Yamaha 01V96i Reference Manual - Page 71

Fading Scenes

71

01V96i—Reference Manual

Scene Memories

Fading Scenes

You can specify the time it takes the Input and Output Chan-

nel faders (or level controls) to move to their new positions

when a Scene is recalled. This is called Fade Time, and it can

be set for each channel in the range of 00.0 through 30.0 sec-

onds (in 0.1 second steps). You can set the Fade Time for each

Scene individually or for all Scenes globally.

Fading Input Channels

To set the Fade Time for Input Channels 1–32 and ST IN

Channels 1–4, press the DISPLAY ACCESS [SCENE] button

repeatedly until the Scene | In Fade page appears. Move the

cursor to the desired channel parameter box, then rotate the

Parameter wheel or press the [INC]/[DEC] buttons to modify

the Fade Time setting.

1

Global Fade Time

When this check box is checked, a Scene is recalled using

the currently-specified Fade Time. (The Fade Time set-

ting stored in the recalled Scene is temporarily ignored.)

This check box setting works in unison with the Out Fade

page.

2

ALL INPUT CLEAR

This button resets all channel Fade Times on the page to

00.0 second.

3

INPUT CH1–32/ST IN 1–4

These parameters enable you to set the Fade Time for

each Input Channel in the range of 00.0 through 30.0 sec-

onds. The Fade Time setting for one channel in a pair

works in unison with its partner.

Fading Output Channels

To set the Fade Time for the Output Channels (Stereo Out,

Bus Outs 1–8, Aux Outs 1–8), press the DISPLAY ACCESS

[SCENE] button repeatedly until the Scene | Out Fade page

appears.

The basic operation is the same as on the In Fade page.

1

BUS1–8


each Bus Out (1–8) in the range of 00.0 through 30.0 sec-

onds.

2

AUX1–8

These parameters enable you to set the Fade Time for Aux

Outs 1–8.

3

STEREO

This parameter enables you to set the Fade Time for the

Stereo Out.

4

INPUT MASTER A–H


Input Fader Group Master A–H.

5

OUTPUT MASTER Q–T


Output Fader Group Master Q–T.

Tip:

•

If you operate a fader while fading channels, the fader’s Fade

Time setting is temporarily ignored.

•

You can copy the currently-selected Input Channel Fade Time

to all Input Channels by double-clicking the [ENTER] button

to display a window for copying. This is convenient when you

wish to set the Fade Time for all channels simultaneously.

1

2

3

Tip:

You can copy the currently-selected Output Channel Fade

Time setting to all Output Channels by double-clicking the

[ENTER] button.

3

2

5

4

1

Section	Page
How to Use This Reference Manual	1
Contents	2
Contents of the Owner’s Manual (Booklet)	3
Function Tree	4
Control Surface & Rear Panel	6
Control Surface	6
Rear Panel	10
Analog I/O & Digital I/O	12
Analog Inputs & Outputs	12
Digital Inputs & Outputs	13
Converting Sampling Rates of Signals Received at I/O Card Inputs	14
Monitoring Digital Input Channel Status	14
Dithering Digital Outputs	15
Setting the Transfer Format for Higher Sampling Rates	16
Input Channels	17
About Input Channels	17
Setting the Input Channels from the Display	18
Setting the Input Channels from the Control Surface	25
Pairing Input Channels	26
Naming Input Channels	28
Bus Outs	29
About Stereo Out	29
Bus Out 1–8	29
Setting the Stereo Out and Bus Out 1–8 from the Display	30
Setting the Stereo Out and Bus Out 1–8 from the Control Surface	33
Pairing Buses or Aux Sends	33
Attenuating Output Signals	34
Naming the Stereo Out and Bus Outs	35
Aux Outs	36
Aux Out 1–8	36
Setting Aux Out 1–8 from the Display	36
Setting Aux Out 1–8 from the Control Surface	38
Setting Aux Send Levels	38
Viewing Aux Send Settings for Multiple Channels	40
Panning Aux Sends	41
Copying Channel Fader Positions to Aux Sends	42
Input & Output Patching	43
Input Patching	43
Output Patching	44
Patching Direct Outs	46
Insert Patching	47
Monitoring	49
Monitor	49
Monitor and Solo Setup	49
Using the Monitor	50
Using the Solo Function	51
Surround Pan	52
About Surround Pan	52
Setting Up and Selecting Surround Pan Modes	53
Surround Panning	56
Grouping Channels & Linking Parameters	59
Grouping & Linking	59
Using Fader Groups and Mute Groups	59
Using Fader Group Master	61
Using Mute Group Master	62
Linking EQ and Compressor Parameters	62
Internal Effects	64
About the Internal Effects	64
Using Effects Processors via Aux Sends	64
Inserting the Internal Effects into Channels	65
Editing Effects	66
About Add-On Effects	67
About Plug-Ins	67
Scene Memories	68
About Scene Memories	68
What is Stored in a Scene?	68
About Scene Numbers	68
Storing and Recalling Scenes	69
Auto Scene Memory Update	70
Fading Scenes	71
Recalling Scenes Safely	72
Sorting Scenes	72
Copying and Pasting a Scene (Global Paste)	73
Libraries	74
About the Libraries	74
General Library Operation	74
Using Libraries	75
Remote Control	83
About Remote Function	83
Pro Tools Remote Layer	83
Nuendo/Cubase Remote Layer	93
Other DAW Remote Layer	94
MIDI Remote Layer	94
Machine Control Function	98
MIDI	100
MIDI & the 01V96i	100
MIDI Port Setup	101
Assigning Scenes to Program Changes for Remote Recall	103
Assigning Parameters to Control Changes for Real-time Control	104
Controlling Parameters by Using Parameter Changes	106
Transmitting Parameter Settings via MIDI (Bulk Dump)	107
Other Functions	109
Setting Preferences	109
Creating a Custom Layer by Combining Channels (User Assignable Layer)	110
Cascading Consoles	111
Checking the Battery and the System Version	113
Calibrating the Faders	113
Index	115
Appendix: Parameter Lists	119
USER DEFINED KEYS	119
USER DEFINED KEYS Initial Assignments	121
Input Patch Parameters	121
Initial Input Patch Settings	123
Output Patch Parameters	125
Initial Output Patch Settings	127
User Defined Remote Layer Initial Bank Settings	128
Effects Parameters	132
Effects and tempo synchronization	146
Preset EQ Parameters	147
Preset Gate Parameters (fs = 44.1 kHz)	148
Preset Compressor Parameters (fs = 44.1 kHz)	149
Dynamics Parameters	151
Appendix: MIDI	156
Scene Memory to Program Change Table	156
Initial Parameter to Control Change Table	157
MIDI Data Format	173

Yamaha 01V96i Reference Manual - Page 71

Fading Scenes, Fading Input Channels

Page 71 highlights