on page 150.
You can use one of several methods to indicate the chords that are to
be played by the Auto Accompaniment. Choose the accompaniment
mode that best suits your playing style.
Using the Auto Accompaniment
Detailed explanations of each accompa-
niment mode are given on pages 60 and
61.
Single Finger
The Single Finger method makes it easy to obtain accompaniment in
major, seventh, minor, and minor-seventh chords by pressing certain keys
(according to simple rules) to the left of the split point indicated by the
keyboard guide lamp. (See page 60.)
Multi Finger
When you select the Multi Finger mode, you can use either the Single
Finger method or the Fingered 1 method to indicate chords for the ac-
companiment. (See page 60.)
Fingered 1
The Fingered 1 method lets you control the Auto Accompaniment by
playing full chords to the left of the split point. (See page 60.)
Fingered 2
This mode accepts the same fingerings as the Fingered 1 mode, with
the exception that the lowest note played to the left of the split point is
used as the bass root (in Fingered 1 mode, the root of the chord is always
used as the bass root). Hence, you can select this mode to play “on bass”
or “fraction” chords. (See page 61.)
Full Keyboard
The Full Keyboard mode automatically produces appropriate auto-
matic accompaniment for virtually anything you play, anywhere on the
keyboard. (See page 61.)
ACMP ON
Playing with the Auto Accompaniment
55