Autodesk 663B1-05A111-1001 User Guide - Page 17

Interface overview, About, Working in Maya, 3D coordinates - games

Page 17 highlights

1 Interface overview About Working in Maya Maya is the premier application for creating compelling 3D digital content, including models, animation, visual effects, games, and simulations. The work you do in Maya generally falls into these categories: • Creating models. Polygons, NURBS, and subdivision surfaces are different object types with different ways of modeling. Each has its own strengths, and different artists prefer working with different types. • Polygons let you model a surface by building up and reshaping a number of simple surface facets. • NURBS let you easily create smooth, curving surfaces with high-level control. • Subdivision surfaces let you edit surfaces at a high level with minimum overhead data, while still letting you work with subsections of the surface as if they were made from polygons. • Character rigging. Most animations involve "characters," articulated models such as a person, an animal, robot, or anything else that moves by articulation. Maya lets you define internal skeletons for characters and bind skin to them to create realistic movement with deformation. • Animation. Just about everything you can think of in Maya is keyable or able to be animated. • Dynamics, fluids, and other simulated effects. Maya includes a comprehensive suite of tools for simulating real world effects such as fire, explosions, fluids, hair and fur, the physics of colliding objects, and more. • Painting and paint effects. Maya includes an incredible system for using a graphics tablet (or the mouse) to paint 2D canvases, paint directly on 3D models, paint to create geometry, scriptable paint, and virtually limitless other possibilities. • Lighting, Shading, and Rendering. When you want to render a still image or movie of you scene or animation, you can create them using your choice of renderers. 3D coordinates The most basic visual entity is the point. The point has no size, but it has a location. To determine the location of points, we first establish an arbitrary point in space as the origin. We can then say a point's location is so many units left (or right) of the origin, so many units up (or down) from the origin, and so many units higher (or lower) than the origin. Basics 17

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
  • 224
  • 225
  • 226
  • 227
  • 228
  • 229
  • 230
  • 231
  • 232
  • 233
  • 234
  • 235
  • 236
  • 237
  • 238
  • 239
  • 240
  • 241
  • 242
  • 243
  • 244
  • 245
  • 246
  • 247
  • 248
  • 249
  • 250
  • 251
  • 252
  • 253
  • 254
  • 255
  • 256
  • 257
  • 258
  • 259
  • 260
  • 261
  • 262
  • 263
  • 264
  • 265
  • 266
  • 267
  • 268
  • 269
  • 270
  • 271
  • 272
  • 273
  • 274
  • 275
  • 276
  • 277
  • 278
  • 279
  • 280
  • 281
  • 282
  • 283
  • 284
  • 285
  • 286
  • 287
  • 288
  • 289
  • 290
  • 291
  • 292
  • 293
  • 294
  • 295
  • 296
  • 297
  • 298
  • 299
  • 300
  • 301
  • 302
  • 303
  • 304
  • 305
  • 306
  • 307
  • 308
  • 309
  • 310
  • 311
  • 312
  • 313
  • 314
  • 315
  • 316
  • 317
  • 318
  • 319
  • 320
  • 321
  • 322
  • 323
  • 324
  • 325
  • 326
  • 327
  • 328
  • 329
  • 330
  • 331
  • 332
  • 333
  • 334
  • 335
  • 336
  • 337
  • 338
  • 339
  • 340
  • 341
  • 342
  • 343
  • 344
  • 345
  • 346
  • 347
  • 348
  • 349
  • 350
  • 351
  • 352
  • 353
  • 354
  • 355
  • 356
  • 357
  • 358
  • 359
  • 360
  • 361
  • 362
  • 363
  • 364
  • 365
  • 366
  • 367
  • 368
  • 369
  • 370
  • 371
  • 372
  • 373
  • 374
  • 375
  • 376
  • 377
  • 378
  • 379
  • 380
  • 381
  • 382
  • 383
  • 384
  • 385
  • 386
  • 387
  • 388
  • 389
  • 390
  • 391
  • 392
  • 393
  • 394
  • 395
  • 396
  • 397
  • 398
  • 399
  • 400
  • 401
  • 402
  • 403
  • 404
  • 405
  • 406
  • 407
  • 408
  • 409
  • 410
  • 411
  • 412
  • 413
  • 414
  • 415
  • 416
  • 417
  • 418
  • 419
  • 420
  • 421
  • 422
  • 423
  • 424
  • 425
  • 426
  • 427
  • 428
  • 429
  • 430
  • 431
  • 432
  • 433
  • 434
  • 435
  • 436
  • 437
  • 438
  • 439
  • 440
  • 441
  • 442
  • 443
  • 444
  • 445
  • 446
  • 447
  • 448
  • 449
  • 450
  • 451
  • 452
  • 453
  • 454
  • 455
  • 456
  • 457
  • 458
  • 459
  • 460
  • 461
  • 462
  • 463
  • 464
  • 465
  • 466
  • 467
  • 468
  • 469
  • 470
  • 471
  • 472
  • 473
  • 474

Basics
17
1
Interface overview
About
Working in Maya
Maya is the premier application for creating compelling 3D digital content,
including models, animation, visual effects, games, and simulations.
The work you do in Maya generally falls into these categories:
Creating models. Polygons, NURBS, and subdivision surfaces are different
object types with different ways of modeling. Each has its own strengths, and
different artists prefer working with different types.
Polygons let you model a surface by building up and reshaping a number
of simple surface facets.
NURBS let you easily create smooth, curving surfaces with high-level
control.
Subdivision surfaces let you edit surfaces at a high level with minimum
overhead data, while still letting you work with subsections of the surface
as if they were made from polygons.
Character rigging. Most animations involve “characters,” articulated models
such as a person, an animal, robot, or anything else that moves by
articulation. Maya lets you define internal skeletons for characters and bind
skin to them to create realistic movement with deformation.
Animation. Just about everything you can think of in Maya is keyable or able
to be animated.
Dynamics, fluids, and other simulated effects. Maya includes a
comprehensive suite of tools for simulating real world effects such as fire,
explosions, fluids, hair and fur, the physics of colliding objects, and more.
Painting and paint effects. Maya includes an incredible system for using a
graphics tablet (or the mouse) to paint 2D canvases, paint directly on 3D
models, paint to create geometry, scriptable paint, and virtually limitless
other possibilities.
Lighting, Shading, and Rendering. When you want to render a still image or
movie of you scene or animation, you can create them using your choice of
renderers.
3D coordinates
The most basic visual entity is the
point
. The point has no size, but it has a
location
.
To determine the location of points, we first establish an arbitrary point in space
as the
origin
.
We can then say a point’s location is so many units left (or right) of the origin, so
many units up (or down) from the origin, and so many units higher (or lower) than
the origin.