Home » Kenwood Manuals » Electronics Accessories » Kenwood TS-990S » Manual Viewer

Kenwood TS-990S Operation Manual - Page 80

Configuring The Stereo Headphones Output, Configuring The Mix Balance Of The Stereo Headphones Output

Get Kenwood TS-990S PDF manuals and user guides

Add to My Manuals
Save this manual to your list of manuals

Page 80 highlights

4 BASIC OPERATIONS CONFIGURING THE STEREO HEADPHONES OUTPUT CONFIGURING THE MIX BALANCE OF THE STEREO HEADPHONES OUTPUT You can adjust the mixing balance of the received audio between the left and right channels, for operation with stereo headphones. 1 Select Group No. 1, "Audio Performance", from the Menu screen. 2 Access Menu 07, "Headphones Mixing Balance". 3 Press [SELECT] (F4) to allow editing of the parameter box. 4 Press [-] (F4) or [+] (F5) to configure the mix balance from the available range "0" to "10". • The default is "10". The received audio in the main band and the received audio in the sub band are equally distributed. • If "0" has been configured for menu 1-07 "Headphones Mixing Balance", the received audio in the main band and the received audio in the sub band are completely separated for the left and right channels. • If "Off" has been configured for menu 1-08 "Headphones Left/Right Reverse", the received audio in the main band will be allocated to the left channel, and the received audio in the sub band will be allocated to the right channel. • Increasing the configured value causes the level of the audio in one channel mixed with the audio in other channel to also be increased. 5 Press [ ] (F1). 6 Press [MENU] to exit. Note: ◆◆Following the configuration in Menu 1-08, "Headphones Left/Right Reverse", the channel that mainly emits the received audio of the main band can be swapped. SWAPPING THE RIGHT AND LEFT OUTPUT OF THE HEADPHONES You can reverse the audio of the PHONES jack left and right channels. 1 Select Group No. 1, "Audio Performance", from the Menu screen. 2 Access Menu 08, "Headphones Left/Right Reverse". 3 Press [SELECT] (F4) to allow editing of the parameter box. 4 Press [-] (F4) or [+] (F5) to select "Off" or "On". Following is the example of configuration when "0" has been configured for Menu, "Headphone Mixing Balance". Configuration Off On Left Channel Received Audio in the Main Band Received Audio in the Sub Band Right Channel Received Audio in the Sub Band Received Audio in the Main Band 5 Press [ ]. 6 Press [MENU] to exit. Note: ◆◆The wiring in the headphones jack plug determines whether the right channel audio or the left channel audio sounds from the left or right channels of the headphones. 4-26 Index Contents

