Adobe 25520388 User Guide - Page 248

USING ADOBE PREMIERE PRO 243 Editing Audio • When the output track contains fewer channels than in the other audio tracks, Premiere Pro downmixes the audio to the number of channels in the output track. • When an audio track and the output track are mono or when both tracks are 5.1 surround, panning and balancing aren't available. The channels of both tracks correspond directly. While the master audio track is the default output track, a sequence can also include submix tracks. Submix tracks can be both an output destination of other audio tracks and an audio source to the master track (or other submix tracks). Therefore, the number of channels in a submix track affects the pan or balance controls available in tracks that output to it, and the number of channels in the submix output track affect whether panning or balancing is available for that submix track. Panning and balancing in the Audio Mixer The Audio Mixer provides controls for panning and balancing. A round knob appears when a mono or stereo track outputs to a stereo track. You rotate the knob to pan or balance audio between the left and right output track channels. A square tray appears when a mono or stereo track outputs to a 5.1 surround track. The tray depicts the twodimensional audio field created by 5.1 surround audio. You slide a puck within the tray to pan or balance audio among the five speakers, which are represented by pockets around the edge of the tray. The tray also includes controls for adjusting a 5.1 surround audio track's center channel percentage and subwoofer volume. No pan control appears if a track outputs to a submix or master track that contains the same number of channels or fewer; therefore, a pan or balance control is never available for a 5.1 surround track. A master track doesn't contain a pan or balance control because it's never routed to another track. However, panning or balancing an entire sequence is possible when you use the sequence as a track in another sequence. You can vary the pan setting over time in the Audio Mixer, or in a Timeline panel by applying keyframes to a track's Pan options. A B C Panning and balancing controls A. Stereo pan/balance knob B. 5.1 surround pan/balance tray C. Center percentage For best results monitoring pan or balance settings, make sure that each of the computer or audio card's outputs is connected to the correct speaker, and make sure that positive and negative wires are connected consistently across all speakers. Last updated 1/16/2012