Yamaha 02R96 Owner's Manual - Page 110

Compressing Channels, Preset Comps & Types

Page 110 highlights

Compressing Channels 97 Compressing Channels Input Channels, Bus Outs, Aux Sends, and the Stereo Out all feature a Compressor. Settings can be stored in the Comp library, which contains 36 preset memories and 88 user memories. See "Comp Library" on page 128 for more information. Preset Comps & Types The following table lists the preset Comps and types. See page 255 for detailed parameter information. # Preset Name Type 1 Comp COMP 2 Expand EXPAND 3 Compander (H) COMPAND-H 4 Compander (S) COMPAND-S 5 A. Dr. BD COMP 6 A. Dr. BD COMPAND-H 7 A. Dr. SN COMP 8 A. Dr. SN EXPAND 9 A. Dr. SN COMPAND-S 10 A. Dr. Tom EXPAND 11 A. Dr. OverTop COMPAND-S 12 E. B. Finger 13 E. B. Slap 14 Syn. Bass 15 Piano1 16 Piano2 COMP COMP COMP COMP COMP 17 E. Guitar COMP 18 A. Guitar 19 Strings1 20 Strings2 21 Strings3 22 BrassSection 23 Syn. Pad COMP COMP COMP COMP COMP COMP 24 SamplingPerc COMPAND-S 25 Sampling BD COMP 26 Sampling SN COMP Description Compressor intended to reduce the overall volume level. Use it on the stereo output during mixdown, or with paired Input or Output Channels. Expander template. Hard-kneed compressor template. Soft-kneed compressor template. Compressor for use with acoustic bass drum. Hard-kneed compander for use with acoustic bass drum. Compressor for use with acoustic snare drum. Expander for use with acoustic snare drum. Soft-kneed compander for use with acoustic snare drum. Expander for use with acoustic tom toms, which automatically reduces the volume when the tom toms are not played, improving mic separation. Soft-kneed compander for emphasizing the attack and ambience of cymbals recorded with overhead mics. It automatically reduces the volume when the cymbals are not played, improving mic separation. Compressor for leveling the attack and volume of a finger-picked electric bass guitar. Compressor for leveling the attack and volume of a slapped electric bass guitar. Compressor for controlling or emphasizing the level of a synth bass. Compressor for brightening the tonal color of a piano. A variation on preset 15, using a deep threshold to change the overall attack and level. Compressor for electric guitar "cutting" or arpeggio-style backing. The sound color can be varied by playing different styles. Compressor for acoustic guitar "stroke" or arpeggio-style backing. Compressor for use with strings. A variation on preset 19, intended for violas or cellos. A variation on preset 20, intended for string instruments with a very low range, such as cellos or contrabass. Compressor for brass sounds with a fast and strong attack. Compressor for synth pad, intended to prevent diffusion of the sound. Compressor for making sampled percussion sound like real acoustic percussion. A variation on preset 24, intended for sampled bass drum sounds. A variation on preset 25, intended for sampled snare drum sounds. 02R96-Owner's Manual

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Compressing Channels
97
02R96—Owner’s Manual
Compressing Channels
Input Channels, Bus Outs, Aux Sends, and the Stereo Out all feature a Compressor. Settings
can be stored in the Comp library, which contains 36 preset memories and 88 user memo-
ries. See “Comp Library” on page 128 for more information.
Preset Comps & Types
The following table lists the preset Comps and types. See page 255 for detailed parameter
information.
#
Preset Name
Type
Description
1
Comp
COMP
Compressor intended to reduce the overall volume level.
Use it on the stereo output during mixdown, or with
paired Input or Output Channels.
2
Expand
EXPAND
Expander template.
3
Compander (H)
COMPAND-H
Hard-kneed compressor template.
4
Compander (S)
COMPAND-S
Soft-kneed compressor template.
5
A. Dr. BD
COMP
Compressor for use with acoustic bass drum.
6
A. Dr. BD
COMPAND-H
Hard-kneed compander for use with acoustic bass drum.
7
A. Dr. SN
COMP
Compressor for use with acoustic snare drum.
8
A. Dr. SN
EXPAND
Expander for use with acoustic snare drum.
9
A. Dr. SN
COMPAND-S
Soft-kneed compander for use with acoustic snare drum.
10
A. Dr. Tom
EXPAND
Expander for use with acoustic tom toms, which automati-
cally reduces the volume when the tom toms are not
played, improving mic separation.
11
A. Dr. OverTop
COMPAND-S
Soft-kneed compander for emphasizing the attack and
ambience of cymbals recorded with overhead mics. It
automatically reduces the volume when the cymbals are
not played, improving mic separation.
12
E. B. Finger
COMP
Compressor for leveling the attack and volume of a
n-
ger-picked electric bass guitar.
13
E. B. Slap
COMP
Compressor for leveling the attack and volume of a
slapped electric bass guitar.
14
Syn. Bass
COMP
Compressor for controlling or emphasizing the level of a
synth bass.
15
Piano1
COMP
Compressor for brightening the tonal color of a piano.
16
Piano2
COMP
A variation on preset 15, using a deep threshold to change
the overall attack and level.
17
E. Guitar
COMP
Compressor for electric guitar
cutting
or arpeggio-style
backing. The sound color can be varied by playing differ-
ent styles.
18
A. Guitar
COMP
Compressor for acoustic guitar
stroke
or arpeggio-style
backing.
19
Strings1
COMP
Compressor for use with strings.
20
Strings2
COMP
A variation on preset 19, intended for violas or cellos.
21
Strings3
COMP
A variation on preset 20, intended for string instruments
with a very low range, such as cellos or contrabass.
22
BrassSection
COMP
Compressor for brass sounds with a fast and strong attack.
23
Syn. Pad
COMP
Compressor for synth pad, intended to prevent diffusion of
the sound.
24
SamplingPerc
COMPAND-S
Compressor for making sampled percussion sound like real
acoustic percussion.
25
Sampling BD
COMP
A variation on preset 24, intended for sampled bass drum
sounds.
26
Sampling SN
COMP
A variation on preset 25, intended for sampled snare drum
sounds.