Adobe 25520388 User Guide - Page 365

RGB Color Corrector effect

Page 365 highlights

USING ADOBE PREMIERE PRO 360 Effects and transitions range, and use the - Eyedropper tool to subtract from the color range. You can also click the swatch to open the Adobe Color Picker and select the center color. Hue, Saturation, and Luma Specify the color range to be corrected by hue, saturation, or luminance. Click the triangle next to the option name to access the threshold and softness (feathering) controls to define the hue, saturation, or luminance range. Soften Makes boundaries of the specified area more diffuse, blending the correction more with the original image. A higher value increases the softness. Edge Thinning Makes the specified area more sharply defined. The correction becomes more pronounced. A higher value increases the edge definition of the specified area. Invert Limit Color Corrects all colors except for the color range that you specified with the Secondary Color Correction settings. More Help topics "Adjust color and luminance using curves" on page 318 RGB Color Corrector effect The RGB Color Corrector effect adjusts the color in a clip by applying adjustments to the tonal ranges that you define for the highlights, midtones, and shadows. The effect lets you make tonal adjustments to each color channel individually. You can also specify the color range to be corrected by using the Secondary Color Correction controls. Jeff Sengstack explains how to adjust color channels using RGB Color Corrector and RGB Curves effects in this lynda.com video from his tutorial -- Premiere Pro: Color Correction and Enhancement. For more information about using the RGB Color Corrector effect, see the video tutorial, Tips & Tricks: Color Correction, on the Videomaker Magazine website. Output Lets you view adjustments in the Program monitor as the final results (Composite), tonal value adjustments (Luma), display of the alpha matte (Mask), or a tritone representation of where the shadows, midtones, and highlights fall (Tonal Range). Show Split View Displays the left or upper part of the image as the corrected view and the right or lower part of the image as the uncorrected view. Layout Determines whether the Split View images are side by side (Horizontal) or above and below (Vertical). Split View Percent Adjusts the size of the corrected view. The default is 50%. Tonal Range Definition Defines the tonal range of the shadows and highlights using threshold and falloff controls: • Shadow Threshold Determines the shadow's tonal range. • Shadow Softness Determines the shadow's tonal range with falloff. • Highlight Threshold Determines the highlight's tonal range. • Highlight Softness Determines the highlight's tonal range with falloff. Choose Tonal Range from the Output menu to view the highlights, midtones, and shadows as you adjust the Tonal Range Definition controls. Tonal Range Specifies whether the color correction is applied to the entire image (Master), the highlights only, midtones only, or shadows only. Gamma Adjusts the image's midtone values without affecting black and white levels. Use this control to adjust images that are too dark or too light, without distorting shadows and highlights. Last updated 1/16/2012

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360
USING ADOBE PREMIERE PRO
Effects and transitions
Last updated 1/16/2012
range, and use the - Eyedropper tool to subtract from the color range. You can also click the swatch to open the Adobe
Color Picker and select the center color.
Hue, Saturation, and Luma
Specify the color range to be corrected by hue, saturation, or luminance. Click the triangle
next to the option name to access the threshold and softness (feathering) controls to define the hue, saturation, or
luminance range.
Soften
Makes boundaries of the specified area more diffuse, blending the correction more with the original image. A
higher value increases the softness.
Edge Thinning
Makes the specified area more sharply defined. The correction becomes more pronounced. A higher
value increases the edge definition of the specified area.
Invert Limit Color
Corrects all colors except for the color range that you specified with the Secondary Color Correction
settings.
More Help topics
Adjust color and luminance using curves
” on page
318
RGB Color Corrector effect
The RGB Color Corrector effect adjusts the color in a clip by applying adjustments to the tonal ranges that you define
for the highlights, midtones, and shadows. The effect lets you make tonal adjustments to each color channel
individually. You can also specify the color range to be corrected by using the Secondary Color Correction controls.
Jeff Sengstack explains how to adjust color channels using RGB Color Corrector and RGB Curves effects
in this
lynda.com video
from his tutorial -- Premiere Pro: Color Correction and Enhancement.
For more information about using the RGB Color Corrector effect, see the video tutorial, Tips & Tricks: Color
Correction, on the
Videomaker Magazine website
.
Output
Lets you view adjustments in the Program monitor as the final results (Composite), tonal value adjustments
(Luma), display of the alpha matte (Mask), or a tritone representation of where the shadows, midtones, and highlights
fall (Tonal Range).
Show Split View
Displays the left or upper part of the image as the corrected view and the right or lower part of the
image as the uncorrected view.
Layout
Determines whether the Split View images are side by side (Horizontal) or above and below (Vertical).
Split View Percent
Adjusts the size of the corrected view. The default is 50%.
Tonal Range Definition
Defines the tonal range of the shadows and highlights using threshold and falloff controls:
Shadow Threshold
Determines the shadow’s tonal range.
Shadow Softness
Determines the shadow’s tonal range with falloff.
Highlight Threshold
Determines the highlight’s tonal range.
Highlight Softness
Determines the highlight’s tonal range with falloff.
Choose Tonal Range from the Output menu to view the highlights, midtones, and shadows as you adjust the Tonal
Range Definition controls.
Tonal Range
Specifies whether the color correction is applied to the entire image (Master), the highlights only,
midtones only, or shadows only.
Gamma
Adjusts the image’s midtone values without affecting black and white levels. Use this control to adjust images
that are too dark or too light, without distorting shadows and highlights.