Section	Page
PRIOR TO YOUR FIRST QSO	3
FEATURES	3
SUPPLIED ACCESSORIES	3
MARKET CODES	3
NOTICE TO THE USER	3
NOTIFICATION	3
RESTRICTIONS	3
PRECAUTIONS	4
TRANSPORTATION, INSTALLATION AND PACKING MATERIAL STORAGE	5
ABOUT THIS MANUAL	5
COPYRIGHTS FOR THIS MANUAL	5
SOFTWARE COPYRIGHTS	6
SOFTWARE LICENSE AGREEMENT	6
IMPORTANT NOTICES CONCERNING THE SOFTWARE	6
ABOUT THE GPL/LPGL LICENSE	6
COPYRIGHTS FOR RECORDED AUDIO	6
TRADEMARKS	7
INDEMNITY	7
YOUR QUERIES ABOUT EXTERNAL DEVICES OR PC CONNECTED TO THE TRANSCEIVER	7
OPERATION OF THE OPTIONAL APPLICATIONS	7
TREATMENT OF YOUR IMPORTANT DATA	7
TROUBLESHOOTING	7
ABOUT THE URL AND CONTACTS OF JVC KENWOOD CORPORATION	7
NOTATIONS APPLIED TO THIS MANUAL	7
1 INSTALLING AND CONNECTING THE TRANSCEIVER	15
PRECAUTIONS FOR INSTALLATION	15
ANTENNA INSTALLATION AND CONNECTION	15
CONNECTING AN AC POWER CABLE	15
GROUND CONNECTION	15
LIGHTNING ARRESTER INSTALLATION	15
TRANSCEIVER TILT MECHANISM	15
TORQUE ADJUSTMENT FOR TUNING (M) CONTROL	16
ACCESSORIES CONNECTIONS (FRONT PANEL)	16
HEADPHONES (PHONES)	16
MICROPHONE (MIC)	17
PADDLE (PADDLE)	17
USB FLASH DRIVE/USB KEYBOARD ()	17
EXTERNAL SPEAKERS (EXT.SP1/EXT.SP2, 8Ω)	17
KEY FOR CW (KEY)	18
KEYPAD (KEYPAD)	18
CONNECTION TO AUDIO DEVICES WITH OPTICAL DIGITAL INPUT TERMINAL	18
CONNECTION TO THE EXTERNAL DISPLAY UNIT	18
METER	18
PC CONNECTION FOR DATA COMMUNICATION	19
CONNECTION TO A PC	19
CONNECTION TO AN APPLICABLE TRANSCEIVER (QUICK DATA TRANSFER)	20
CONNECTION TO THE LINEAR AMPLIFIER	21
CONNECTION TO THE TL-922	21
CONNECTING A TYPICAL LINEAR AMPLIFIER	21
CONNECTION TO OTHER KENWOOD TRANSCEIVERS WITH A TNC TERMINAL	22
CONNECTION TO AN EXTERNAL ANTENNA TUNER AT-300	23
CONNECTING TO YOUR LAN	23
TERMINAL DESCRIPTIONS	24
COM CONNECTOR	24
REMOTE CONNECTOR	24
ACC 2 CONNECTOR	25
EXT.AT CONNECTOR	26
MIC CONNECTOR	26
2 PANEL DESCRIPTION	27
FRONT PANEL	27
REAR PANEL	35
MICROPHONE (OPTION)	37
MAIN SCREEN	38
SUB-SCREEN	41
3 MENU	43
MENU CONFIGURATIONS	43
OPENING THE MENU	43
OPENING THE SUB MENU	43
COMMON OPERATION IN THE MENU SCREEN	43
CLOSING THE MENU	43
SWITCHING THE OPERATING DATA BETWEEN CONFIG A AND CONFIG B	44
MENU ITEMS	44
RESET MENU ITEMS	51
CLOCK MENU ITEMS	51
LAN MENU ITEMS	52
ADVANCED MENU ITEMS	52
LIST OF USB MENU ITEMS	53
4 BASIC OPERATIONS	55
TURNING THE TRANSCEIVER ON	55
TURNING THE TRANSCEIVER OFF	55
ENABLING THE STANDBY STATE LOW POWER CONSUMPTION	56
CONTROLLING THE COOLING FAN WHILE IN THE STANDBY STATE	56
COOLING FAN AND TEMPERATURE PROTECTION FOR FINAL UNIT	57
MAIN AND SUB SCREEN DISPLAYS	57
MAIN SCREEN	57
SUB SCREEN	58
CONFIGURING THE SCREEN TYPE	59
CHANGING THE BACKGROUND COLOR	59
CHANGING THE DISPLAY FONT	59
CHANGING THE DIAL COLOR (SUB SCREEN)	60
CAPTURING AND SAVING SCREEN IMAGES	60
SELECTING THE DIMMER	60
CHANGING BRIGHTNESS	60
ADJUSTING THE DIMMER LEVEL	60
SWAPPING THE OPERATING DATA BETWEEN MAIN BAND AND SUB BAND	61
ADJUSTING THE AF GAIN	61
MUTING THE RECEIVED AUDIO	61
ADJUSTING THE RF GAIN	62
ADJUSTING THE SQUELCH LEVEL	62
CONFIGURING THE OPERATING BAND	62
CHANGING THE NUMBER OF BAND MEMORIES	63
SELECTING THE OPERATING MODE	64
LSB OR USB MODE	64
CW/CW-R MODE	64
