Yamaha A5000 Owner's Manual - Page 261

Comp + Dist + Delay, 33: Comp + Overdrive + Delay

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Effect Parameter List 23: WAH + DIST + DELAY, 24: WAH + OVERDRIVE + DELAY 1 Wah Sensitive 2 Wah Cutoff Freq Ofst 3 Wah Resonance 4 Wah Release 5 Dist Drive 6 Dist Output Level 7 Dist EQ Low Gain 8 Dist EQ Mid Gain 9 Delay Mix 10 Delay Time 11 Dly Feedback Level 12 Dry/Wet Balance 0 - 127 0 - 127 1 - 12.0 10ms - 680ms 0 - 127 0 - 127 -12dB - +12dB -12dB - +12dB 0 - 127 0.1ms - 1480.0ms -63 - +63 D63>W - D=W - DW - D=W - DW - D=W - D

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Effect Parameter List
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
A5000/A4000 •
Appendix
261
23: WAH + DIST + DELAY, 24: WAH + OVERDRIVE + DELAY
1
Wah Sensitive
0
— 127
Sets the wow filter sensitivity to input variation
2
Wah Cutoff Freq Ofst
0
— 127
Offsets the wow filter control frequency
3
Wah Resonance
1 — 12.0
Sets the wah filter bandwidth
4
Wah Release
10ms — 680ms
Sets the time before the wow filter center frequency returns to normal
5
Dist Drive
0
— 127
Degree of distortion
6
Dist Output Level
0
— 127
Output level
7
Dist EQ Low Gain
-12dB — +12dB
Amount of gain by which the EQ will boost/cut the low range
8
Dist EQ Mid Gain
-12dB — +12dB
Amount of gain by which the EQ will boost/cut the mid range
9
Delay Mix
0
— 127
Delay level
10
Delay Time
0.1ms — 1480.0ms
Delay time
11
Dly Feedback Level
-63 — +63
Amount of feedback
12
Dry/Wet Balance
D63>W — D=W — D<W63
Balance of the dry sound and effect sound
25: TALKING MODULATOR
1
Vowel
a/i/u/e/o
Vowel select
2
Move Speed
1 — 62
The amount of time it takes to change to the selected vowel
3
Drive
0 — 127
The amount of enhancement applied
4
Output Level
0 — 127
Output level
26: 3BAND EQ
1
EQ Low Frequency
50Hz — 2.0kHz
Frequency at which the EQ will boost/cut the low range
2
EQ Low Gain
-12dB — +12dB
Amount of gain by which the EQ will boost/cut the low range
3
EQ Mid Frequency
100Hz — 10.0kHz
Frequency at which the EQ will boost/cut the low range
4
EQ Mid Gain
-12dB — +12dB
Amount of gain by which the EQ will boost/cut the mid range
5
EQ Mid Width
1 — 12.0
Width of the area in which the EQ will boost/cut the mid range
6
EQ High Frequency
500Hz — 16.0kHz
Frequency at which the EQ will boost/cut the high range
7
EQ High Gain
-12dB — +12dB
Amount of gain by which the EQ will boost/cut the high range
8
Input Mode
mono/stereo
Mono/stereo input mode selection
27: ISOLATOR
1
On/Off SW
off, on
Isolator switch
2
Low Level
0 — 127
Low frequency level
3
Mid Level
0 — 127
Mid frequency level
4
High Level
0 — 127
High frequency level
5
Low Mute SW
off, on
Low frequency mute switch
6
Mid Mute SW
off, on
Mid frequency mute switch
7
High Mute SW
off, on
High frequency mute switch
28: HARMONIC ENHANCER
1
HPF Cutoff Freq
500Hz — 16.0kHz
Frequency at which the high pass filter will cut the low range of the effect sound
2
Drive
0 — 127
Degree with which the enhancer effect will be applied
3
Mix Level
0 — 127
Level at which the effect sound will be mixed into the dry sound
29: VOICE CANCEL
1
Low Adjust
0 — 26
Adjusts the lower frequency of the midrange cancellation
2
High Adjust
0 — 26
Adjusts the upper frequency of the midrange cancellation
30: COMPRESSOR
1
Threshold
-48dB — -6dB
Input level at which compression begins to be applied
2
Attack
1ms — 40ms
Time until when the compressor begins to take effect
3
Release
10ms — 680ms
Time until the compressor effect disappears
4
Ratio
1 — 20.0
Compression ratio of the compressor
5
Output Level
0 — 127
Output level
31: COMP + DIST
1
Drive
0 — 127
Degree of distortion
2
LPF Cutoff Freq
1.0kHz — 18.0kHz, thru
Frequency at which the filter will cut the high range
3
Output Level
0 — 127
Output level
4
Edge
0 — 127
Curve of distortion characteristics (127: distortion begins suddenly; 0: distortion begins gradually)
5
Attack
1ms — 40ms
(Compressor) Time until when the compressor begins to take effect
6
Release
10ms — 680ms
(Compressor) Time until the compressor effect disappears
7
Threshold
-48dB — -6dB
(Compressor) Input level at which compression begins to be applied
8
Ratio
1 — 20.0
(Compression) Compression ratio of the compressor
9
EQ Low Frequency
32Hz — 2.0kHz
Frequency at which the EQ will boost/cut the low range
10
EQ Low Gain
-12dB — +12dB
Gain with which the EQ will boost/cut the low range
11
EQ Mid Frequency
100Hz — 10.0kHz
Frequency at which the EQ will boost/cut the mid range
12
EQ Mid Gain
-12dB — +12dB
Gain with which the EQ will boost/cut the mid range
13
EQ Mid Width
1 — 12.0
Width of the mid range area which the EQ will boost/cut
14
Dry/Wet Balance
D63>W — D=W — D<W63
Balance of the dry sound and effect sound
32: COMP + DIST + DELAY, 33: COMP + OVERDRIVE + DELAY
1
Comp Threshold
-48dB — -6dB
Input level at which compression begins to be applied
2
Comp Ratio
1
— 20.0
Compression ratio of the compressor
3
Comp Attack
1ms — 40ms
Time until when the compressor begins to take effect
4
Comp Release
10ms — 680ms
Time until the compressor effect disappears
5
Dist. Drive
0
— 127
Degree of distortion
6
Dist Output Level
0
— 127
Output level
7
Dist EQ Low Gain
-12dB — +12dB
Gain with which the EQ will boost/cut the low range
8
Dist EQ Mid Gain
-12dB — +12dB
Gain with which the EQ will boost/cut the mid range
9
Delay Mix
0
— 127
Delay level
10
Delay Time
0.1ms — 1480.0ms
Delay time
11
Dly Feedback Level
-63 — +63
Amount of feedback
12
Dry/Wet Balance
D63>W — D=W — D<W63
Balance of the dry sound and effect sound