Adobe 25520388 User Guide - Page 400

Color Emboss effect, Emboss effect, Find Edges effect, Mosaic effect, Posterize effect

Page 400 highlights

USING ADOBE PREMIERE PRO 395 Effects and transitions • Paint On Transparent Causes only the strokes themselves to appear, leaving the clip transparent between the strokes. • Paint On White/Paint On Black Applies strokes over a white or black background. Blend With Original The effect's transparency. The result of the effect is blended with the original image, with the effect result composited on top. The higher you set this value, the less the effect affects the clip. For example, if you set this value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original image doesn't show through. Color Emboss effect The Color Emboss effect works like the Emboss effect, without suppressing the image's original colors. Emboss effect The Emboss effect sharpens the edges of objects in the image and suppresses colors. The effect also highlights the edges from a specified angle. Direction The direction from which the highlight source shines. Relief The apparent height of the embossing, in pixels. The Relief setting actually controls the maximum width of highlighted edges. Contrast Determines the sharpness of the image. Blend With Original The effect's transparency. The result of the effect is blended with the original image, with the effect result composited on top. The higher you set this value, the less the effect affects the clip. For example, if you set this value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original image doesn't show through. Find Edges effect The Find Edges effect identifies the areas of the image that have significant transitions and emphasizes the edges. Edges can appear as dark lines against a white background or colored lines against a black background. If the Find Edges effect is applied, images often look like sketches or photographic negatives of the original. Invert Inverts the image after the edges are found. When Invert isn't selected, edges appear as dark lines on a white background. When Invert is selected, edges appear as bright lines on a black background. Mosaic effect The Mosaic effect fills a clip with solid-color rectangles, pixelating the original image. This effect is useful for simulating low-resolution displays and for obscuring faces. You can also animate it for a transition. Horizontal/Vertical Blocks The number of blocks in each row and column. Sharp Colors Gives each tile the color of the pixel in the center of the corresponding region in the original image. Otherwise, each tile is given the average color of the corresponding region in the original image. Posterize effect The Posterize effect lets you specify the number of tonal levels (or brightness values) for each channel in an image. The Posterize effect then maps pixels to the closest matching level. For example, choosing two tonal levels in an RGB image gives you two tones for red, two tones for green, and two tones for blue. Values range from 2 to 255. Level The number of tonal levels for each channel. Last updated 1/16/2012

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395
USING ADOBE PREMIERE PRO
Effects and transitions
Last updated 1/16/2012
Paint On Transparent
Causes only the strokes themselves to appear, leaving the clip transparent between the
strokes.
Paint On White/Paint On Black
Applies strokes over a white or black background.
Blend With Original
The effect’s transparency. The result of the effect is blended with the original image, with the effect
result composited on top. The higher you set this value, the less the effect affects the clip. For example, if you set this
value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original image doesn’t show
through.
Color Emboss effect
The Color Emboss effect works like the Emboss effect, without suppressing the image’s original colors.
Emboss effect
The Emboss effect sharpens the edges of objects in the image and suppresses colors. The effect also highlights the edges
from a specified angle.
Direction
The direction from which the highlight source shines.
Relief
The apparent height of the embossing, in pixels. The Relief setting actually controls the maximum width of
highlighted edges.
Contrast
Determines the sharpness of the image.
Blend With Original
The effect’s transparency. The result of the effect is blended with the original image, with the effect
result composited on top. The higher you set this value, the less the effect affects the clip. For example, if you set this
value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original image doesn’t show
through.
Find Edges effect
The Find Edges effect identifies the areas of the image that have significant transitions and emphasizes the edges. Edges
can appear as dark lines against a white background or colored lines against a black background. If the Find Edges
effect is applied, images often look like sketches or photographic negatives of the original.
Invert
Inverts the image after the edges are found. When Invert isn’t selected, edges appear as dark lines on a white
background. When Invert is selected, edges appear as bright lines on a black background.
Mosaic effect
The Mosaic effect fills a clip with solid-color rectangles, pixelating the original image. This effect is useful for
simulating low-resolution displays and for obscuring faces. You can also animate it for a transition.
Horizontal/Vertical Blocks
The number of blocks in each row and column.
Sharp Colors
Gives each tile the color of the pixel in the center of the corresponding region in the original image.
Otherwise, each tile is given the average color of the corresponding region in the original image.
Posterize effect
The Posterize effect lets you specify the number of tonal levels (or brightness values) for each channel in an image. The
Posterize effect then maps pixels to the closest matching level. For example, choosing two tonal levels in an RGB image
gives you two tones for red, two tones for green, and two tones for blue. Values range from 2 to 255.
Level
The number of tonal levels for each channel.