FSK/FSK-R OR PSK/PSK-R MODE	64
FM/AM MODE	64
CONFIGURING THE DATA MODE	64
CONFIGURING THE NUMBER OF DATA MODES	64
AUTO MODE	65
ENABLING/DISABLING AUTO MODE	65
CONFIGURING AUTO MODE FREQUENCY POINTS	65
TUNING THE FREQUENCY	66
TUNING WITH THE TUNING CONTROL	66
USING THE MICROPHONE KEYS	67
CHANGING THE FREQUENCY	67
CHANGING THE STEP FREQUENCY	67
ROUNDING OFF THE FREQUENCY	67
FINE TUNING	68
TUNING IN MHz STEP	68
SELECTING THE STEP FREQUENCY FOR AM BROADCAST LISTENING	68
CONFIGURING THE FAST FORWARD RATE OF THE TUNING CONTROL (MAIN)	69
CONFIGURING THE SENSITIVITY FOR STARTING THE FAST FORWARD OPERATION (MAIN)	69
CONFIGURING THE FAST FORWARD RATE OF THE TUNING CONTROL (SUB)	69
CONFIGURING THE SENSITIVITY FOR STARTING THE FAST FORWARD OPERATION (SUB)	70
DIRECTLY ENTERING THE FREQUENCY	70
DISPLAYING THE HISTORY OF THE FREQUENCY ENTRIES	71
USING THE FREQUENCY LOCK	71
SELECTING THE FREQUENCY LOCK FUNCTION BEHAVIOR	71
TRANSMITTING	72
AUDIO TRANSMISSION	72
CW TRANSMISSION	72
ADJUSTING THE MICROPHONE GAIN	72
ADJUSTING THE TX POWER	73
PRECISELY ADJUSTING THE TX POWER	73
TRANSMIT POWER LIMITER	73
METER	74
CHANGING THE METER TYPE	74
CHANGING THE TRANSMIT METER	74
METER PEAK-VALUE HOLD	75
ANALOG METER RESPONSE SPEED	75
STORING THE ANTENNA NAME	76
CHANGING THE ANTENNA	76
CONFIGURING THE NUMBER OF ANTENNA CONNECTORS	77
RX ANTENNA	77
DRIVE OUTPUT (DRV)	77
INTERNAL ANTENNA TUNER	78
SECURING THE MATCHING TO THE ANTENNA	78
PRESET	78
CHANGING THE ANTENNA BEHAVIOR FOR RECEPTION	79
TRANSMIT HOLD AFTER ANTENNA TUNING COMPLETES	79
CONFIGURING THE STEREO HEADPHONES OUTPUT	80
CONFIGURING THE MIX BALANCE OF THE STEREO HEADPHONES OUTPUT	80
5 ASSISTING YOUR SMOOTH QSO	81
SIMPLEX OPERATION	81
SPLIT OPERATION	81
FINDING THE TX FREQUENCY BY ROTATING THE TUNING CONTROL (S)	81
DIRECTLY ENTERING THE FREQUENCY SPLIT SPECIFIED BY A DXER	81
ROTATING THE TUNING (M) CONTROL TO SEARCH FOR THE TRANSMIT FREQUENCY	82
SEARCHING WITH TF-SET ENABLED FOR THE TRANSMIT FREQUENCY DURING RECEPTION	82
SIMULTANEOUS MAIN BAND AND SUB BAND RECEPTION	83
FREQUENCY TRACKING	83
AGC (AUTOMATIC GAIN CONTROL)	84
SELECTING THE AGC TIME CONSTANT	84
CHANGING THE AGC TIME CONSTANT	84
COPYING THE AGC TIME CONSTANT CONFIGURATIONS	85
DISABLING THE AGC	85
RX DSP EQUALIZER	86
SWITCHING THE RX DSP EQUALIZER ON OR OFF	86
SELECTING THE EQUALIZER CHARACTERISTICS	86
CUSTOMIZING THE EQUALIZER	86
COPYING CUSTOMIZED EQUALIZER DATA	87
WRITING RX DSP EQUALIZER DATA TO A USB FLASH DRIVE	88
READING RX DSP EQUALIZER DATA FROM A USB FLASH DRIVE	88
PREAMP	89
RX MONITOR	89
EMERGENCY CALL (K-TYPE ONLY)	90
SWL MODE	90
SWITCHING THE BAND WHILE IN SWL MODE	91
AUDIO SOURCE LINES FOR TX AUDIO	91
DATA MODE CONFIGURATION	92
TRANSMISSION BY THE PTT SWITCH, SS PIN AND SEND	92
TRANSMISSION WITH DATA PTT OR DATA SEND	92
RIT/XIT FUNCTIONS (FINE-TUNING FUNCTIONS FOR TRANSMIT AND RECEIVE FREQUENCIES)	93
RIT (FINE-TUNING OF RECEIVE FREQUENCIES)	93
RIT SHIFT	93
XIT (FINE-TUNING OF TRANSMIT FREQUENCIES)	93
XIT SHIFT	93
CONFIGURING THE CARRIER LEVEL	94
ADJUSTING THE MICROPHONE GAIN	94
OPERATION IN CW MODE	95
CW BREAK-IN	95
FULL BREAK-IN	95
SEMI BREAK-IN	96
ADJUSTING THE SIDETONE AND PITCH FREQUENCY	96
