Adobe 25520388 User Guide - Page 368
Three-Way Color Corrector effect, Chooses the tonal range adjusted by the Hue Angle, Balance Magnitude
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USING ADOBE PREMIERE PRO 363 Effects and transitions Three-Way Color Corrector effect The Three-Way Color Corrector effect lets you make subtle corrections by adjusting a clip's hue, saturation, and brightness for the shadow, midtones, and highlights. You can further refine your adjustments by specifying the color range to be corrected by using the Secondary Color Correction controls. Output Lets you view adjustments in the Program monitor as the final results (Composite), tonal value adjustments (Luma), display of the alpha matte (Mask), or a tritone representation of the shadows, midtones, and highlights (Tonal Range). Show Split View Displays one part of the image as the corrected view and the other part of the image as the uncorrected view. Layout Determines whether the Split View images are side by side (Horizontal) or above and below (Vertical). Split View Percent Adjusts the size of the corrected view. The default is 50%. Black Balance, Gray Balance, White Balance Assigns a black, midtone gray, or white balance to a clip. Use the different Eyedropper tools to sample a target color in the image, or choosing a color from the Adobe Color Picker. Tonal Range Definition Defines the tonal range of the shadows, midtones, and highlights in a clip. Drag the square sliders to adjust the threshold values. Drag the triangle sliders to adjust the amount of softness (feathering). Choose Tonal Range from the Output menu to view the highlights, midtones, and shadows as you adjust the Tonal Range Definition controls. Shadow Threshold, Shadow Softness, Highlight Threshold, Highlight Softness Determine the threshold and softness of the shadows, midtones, and highlights in a clip. Enter values or click the triangle next to the option name and drag the slider. Tonal Range Chooses the tonal range adjusted by the Hue Angle, Balance Magnitude, Balance Gain, Balance Angle, Saturation, and Levels controls. Highlights is the default. Other options in the menu are Master, Shadows, and Midtones. Note: You can still adjust all three tonal ranges using the three color wheels even after you choose from the Tonal Range menu. Three-Way Hue Balance and Angle Controls hue and saturation adjustments using three color wheels for the shadows (left wheel), midtones (middle wheel), and highlights (right wheel). A single master wheel appears when Master is chosen from the Tonal Range menu. A circular thumb moves about the center of the wheel and controls the hue (UV) translation. A perpendicular handle on the thumb controls the balance magnitude, which affects the relative coarseness or fineness of the control. The outer ring of the wheel controls hue rotation. Three-Way Hue Balance And Angle color wheels Highlights/Midtones/Shadows Hue Angle Controls the hue rotation in the highlights, midtones, or shadows. The default value is 0. Negative values rotate the color wheel to the left and positive values rotate the color wheel to the right. Highlights/Midtones/Shadows Balance Magnitude Controls the amount of color balance correction as determined by the Balance Angle. The adjustment can be applied to highlights, midtones, and shadows. Last updated 1/16/2012
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