Adobe 25520388 User Guide - Page 250

Pan or balance a track in a Timeline panel, Advanced mixing, Work with submixes

Page 250 highlights

USING ADOBE PREMIERE PRO 245 Editing Audio 2 In the Audio Mixer, for each channel in a track, click the Direct Output Assignment button, and select one of the 16 channels in the Master track as the destination for that channel. Note: You cannot assign track sends to the Master track in a 16-channel sequence. Pan or balance a track in a Timeline panel 1 In a Timeline panel, if necessary, expand a track's view by clicking the triangle next to the track name. 2 Click the Show Keyframes button , and choose Show Track Keyframes from the menu. 3 Click Track:Volume at the top left of the track and then choose Panner > Balance or Panner > Pan from the menu. (For 5.1 surround audio, choose the dimension you want to edit from the Panner menu.) 4 (Optional) If you want to adjust the pan or balance effect over time, move the current-time indicator and click the Add/Remove Keyframe icon . 5 Use the Selection tool or the Pen tool to adjust the level. 6 (Optional) If you're adjusting the pan or balance effect over time, repeat steps 4 and 5 as necessary. Advanced mixing Work with submixes A submix is a track that combines audio signals routed to it from specific audio tracks or track sends in the same sequence. A submix is an intermediate step between audio tracks and the master track. Submixes are useful if you want to work with a number of audio tracks in the same way. For example, you can use a submix to apply identical audio and effect settings to three tracks of a five-track sequence. Submixes can help make the best use of your computer's processing power by allowing you to apply one instance of an effect instead of multiple instances. Like audio tracks that contain clips, submixes can be mono, stereo, or 5.1 surround. Submixes appear as fully functional tracks in both the Audio Mixer and a Timeline panel-you can edit submix track properties just as you edit a track containing audio clips. However, submixes are different from audio tracks in the following ways: • Submix tracks can't contain clips, so you can't record to them. Therefore, they don't contain any recording or device input options or clip editing properties. • In the Audio Mixer, submixes have a darker background than other tracks. • In a Timeline panel, submixes don't have a Toggle Track Output icon or a Display Style icon . Create a submix in a Timeline panel 1 Choose Sequence > Add Tracks. 2 Specify options in the Audio Submix Tracks section, and then click OK. Simultaneously create a submix and assign a send 1 If necessary, display the effects/sends panel in the Audio Mixer by clicking the triangle to the left of an automation option's menu. 2 Choose Create Mono Submix, Create Stereo Submix, or Create 5.1 Submix from any of the five sends list menus in the Audio Mixer. Last updated 1/16/2012

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245
USING ADOBE PREMIERE PRO
Editing Audio
Last updated 1/16/2012
2
In the Audio Mixer, for each channel in a track, click the Direct Output Assignment button, and select one of the
16 channels in the Master track as the destination for that channel.
Note:
You cannot assign track sends to the Master track in a 16-channel sequence.
Pan or balance a track in a Timeline panel
1
In a Timeline panel, if necessary, expand a track’s view by clicking the triangle next to the track name.
2
Click the Show Keyframes button
, and choose Show Track Keyframes from the menu.
3
Click Track:Volume at the top left of the track and then choose Panner > Balance or Panner > Pan from the menu.
(For 5.1 surround audio, choose the dimension you want to edit from the Panner menu.)
4
(Optional) If you want to adjust the pan or balance effect over time, move the current-time indicator and click the
Add/Remove Keyframe icon
.
5
Use the Selection tool or the Pen tool to adjust the level.
6
(Optional) If you’re adjusting the pan or balance effect over time, repeat steps 4 and 5 as necessary.
Advanced mixing
Work with submixes
A
submix
is a track that combines audio signals routed to it from specific audio tracks or track sends in the same
sequence. A submix is an intermediate step between audio tracks and the master track. Submixes are useful if you want
to work with a number of audio tracks in the same way. For example, you can use a submix to apply identical audio
and effect settings to three tracks of a five-track sequence. Submixes can help make the best use of your computer’s
processing power by allowing you to apply one instance of an effect instead of multiple instances.
Like audio tracks that contain clips, submixes can be mono, stereo, or 5.1 surround. Submixes appear as fully
functional tracks in both the Audio Mixer and a Timeline panel—you can edit submix track properties just as you edit
a track containing audio clips. However, submixes are different from audio tracks in the following ways:
Submix tracks can’t contain clips, so you can’t record to them. Therefore, they don’t contain any recording or
device input options or clip editing properties.
In the Audio Mixer, submixes have a darker background than other tracks.
In a Timeline panel, submixes don’t have a Toggle Track Output icon
or a Display Style icon
.
Create a submix in a Timeline panel
1
Choose Sequence > Add Tracks.
2
Specify options in the Audio Submix Tracks section, and then click OK.
Simultaneously create a submix and assign a send
1
If necessary, display the effects/sends panel in the Audio Mixer by clicking the triangle to the left of an automation
option’s menu.
2
Choose Create Mono Submix, Create Stereo Submix, or Create 5.1 Submix from any of the five sends list menus in
the Audio Mixer.