ADJUSTING THE SIDETONE VOLUME	96
CW RISE TIME	97
AUTO ZERO-IN (CW AUTO TUNE)	97
CARRIER FREQUENCY OFFSET WHEN CHANGING FROM SSB MODE TO CW MODE	98
AUTOMATICALLY CHANGING MODE FROM SSB FOR CW TRANSMISSION	98
ELECTRONIC KEYER	99
SELECTING THE KEYER TYPE FOR THE PADDLE JACK	99
SELECTING THE KEYER TYPE FOR THE KEY JACK	99
MICROPHONE PADDLE MODE	99
ADJUSTING THE KEYING SPEED	100
CHANGING THE WEIGHTING	100
WEIGHT REVERSE	101
ReversING THE DOT AND DASH KEYING	101
OPERATING MODES OF ELECTRONIC KEYER	102
CW MESSAGE MEMORY	102
CHANGING THE ENTRY METHOD OF CW MESSAGES	102
STORING CW MESSAGES WITH TEXT ENTRY	103
MANIPULATING THE PADDLE TO STORE CW MESSAGES	104
NAMING THE CW MESSAGES (WITH PADDLE KEYING ONLY)	104
SELECTING A CHANNEL NUMBER FOR COUNTING UP THE CONTEST NUMBERS (TEXT INPUT ONLY)	105
SELECTING THE CONTEST NUMBER FORMAT (TEXT ENTRY ONLY)	105
CONFIGURING THE FIRST CONTEST NUMBER (TEXT ENTRY ONLY)	106
DECREMENTING THE CONTEST NUMBER (TEXT ENTRY ONLY)	106
PLAYING AND TRANSMITTING A CW MESSAGE	107
INTERRUPTING THE KEYING	108
DELETING CW MESSAGES	108
ENCODING/DECODING MORSE CODE (MAIN BAND ONLY)	108
DISPLAYING THE CW COMMUNICATION SCREEN	108
ADJUSTING THE DECODE THRESHOLD LEVEL	110
DECODE FILTER	110
TRANSMITTING CHARACTER STRINGS VIA USB KEYBOARD OPERATION	110
ENCODING CHARACTER STRINGS USING THE CW MESSAGE MEMORY	110
PADDLE OPERATION ON CW COMMUNICATION SCREEN	111
SAVING CW COMMUNICATION DETAILS	111
ADJUSTING THE MICROPHONE GAIN FOR FM MODE OPERATION	112
FM NARROW OPERATION	112
REDUCING THE DEFLECTIONS OF THE S-Meter FOR USE IN FM-MODE	113
FM REPEATER OPERATION	113
CONFIGURING THE TONE FREQUENCY	114
SELECTING THE TONE	114
USING THE SCAN TO SEARCH FOR THE TONE FREQUENCY	115
CTCSS OPERATION (FM MODE)	116
CONFIGURING THE CTCSS TONE FREQUENCY	116
SELECTING THE CTCSS TONE	117
USING THE SCAN TO SEARCH FOR THE CTCSS TONE FREQUENCY	117
SELECTING THE CROSS TONE	118
RTTY OPERATION	118
OPENING THE RTTY ENCODE/DECODE SCREEN	118
OPERATIONS ON THE RTTY ENCODE/DECODE SCREEN	119
SELECTING MAIN BAND AND SUB BAND FOR RECEPTION (FSK)	119
SAVING THE CONTENTS OF RTTY COMMUNICATION	120
SELECTING THE FILE FORMAT AT THE TIME OF SAVING DATA	120
ADJUSTING THE RTTY THRESHOLD LEVEL OF RTTY DECODING	121
DISPLAYING THE SCOPE TO CHECK RTTY TUNING	121
FFT SCOPE	121
AVERAGING THE WAVEFORM IN THE FFT SCOPE	121
WATERFALL	122
X-Y SCOPE (SUB-SCREEN)	122
USING THE USB KEYBOARD TO TRANSMIT A TEXT STRING	122
TRANSMITTING THE ENTERED TEXT STRING AS ENTERED	122
STORING TEMPORARILY AND TRANSMITTING THE TEXT STRING IN THE BUFFER	123
UTILIZING AN RTTY MESSAGE MEMORY	123
STORING MESSAGES	123
CONFIGURING THE AUTOMATIC TRANSMISSION AND RECEPTION FOR THE RTTY MESSAGE MEMORY	124
SENDING A TEXT STRING STORED IN RTTY MESSAGE MEMORY	125
CONFIGURATION FOR RTTY ENCODING AND DECODING	126
ENABLING THE UOS (UNSHIFT ON SPACE)	126
CONFIGURING THE NEWLINE CODE	126
DIDDLE OPERATION	127
ENABLING THE ENCODE UOS	127
SENDING THE NEWLINE CODE AT THE START AND END OF TRANSMISSION	128
DISPLAYING THE TIME STAMP	128
SELECTING THE TIMESTAMP TIME	129
RTTY PARAMETERS	129
CONFIGURING THE MARK FREQUENCY	129
