Yamaha 01V96i Reference Manual - Page 142

ST REVERB, M.BAND DYNA., Comp276/Comp276S, This emulates the characteristics of a compres

Page 142 highlights

142 Appendix: Parameter Lists ST REVERB Two input, two output stereo reverb. Parameter REV TIME REV TYPE INI. DLY HI. RATIO LO. RATIO DIFF. DENSITY E/R BAL. HPF LPF Range 0.3-99.0 s Hall, Room, Stage, Plate 0.0-100.0 ms 0.1-1.0 0.1-2.4 0-10 0-100% 0-100% THRU, 21.2 Hz-8.00 kHz 50.0 Hz-16.0 kHz, THRU Description Reverb time Reverb type Initial delay before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left-right reverb spread) Reverb density Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) High-pass filter cutoff frequency Low-pass filter cutoff frequency M.BAND DYNA. Two input, two output 3-band dynamics processor, with individual solo and gain reduction metering for each band. Parameter Range LOW GAIN -96.0 to +12.0 dB MID GAIN -96.0 to +12.0 dB HI. GAIN -96.0 to +12.0 dB PRESENCE -10 to +10 CMP. THRE 24.0 to 0.0 dB CMP. RAT 1:1 to 20:1 CMP. ATK 0-120 ms CMP. REL 1 CMP. KNEE 0-5 LOOKUP 0.0-100.0 ms CMP. BYP OFF, ON L-M XOVR 21.2 Hz-8.00 kHz M-H XOVR 21.2 Hz-8.00 kHz SLOPE -6 to -12 dB CEILING -6.0 to 0.0 dB, OFF EXP. THRE -54.0 to -24.0 dB EXP. RAT 1:1 to :1 EXP. REL 1 EXP. BYP OFF, ON LIM. THRE -12.0 to 0.0 dB LIM. ATK 0-120 ms LIM. REL 1 LIM. BYP OFF, ON LIM. KNEE 0-5 SOLO LOW OFF, ON SOLO MID OFF, ON SOLO HIGH OFF, ON Description Low band level Mid band level High band level For positive values, the threshold of the high band is lowered and the threshold of the low band is increased. For negative values, the opposite will occur. When set to 0, all three bands are affected the same Compressor threshold Compressor ratio Compressor attack Compressor release time Compressor knee Lookup delay Compressor bypass Low/mid crossover frequency Mid/high crossover frequency Filter slope Specifies the maximum output level Expander threshold Expander ratio Expander release time Expander bypass Limiter threshold Limiter attack Limiter release time Limiter bypass Limiter knee If this is on, only the low-frequency band will be output If this is on, only the mid-frequency band will be output If this is on, only the high-frequency band will be output 1. 6 ms-46.0 s (fs=44.1 kHz), 5 ms-42.3 s (fs=48 kHz), 3 ms-23.0 s (fs=88.2 kHz), 3 ms-21.1 s (fs=96 kHz) Comp276/Comp276S This emulates the characteristics of an analog compressor that has become a standard item in recording studios. It thickens the sound, and is particularly suitable for drum and bass sounds. Comp276 lets you control two monaural channels independently. Comp276S links the L/R channel parameters for control. Parameter Range Description INPUT -180 to 0 dB Adjusts the input level OUTPUT -180 to 0 dB Adjusts the output gain ATTACK 0.022 to 50.40ms Adjusts the attack time RELEASE 10.88 to 544.22ms Adjusts the release time RATIO 2:1, 4:1, 8:1, 12:1, 20:1 Adjusts the ratio MAKE UP ON, OFF If this is on, the output gain will automatically be compensated to make up for gain reduction applied by the compressor SIDE HPF ON, OFF If this is on, the compressor effect in the low-frequency range will be reduced, thus boosting the low-frequency output GR meter ON, OFF This shows the amount of gain reduction when the compressor is operating Comp260/Comp260S This emulates the characteristics of a compressor/limiter of the mid-1970s that has now become a standard item for live sound reinforcement. Comp260 lets you control two monaural channels independently. Comb260S links the L/R channel parameters for control. Parameter Range Description THRE. -60.0 to 0.0 dB Adjusts the threshold ATTACK 0.010 to 80.00 ms Adjusts the attack time RELEASE 6.2 to 999.0 ms Adjusts the release time RATIO 1.0 to  Adjusts the ratio KNEE SOFT, MEDIUM, HARD Adjusts the knee ST LINK ON, OFF If this is on, CH1 and CH2 will be stereo-linked OUTPUT -20.0 to 40.0 dB Adjusts the output gain GR meter This shows the amount of gain reduction when the compressor is operating Level meter This shows the effect's input level or output level. Use the METER: [IN][OUT] switches to choose which level is shown 01V96i-Reference Manual

