Adobe 25520388 User Guide - Page 414

Threshold, Attack, Release, Compressor, Ratio, MakeUp, Expander, Limiter, SoftClip, are unaffected.

Page 414 highlights

USING ADOBE PREMIERE PRO 409 Effects and transitions speaker stops, thereby removing all other sounds. The LED display colors indicate the gate's mode: open (green), attack or release (yellow), and closed (red). Use the following controls for Gate: • Threshold Specifies the level (between -60 and 0 dB) that the incoming signal must exceed to open the gate. If the signal level falls below this level, the gate closes, muting the incoming signal. • Attack Specifies the time the gate takes to open after the signal level exceeds the threshold. • Release Sets the time (between 50 and 500 milliseconds) the gate takes to close after the signal level has fallen below the threshold. • Hold Specifies the time (between 0.1 and 1000 milliseconds) the gate stays open after the level has fallen below the threshold. Compressor Balances the dynamic range to create a consistent level throughout the duration of the clip by increasing the level of soft sounds and decreasing the level of loud sounds. Use the following controls for Compressor: • Threshold Sets the level (between -60 and 0 dB) that the signal must exceed to invoke compression. Levels that fall below the threshold are unaffected. • Ratio Sets the ratio by which compression is applied, up to 8:1. For example, if the ratio is 5:1, and the input level increases by 5 dB, the output increases by only 1 dB. • Attack Sets the time (between 0.1 and 100 milliseconds) that the compressor takes to respond to a signal that exceeds the threshold. • Release Specifies the time (between 10 and 500 milliseconds) it takes for the gain to return to the original level when the signal falls below the threshold. • Auto Calculates the release time based on the incoming signal. • MakeUp Adjusts the compressor's output level (between -6 and 0 dB) to account for loss in gain caused by compression. Expander Reduces all signals below the specified threshold to the set ratio. The result is similar to the gate control but is more subtle. Use the following controls with Expander: • Threshold Specifies a level in which the signal must fall to activate the expander. Levels that exceed the threshold are unaffected. • Ratio Sets the rate at which signals are expanded, up to 5:1. For example, if the ratio is 5:1, a level decrease of 1 dB is expanded by 5 dB, resulting in a much faster decrease of the signal. Limiter Reduces clipping in audio clips that contain peaks in the signal. For example, by leveling out peaks that exceed 0 dB in an audio file, the overall level of the audio doesn't have to be reduced below 0 dB to avoid clipping. Use the following controls with Limiter: • Threshold Specifies the maximum level of the signal, between -12 and 0 dB. All signals that exceed the threshold are reduced to the same level as the threshold. • Release Specifies the time (between 10 and 500 milliseconds) required for the gain to return to the normal level after a clip occurs. SoftClip Reduces clipping similar to Limiter but doesn't use hard limiting. This control adds an edge to some signals to better define them within an overall mix. Last updated 1/16/2012

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409
USING ADOBE PREMIERE PRO
Effects and transitions
Last updated 1/16/2012
speaker stops, thereby removing all other sounds. The LED display colors indicate the gate’s mode: open (green),
attack or release (yellow), and closed (red). Use the following controls for Gate:
Threshold
Specifies the level (between –60 and 0 dB) that the incoming signal must exceed to open the gate. If the
signal level falls below this level, the gate closes, muting the incoming signal.
Attack
Specifies the time the gate takes to open after the signal level exceeds the threshold.
Release
Sets the time (between 50 and 500 milliseconds) the gate takes to close after the signal level has fallen below
the threshold.
Hold
Specifies the time (between 0.1 and 1000 milliseconds) the gate stays open after the level has fallen below the
threshold.
Compressor
Balances the dynamic range to create a consistent level throughout the duration of the clip by increasing
the level of soft sounds and decreasing the level of loud sounds. Use the following controls for Compressor:
Threshold
Sets the level (between –60 and 0 dB) that the signal must exceed to invoke compression. Levels that fall
below the threshold are unaffected.
Ratio
Sets the ratio by which compression is applied, up to 8:1. For example, if the ratio is 5:1, and the input level
increases by 5 dB, the output increases by only 1 dB.
Attack
Sets the time (between 0.1 and 100 milliseconds) that the compressor takes to respond to a signal that
exceeds the threshold.
Release
Specifies the time (between 10 and 500 milliseconds) it takes for the gain to return to the original level
when the signal falls below the threshold.
Auto
Calculates the release time based on the incoming signal.
MakeUp
Adjusts the compressor’s output level (between –6 and 0 dB) to account for loss in gain caused by
compression.
Expander
Reduces all signals below the specified threshold to the set ratio. The result is similar to the gate control but
is more subtle. Use the following controls with Expander:
Threshold
Specifies a level in which the signal must fall to activate the expander. Levels that exceed the threshold
are unaffected.
Ratio
Sets the rate at which signals are expanded, up to 5:1. For example, if the ratio is 5:1, a level decrease of 1 dB
is expanded by 5 dB, resulting in a much faster decrease of the signal.
Limiter
Reduces clipping in audio clips that contain peaks in the signal. For example, by leveling out peaks that exceed
0 dB in an audio file, the overall level of the audio doesn’t have to be reduced below 0 dB to avoid clipping. Use the
following controls with Limiter:
Threshold
Specifies the maximum level of the signal, between –12 and 0 dB. All signals that exceed the threshold
are reduced to the same level as the threshold.
Release
Specifies the time (between 10 and 500 milliseconds) required for the gain to return to the normal level
after a clip occurs.
SoftClip
Reduces clipping similar to Limiter but doesn’t use hard limiting. This control adds an edge to some signals
to better define them within an overall mix.