CONFIGURING THE RTTY SHIFT WIDTH	130
REVERSING THE FREQUENCY IN RTTY MODE	130
CONFIGURING THE POLARITY FOR ACC 2 KEYING	130
USING AN EXTERNAL DEVICE FOR RTTY MODE OPERATION	131
AUDIO PEAK FILTER	131
PSK OPERATION	131
OPENING THE PSK ENCODE/DECODE SCREEN	132
SELECTING MAIN BAND AND SUB BAND FOR RECEPTION (PSK)	133
SAVING THE CONTENTS OF PSK COMMUNICATION	134
SELECTS THE FILE FORMAT AT THE TIME OF SAVING DATA	134
ADJUSTING THE RTTY THRESHOLD LEVEL OF PSK DECODING	135
DISPLAYING THE SCOPE TO CHECK PSK TUNING	135
FFT SCOPE	135
AVERAGING THE WAVEFORM IN THE FFT SCOPE	135
WATERFALL	136
VECTOR SCOPE (SUB-SCREEN)	136
AFC (AUTOMATIC FREQUENCY CONTROL)	137
CONFIGURING THE AFC TUNING RANGE	137
NET	138
SELECTING BPSK OR QPSK	138
SELECTING PSK31 OR PSK63	139
USING THE USB KEYBOARD TO TRANSMIT A TEXT STRING	139
TRANSMITTING THE ENTERED TEXT STRING AS ENTERED	139
TEMPORARILY STORING AND TRANSMITTING THE TEXT STRING IN THE BUFFER	140
UTILIZING A PSK MESSAGE MEMORY	141
STORING MESSAGES	141
CONFIGURING AUTOMATIC TRANSMISSION AND RECEPTION FOR THE PSK MESSAGE MEMORY	141
SENDING A TEXT STRING STORED IN PSK MESSAGE MEMORY	142
CONFIGURATION FOR PSK ENCODING AND DECODING	143
DISPLAYING THE TIME STAMP	143
SELECTING THE TIMESTAMP TIME	143
PSK-RELATED CONFIGURATION	143
CONFIGURING THE PSK TONE FREQUENCY	143
REVERSING THE PHASE CHANGE DIRECTION IN QPSK	144
USING A PC TO COMMUNICATE IN PSK MODE	144
6 REJECTING INTERFERENCE	145
ATTENUATOR (ATT)	145
PRESELECTOR	145
DSP FILTER	146
CHANGING THE IF FILTER BANDWIDTH CHARACTERISTICS	146
SWITCHING THE RX FILTER CONFIGURATIONS	146
CONFIGURING THE NUMBER OF RX FILTERS SELECTABLE	147
SELECTING THE ROOFING FILTER	147
SWITCHING THE IF FILTER TYPE	148
CONFIGURING THE BEHAVIOR OF HI/SHIFT AND LO/WIDTH (SSB AND SSB-DATA ONLY)	148
CHANGING THE AF FILTER TYPE	149
CHANGING THE CUTOFF FREQUENCIES (LOW AND HIGH FREQUENCY) TO ADJUST THE PASSBAND WIDTH CHARACTERISTICS	150
CHANGING THE PASSBAND WIDTH AND SHIFT TO ADJUST PASSBAND CHARACTERISTICS	151
ACTIVATING AUDIO PEAK FILTER FOR USE IN CW MODE	151
CHANGING THE PASSBAND CHARACTERISTICS OF THE AUDIO PEAK FILTER (APF)	152
SHIFTING THE PASSBAND OF THE AUDIO PEAK FILTER	152
AUDIO PEAK FILTER WHILE IN FSK MODE	153
NOISE BLANKER	153
MANUAL NOTCH FILTER (SSB, CW, FSK, AND PSK)	154
AUTO NOTCH FILTER (SSB)	155
BAND ELIMINATION FILTER	156
NOISE REDUCTION	157
BEAT CANCELLER (SSB, AM AND FM)	158
DSP MONITOR	159
ASSIGNING THE DSP MONITOR TO THE PF KEY	159
EXPANDING THE PASSBAND WIDTH OF THE FILTER USING THE DSP MONITOR	159
7 BANDSCOPE	161
BANDSCOPE	161
DISPLAYING THE BANDSCOPE	161
WATERFALL	161
PAUSING THE WATERFALL (CENTER MODE)	161
COLOR TYPE OF WATERFALL	162
ADJUSTING THE REFERENCE LEVEL	162
CONFIGURING THE WATERFALL DISPLAY FALL SPEED	162
CHANGING THE DISPLAY OF THE BANDSCOPE (MAIN BAND AND Sub band)	162
DISPLAYING THE BANDSCOPE AND ANOTHER SCREEN	163
TOGGLING THE CENTER MODE AND FIXED MODE	163
CHANGING THE DISPLAYED FREQUENCY SPAN (CENTER MODE)	163
SWITCHING THE MARKER OFFSET FREQUENCY (SSB ONLY)	164
SELECTING THE FREQUENCY DISPLAY IN THE GRID (RELATIVE FREQUENCY OR ABSOLUTE FREQUENCY)	164
CHANGING THE RECEIVE FREQUENCY USING YOUR FINGERTIP (CENTER MODE)	165
