Yamaha A5000 Owner's Manual - Page 259

Beat Change, Pitch Change 1, Low Resolution, Noisy, Attack Lofi, D63>w - D=w - D<w63

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Effect Parameter List 6: JUMP 1 Depth 2 Speed 3 Direction @4 Type @5 Jump Wave Type @6 Resolution 7 LPF Frequency 8 HPF Frequency 9 Dry/Wet Balance 0 - 127 0 - 127 LR,L>>R Type-A,Type-B,Type-C Type-A,Type-B,Type-C,Type-D 1/1 - 1/256 1.0kHz - 18.0kHz, thru thru, 20Hz - 8.0kHz D63>W - D=W - DW - D=W - D

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Effect Parameter List
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
A5000/A4000 •
Appendix
259
6: JUMP
1
Depth
0 — 127
Modulation depth
2
Speed
0 — 127
Modulation speed
3
Direction
L<>R,L>>R
Modulation type
@4
Type
Type-A,Type-B,Type-C
Modulation type
@5
Jump Wave Type
Type-A,Type-B,Type-C,Type-D
Modulation type
@6
Resolution
1/1 — 1/256
Resolution
7
LPF Frequency
1.0kHz — 18.0kHz, thru
Frequency at which the low pass filter will cut the high range
8
HPF Frequency
thru, 20Hz — 8.0kHz
Frequency at which the high pass filter will cut the low range
9
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between the dry sound and effect sound
7: BEAT CHANGE
1
BeatChange(Ctrl)
-63 — +63
A beat change effect
2
Beat Range
0 — 12
Width of variation for sample playback speed
3
PitchChange(Ctrl)
-63 — +63
A pitch change effect
4
Pitch Range
0 — 12
Width of variation for Pitch Change
@5
Accuracy Type
sound4 — normal — rhythm4
Balance between emphasis on sound quality and emphasis on sense of beat
6
EQ Frequency
100Hz — 10.0kHz
Frequency at which the EQ will boost/cut the mid range
7
EQ Gain
-12dB — +12dB
Gain by which the EQ will boost/cut the mid range
8
EQ Width
1.0 — 12.0
Width of the area in which the EQ will boost/cut the mid range
9
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between the dry sound and effect sound
You can use this effect to set up a controller so that the controller will vary the playback speed while leaving the pitch unchanged.
In order to use this effect a controller must first be assigned to “E*-1” (“*” is the effect number used for this effect) in the program controller setup display after selecting the effect. Then
“2. BeatRange” must be set as required. “1. BeatChange(Ctrl) and 3. PitchChange(Ctrl are controlled from controllers and should be set to “0.”
8: PITCH CHANGE 1, 9: PITCH CHANGE 2
1
Dry/Wet Balance
D63>W — D=W — D<W63
Balance of the dry sound and effect sound
2
Pitch
-24 — +24
Pitch change in semitone steps
3
Initial Delay
0.1ms — 200.0ms
Delay length
4
Fine1
-50 — +50
Fine pitch setting for first unit
5
Fine2
-50 — +50
Fine pitch setting for second unit
6
Feedback Level
-63 — +63
Amount of feedback
7
Pan1
-63 — 0 — +63
Panning of first unit
8
Output Level1
0 — 127
Output level of first unit
9
Pan2
-63 — 0 — +63
Panning of second unit
10
Output Level2
0 — 127
Output level of second unit
The Fine1 and Fine2 settings are in cents for the PITCH CHANGE 2 effect only.
10: LOW RESOLUTION
1
Mod Depth
0 — 127
Modulation depth
2
Mod Delay Offset
1 — 127
Modulation delay offset
3
Mod Feedback
-63 — +63
Feedback amount
@4
Resolution
1/1 — 1/128
Resolution
5
Mod Mix Balance
0 — 127
Delay sound and bypass sound balance
6
Phase Inverse R
off,Wet,Wet+Dry
Left/right phase reversal
7
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between dry sound and effect sound
11: NOISY
1
Drive
0 — 127
Degree of distortion
2
Mod Depth
1 — 10
Modulation depth
3
Mod Speed
0 — 127
Modulation speed
4
Mod Feedback
-63 — +63
Feedback amount
5
AM Speed
0.00Hz — 39.7Hz
Amplitude modulation frequency
6
AM Depth
0 — 127
Amplitude modulation depth
7
Mod Mix Balance
1 — 127
Balance between noise modulated sound and bypass sound
8
LPF Frequency
1.0kHz — 18.0kHz, thru
Frequency at which the low pass filter will cut the high range
9
LPF Resonance
1.0 — 12.0
Resonance of the low pass filter
10
EQ Frequency
100Hz — 10.0kHz
Frequency at which the EQ will boost/cut the mid range
11
EQ Gain
-12 — +12dB
Gain by which the EQ will boost/cut the mid range
12
EQ Width
1.0 — 12.0
Width of the mid range area which the EQ will boost/cut
13
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between the dry sound and effect sound
12: ATTACK LOFI
1
Sensitive
0 — 127
Sensitivity
@2
Resolution
1/1 — 1/32
Resolution
3
Peak Frequency
100Hz — 10.0kHz
Frequency at which a peak will be created in the mid range
4
LPF Frequency
1.1kHz — 18.0kHz, thru
Frequency at which the low pass filter will cut the high range
5
Flanger Speed
0.00Hz — 39.7Hz
Frequency of delay modulation
6
Flanger LFO Wave
tri,sine,saw up,saw down
Modulation waveform selection
7
Flanger Depth
0 — 127
Modulation depth
8
Fln Depth Ofst R
-64 — +63
R ch offset for depth
9
Flanger Delay
0.1 — 650.0ms
Delay time
10
Fln Delay Ofst R
0 — 884
R ch offset for delay time
11
Flanger Feedback
-63 — +63
Feedback amount
12
Flanger FB Ofst R
-63 — +63
R ch offset for feedback
13
Flanger FB HiDamp
0.1 — 1.0
Adjust the high range attenuation (low values will cause the high range to decay faster)
14
FB HiDamp Ofst R
-0.9 — +0.9
R ch offset for high damp
15
Fln Mix Balance
1 — 127
Balance between flanger sound and bypass sound
16
Dry/Wet Balance
D63>W — D=W — D<W63
Balance between dry sound and effect sound