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142
Appendix: Parameter Lists
01V96i—Reference Manual
ST REVERB
Two input, two output stereo reverb.
M.BAND DYNA.
Two input, two output 3-band dynamics processor,
with individual solo and gain reduction metering for
each band.
Comp276/Comp276S
This emulates the characteristics of an analog com-
pressor that has become a standard item in recording
studios. It thickens the sound, and is particularly
suitable for drum and bass sounds. Comp276 lets
you control two monaural channels independently.
Comp276S links the L/R channel parameters for
control.
Comp260/Comp260S
This emulates the characteristics of a compres-
sor/limiter of the mid-1970s that has now become a
standard item for live sound reinforcement.
Comp260 lets you control two monaural channels
independently. Comb260S links the L/R channel
parameters for control.
Parameter
Range
Description
REV TIME
0.3–99.0 s
Reverb time
REV TYPE
Hall, Room, Stage,
Plate
Reverb type
INI. DLY
0.0–100.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
LO. RATIO
0.1–2.4
Low-frequency reverb time ratio
DIFF.
0–10
Reverb diffusion (left–right
reverb spread)
DENSITY
0–100%
Reverb density
E/R BAL.
0–100%
Balance of early reflections and
reverb (0% = all reverb, 100% =
all early reflections)
HPF
THRU,
21.2 Hz–8.00 kHz
High-pass filter cutoff frequency
LPF
50.0 Hz–16.0 kHz,
THRU
Low-pass filter cutoff frequency
Parameter
Range
Description
LOW GAIN
–96.0 to +12.0 dB
Low band level
MID GAIN
–96.0 to +12.0 dB
Mid band level
HI. GAIN
–96.0 to +12.0 dB
High band level
PRESENCE
–10 to +10
For positive values, the threshold
of the high band is lowered and
the threshold of the low band is
increased. For negative values,
the opposite will occur. When set
to 0, all three bands are affected
the same
CMP. THRE
24.0 to 0.0 dB
Compressor threshold
CMP. RAT
1:1 to 20:1
Compressor ratio
CMP. ATK
0–120 ms
Compressor attack
CMP. REL
1
Compressor release time
CMP. KNEE
0–5
Compressor knee
LOOKUP
0.0–100.0 ms
Lookup delay
CMP. BYP
OFF, ON
Compressor bypass
L–M XOVR
21.2 Hz–8.00 kHz
Low/mid crossover frequency
M–H XOVR
21.2 Hz–8.00 kHz
Mid/high crossover frequency
SLOPE
–6 to –12 dB
Filter slope
CEILING
–6.0 to 0.0 dB,
OFF
Specifies the maximum output
level
EXP. THRE
–54.0 to –24.0 dB
Expander threshold
EXP. RAT
1:1 to
:1
Expander ratio
EXP. REL
1
1.
6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s
(fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
Expander release time
EXP. BYP
OFF, ON
Expander bypass
LIM. THRE
–12.0 to 0.0 dB
Limiter threshold
LIM. ATK
0–120 ms
Limiter attack
LIM. REL
1
Limiter release time
LIM. BYP
OFF, ON
Limiter bypass
LIM. KNEE
0–5
Limiter knee
SOLO LOW
OFF, ON
If this is on, only the low-fre-
quency band will be output
SOLO MID
OFF, ON
If this is on, only the mid-fre-
quency band will be output
SOLO
HIGH
OFF, ON
If this is on, only the high-fre-
quency band will be output
Parameter
Range
Description
INPUT
–180 to 0 dB
Adjusts the input level
OUTPUT
–180 to 0 dB
Adjusts the output gain
ATTACK
0.022 to 50.40ms
Adjusts the attack time
RELEASE
10.88 to 544.22ms
Adjusts the release time
RATIO
2:1, 4:1, 8:1, 12:1,
20:1
Adjusts the ratio
MAKE UP
ON, OFF
If this is on, the output gain will
automatically be compensated
to make up for gain reduction
applied by the compressor
SIDE HPF
ON, OFF
If this is on, the compressor
effect in the low-frequency
range will be reduced, thus
boosting the low-frequency out-
put
GR meter
ON, OFF
This shows the amount of gain
reduction when the compressor
is operating
Parameter
Range
Description
THRE.
–60.0 to 0.0 dB
Adjusts the threshold
ATTACK
0.010 to 80.00 ms
Adjusts the attack time
RELEASE
6.2 to 999.0 ms
Adjusts the release time
RATIO
1.0 to
Adjusts the ratio
KNEE
SOFT, MEDIUM,
HARD
Adjusts the knee
ST LINK
ON, OFF
If this is on, CH1 and CH2 will be
stereo-linked
OUTPUT
–20.0 to 40.0 dB
Adjusts the output gain
GR meter
This shows the amount of gain
reduction when the compressor
is operating
Level
meter
This shows the effect’s input
level or output level. Use the
METER: [IN][OUT] switches to
choose which level is shown