CHANGING THE RECEIVE FREQUENCY USING YOUR FINGERTIP (FIXED MODE)	165
STEP CORRECTION OPERATION	166
CONFIGURING THE LOWER AND UPPER LIMIT	166
APPLYING THE LOWER LIMIT FREQUENCY OR UPPER LIMIT FREQUENCY FOR CENTER MODE TO FIXED MODE	167
DISPLAYING THE MARKERS	167
OFF-RANGE MARKERS FOR FREQUENCIES BEYOND THE LOWER AND UPPER LIMITS	168
SHIFTING THE SCOPE AREA BY PLACING THE MARKER NEAR CENTER (FIXED MODE)	168
DISPLAYING THE MAXIMUM WAVEFORM VALUE	168
PAUSING THE WAVEFORM DISPLAY	169
AVERAGING THE WAVEFORM DISPLAY ON THE BANDSCOPE	169
CHANGING THE ATTENUATOR FOR THE BANDSCOPE	169
DISPLAYING THE TRANSMISSION SIGNAL WAVEFORM	170
OPERATION EXAMPLES	170
8 AUDIO SCOPE	171
DISPLAYING THE AUDIO SCOPE AND OSCILLOSCOPE	171
CHANGING THE AUDIO SOURCE FOR THE AUDIO SCOPE	171
CHANGING THE ATTENUATOR FOR THE AUDIO SCOPE	171
CHANGING THE AUDIO SCOPE FREQUENCY DISPLAY SPAN	172
CHANGING THE LEVEL OF THE OSCILLOSCOPE	172
CHANGING THE SWEEP TIME	173
PAUSING THE AUDIO SCOPE AND OSCILLOSCOPE	173
9 TRANSMIT FUNCTIONS	175
SELECTING THE AUDIO LINE FOR TRANSMISSION	175
SELECTING THE AUDIO SOURCE FOR TRANSMISSION BY SEND/PTT	175
SELECTING THE AUDIO SOURCE TRANSMISSION BY SEND/PTT	175
SELECTING THE AUDIO SOURCE FOR TRANSMISSION BY DATA SEND	176
VOX (VOICE-OPERATED TRANSMIT)	176
SWITCHING VOX (VOICE) ON OR OFF	176
SELECTING OR DISABLING THE AUDIO SOURCE FOR DATA VOX	176
ADJUSTING THE VOX GAIN	177
ADJUSTING THE VOX DELAY TIME	177
ADJUSTING THE ANTI VOX GAIN LEVEL	178
DELAYING THE AUDIO SIGNAL	179
TX MONITOR	179
ADJUSTING THE TX MONITOR LEVEL	179
SPEECH PROCESSOR	180
ADJUSTING THE SPEECH PROCESSOR OUTPUT LEVEL	181
ADJUSTING THE EFFECT OF THE SPEECH PROCESSOR	181
TRANSMIT FILTER	182
SELECTING A TX FILTER	182
CHANGING THE NUMBER OF AVAILABLE TX FILTERS	182
CHANGING THE BANDWIDTH OF THE TX FILTER	183
TX DSP EQUALIZER	183
SWITCHING THE TX DSP EQUALIZER ON OR OFF	183
SELECTING THE FREQUENCY CHARACTERISTICS OF THE TX DSP EQUALIZER	184
ADJUSTING THE TX DSP EQUALIZER	184
COPYING THE CONFIGURATION DATA FOR THE TX DSP EQUALIZER	185
SAVING THE CONFIGURATION DATA FOR THE TX DSP EQUALIZER	186
READING THE CONFIGURATION DATA FOR THE TX DSP EQUALIZER	186
DISPLAYING THE SUBSCOPE DURING TX	187
TX TUNING	188
TOGGLING BETWEEN TRANSMISSION AND RECEPTION EACH TIME THE KEY IS PRESSED: TX TUNE 1	188
ACTIVATING TRANSMISSION ONLY WHILE THE KEY IS PRESSED: TX TUNE 2	188
ADJUSTING THE TRANSMIT POWER FOR TX TUNING	188
TIME-OUT TIMER (TOT)	189
10 MEMORY CHANNELS	191
MEMORY CHANNEL	191
DISPLAYING THE MEMORY CHANNEL LIST	191
CONFIGURING THE OPERATING DATA TO A MEMORY CHANNEL	192
CONFIGURING THE OPERATING DATA TO A SINGLE-BAND MEMORY CHANNEL	192
CONFIGURING THE OPERATING DATA TO A DUAL-BAND MEMORY CHANNEL	193
CONFIGURING OPERATING DATA BY DIRECTLY ENTERING A FREQUENCY	193
MEMORY CHANNEL MODE	194
OPERATING IN SINGLE-BAND MEMORY CHANNEL MODE	194
OPERATING IN DUAL-BAND MEMORY CHANNEL MODE	194
SELECTING A MEMORY CHANNEL	195
DIRECTLY ENTERING THE MEMORY CHANNEL NUMBER	195
TEMPORARILY CHANGING THE OPERATING DATA	195
TEMPORARILY CHANGING THE FREQUENCY	195
COPYING OPERATING DATA FROM THE MEMORY CHANNEL	196
