Adobe 25520388 User Guide - Page 21
Appearance preferences, Audio Preferences, Automatch Time, 1 Mixdown Type
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USING ADOBE PREMIERE PRO 16 User interface "Set the default keyframe display of audio tracks" on page 141 "Render audio when rendering video" on page 206 "Scale assets" on page 294 "Change bin behaviors" on page 107 "Specify whether to render audio when rendering video" on page 47 Appearance preferences In the Appearance pane of the Preferences dialog box, you can set the overall brightness of the user interface. More Help topics "Brighten or darken the interface" on page 10 Audio Preferences Automatch Time The Automatch Time preference specifies the time, in the Audio Mixer, for any control that has been adjusted to return to its previous setting. Affected controls are Volume, Pan, Effect and Send parameter knobs in Audio, Submix and (except sends) Master track. Automatch Time preference affects properties in Touch mode, and in Read mode for effects with keyframes. 5.1 Mixdown Type Specifies how Premiere Pro mixes source channels to 5.1 audio tracks. Mute Input During Timeline Recording Check this box to prevent monitoring of the audio inputs while recording the timeline. Default Track Format Defines the type of track in which the clip audio channels are presented when a clip is added to a sequence-Mono, Stereo, Mono As Stereo, or 5.1. • Mono Maps the source audio channels so that they're placed on separate mono audio tracks. For example, when you select Mono from the Default Track Format menu, Premiere Pro maps each source channel to a separate mono track on capture or import. If you capture from a stereo source with this setting, Premiere Pro maps each of the source channels to a separate monaural track. You can apply the Mono track format to clips containing any number of audio channels. Importing a file containing 5.1 channels maps them to six audio tracks. When you add the clip to the sequence, the clips on the separate mono tracks remain linked together. • Stereo Maps the source audio channels so that paired channels are placed on stereo audio tracks. You can apply the Stereo track format to clips containing any number of audio channels. If the clip doesn't contain an even number of channels, a silent channel is created. The silent channel is paired with the unpaired channel when the clip is added to a sequence. • Mono As Stereo Maps the source audio channels so each is placed on a stereo audio track. Premiere Pro duplicates the audio from each mono source channel and places it in the left and right channels of a stereo track. You can apply the Mono As Stereo format to clips containing any number of audio channels. • 5.1 Maps the source audio channels so that one or more groups of six channels are placed into separate 5.1 surround audio tracks. If the number of source channels is not a multiple of six, Premiere Pro creates a 5.1 surround audio track with silence on one or more channels. Linear Keyframe Thinning Creates keyframes only at points that don't have a linear relationship to the start and end keyframes. For example, suppose you are automating a fade from 0 dB to -12 dB. With this option selected, Premiere Pro creates keyframes only at the points that represent an increase in value from the beginning (0 dB) and ending (- 12 dB) keyframes. If you don't select this option, Premiere Pro may create several incremental keyframes of identical Last updated 1/16/2012
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