MEMORY SHIFT (MEMORY TO VFO)	196
COPYING OPERATING DATA FROM ONE MEMORY CHANNEL TO ANOTHER MEMORY CHANNEL (CHANNEL TO CHANNEL)	196
CONFIGURING THE PROGRAM SCAN FREQUENCY RANGE	197
CLEARING THE MEMORY CHANNEL	197
CONFIGURING NAMES FOR MEMORY CHANNELS	197
QUICK MEMORY	198
QUICK MEMORY CHANNELS	198
CONFIGURING IN QUICK MEMORY	198
RECALLING QUICK MEMORY CHANNELS	198
CONFIGURING THE NUMBER OF QUICK MEMORY CHANNELS	199
CLEARING QUICK MEMORY CHANNELS	199
MEMORY SHIFT (QUICK MEMORY TO VFO)	199
11 SCAN	201
PROGRAM SCAN	201
STARTING THE PROGRAM SCAN (VFO SCAN)	201
CONFIGURING THE PROGRAM SCAN (VFO SCAN) FREQUENCY RANGE	201
CHANGING THE SCAN SPEED	202
SCAN HOLD	202
PROGRAM SLOW SCAN	203
ENABLING OR DISABLING THE PROGRAM SLOW SCAN	203
CONFIGURING THE PROGRAM SLOW SCAN FREQUENCY POINT	203
CONFIGURING THE PROGRAM SLOW SCAN FREQUENCY RANGE	204
MEMORY SCAN	204
STARTING THE SCAN	204
EXAMPLES OF CONFIGURATIONS FOR THE ALL CHANNEL SCAN AND THE GROUP SCAN	204
LOCKING OUT A MEMORY CHANNEL	205
QUICK MEMORY SCAN	206
RESUMING THE SCANNING	206
12 ABOUT THE USB FLASH DRIVE	207
ABOUT THE USB FLASH DRIVE	207
FORMATTING A USB FLASH DRIVE	207
SAFELY REMOVING THE USB FLASH DRIVE	207
SAVING A FILE IN USB FLASH DRIVE	208
READING A FILE FROM USB FLASH DRIVE	208
DELETING A FILE FROM USB FLASH DRIVE	209
CHANGING A FILE NAME IN THE USB FLASH DRIVE	210
13 VOICE MESSAGE AND AUDIO FILE	211
RECORDING AND PLAYING VOICE MESSAGE	211
RECORDING A VOICE MESSAGE	211
NAMING A VOICE MESSAGE	212
PLAYING A VOICE MESSAGE	212
ADJUSTING THE VOLUME OF VOICE MESSAGE	213
TRANSMITTING A VOICE MESSAGE	213
CLEARING A VOICE MESSAGE	214
CONFIGURING INTERVAL TIME FOR RETRANSMIT	214
RECORDING AND PLAYING COMMUNICATION AUDIO	214
CONFIGURING THE SAVE DESTINATION OF AUDIO FILE	214
MANUAL RECORDING	215
FULL-TIME RECORDING	215
CONFIGURING THE MAXIMUM TIME FOR FULL-TIME RECORDING	215
SAVING AUDIO WITH FULL-TIME RECORDING	216
PLAYING AN AUDIO FILE	216
ADJUSTING THE VOLUME OF VOICE MESSAGE	216
AUDIO FILES	217
COPYING AUDIO FILE FROM INTERNAL MEMORY TO USB FLASH DRIVE	217
PLAYING AN AUDIO FILE	217
NAMING AN AUDIO FILE	218
DELETING AN AUDIO FILE	219
PROTECTING AN AUDIO FILE FROM DELETION (ONLY FOR INTERNAL MEMORY)	220
14 VOICE GUIDANCE	221
VOICE GUIDANCE	221
CONFIGURING THE VOLUME OF THE VOICE GUIDANCE	221
CONFIGURING THE VOICE GUIDANCE SPEED	221
CONFIGURING THE ANNOUNCEMENT LANGUAGE	221
AUTOMATICALLY ANNOUNCING VOICE GUIDANCE	222
VOICE 1	223
VOICE 2	230
VOICE 3	230
15 CLOCK DISPLAY AND TIMER	233
CONFIGURING THE DATE AND TIME	233
CONFIGURING THE DATE FOR THE LOCAL CLOCK	233
CONFIGURING THE TIME FOR THE LOCAL CLOCK	233
CONFIGURING THE TIMEZONE FOR THE LOCAL CLOCK	234
CONFIGURING THE TIMEZONE FOR THE SECONDARY CLOCK	234
CONFIGURING AN IDENTIFICATION LETTER FOR THE SECONDARY CLOCK	234
CONFIGURING THE DATE DISPLAY FORMAT	234
CORRECTING THE CLOCK WITH NTP (NETWORK TIME PROTOCOL)	235
CONFIGURING THE NTP SERVER ADDRESS	235
ENABLING OR DISABLING THE AUTOMATIC TIME CORRECTION	236
MANUAL CLOCK CORRECTION	236
TIMER	237
CONFIGURING THE PROGRAMMABLE TIMER	237
TEMPORARILY DISABLING THE TIMER TASK	238
SLEEP TIMER	239
CONFIGURING THE SLEEP TIMER	239

Match case Limit results 1 per page

4 BASIC OPERATIONS

4-26

Index

Contents

CONFIGURING THE STEREO HEADPHONES

OUTPUT

CONFIGURING THE MIX BALANCE OF THE STEREO

HEADPHONES OUTPUT

You can adjust the mixing balance of the received audio

between the left and right channels, for operation with

stereo headphones.

Select Group No. 1, "Audio Performance", from the

screen.

Access Menu 07, "Headphones Mixing Balance".

Press

[SELECT]

(F4) to allow editing of the parameter

box.

Press

[-]

(F4) or

[+]

(F5) to configure the mix balance

from the available range "0" to "10".

•

The default is "10". The received audio in the main band

and the received audio in the sub band are equally

distributed.

•

If "0" has been configured for menu 1-07 "Headphones

Mixing Balance", the received audio in the main band

and the received audio in the sub band are completely

separated for the left and right channels.

•

If "Off" has been configured for menu 1-08 "Headphones

Left/Right Reverse", the received audio in the main band

will be allocated to the left channel, and the received audio

in the sub band will be allocated to the right channel.

•

Increasing the configured value causes the level of the

audio in one channel mixed with the audio in other channel

to also be increased.

Press

[

]

(F1).

Press

[MENU]

to exit.

Note:

◆

Following the configuration in Menu 1-08, "Headphones Left/Right

Reverse", the channel that mainly emits the received audio of the

main band can be swapped.

SWAPPING THE RIGHT AND LEFT OUTPUT OF THE

HEADPHONES

You can reverse the audio of the

PHONES

jack left and

right channels.

Select Group No. 1, "Audio Performance", from the

screen.

Access Menu 08, "Headphones Left/Right Reverse".

Press

[SELECT]

(F4) to allow editing of the parameter

box.

Press

[-]

(F4) or

[+]

(F5) to select "Off" or "On".

Following is the example of configuration when "0" has been

configured for Menu, "Headphone Mixing Balance".

Configuration

Left Channel

Right Channel

Off

Received Audio in the

Main Band

Received Audio in the

Sub Band

Received Audio in the

Sub Band

Received Audio in the

Main Band

Press

[

]

Press

[MENU]

to exit.

Note:

◆

The wiring in the headphones jack plug determines whether the

right channel audio or the left channel audio sounds from the left or

right channels of the headphones.