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Yamaha 02R96 Owner's Manual - Page 258

REVERB 5.1, OCTA REVERB, One input, six output reverb for 5.1 surround, with surround panning.

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Effects Parameters 245 REVERB 5.1 One input, six output reverb for 5.1 surround, with surround panning. Parameter Range Description REV TIME REV TYPE HI. RATIO DIFF. DENSITY HPF LPF DIV. ROOMSIZE POS L/R POS F/R POS CTRL ER L/R ER F/R ER LVL ER CTRL REV L/R REV F/R REV LVL REV CTRL 0.3-99.0 s Hall, Room, Stage, Plate 0.1-1.0 0.0-1.0 0-100% THRU, 21.2 Hz-8.00 kHz 50.0 Hz-16.0 kHz, THRU 0-100% 0.1-20.0 L63-R63 F63-R63 OFF, NOR, INV L63-R63 F63-R63 0-100 OFF, NOR, INV L63-R63 F63-R63 0-100 OFF, NOR, INV Reverb time Reverb type High-frequency reverb time ratio Reverb diffusion (left-right reverb spread) Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Divergence determines how the front center signal is fed to the Left, Right, and Center channels. When set to 0%, it's fed only to the Left and Right channels (i.e., Phantom Center). When set to 50%, it's fed equally to the Left, Right, and Center channels. When set to 100%, it's fed to only the Center channel (i.e., Real Center). Size of simulated room's reverb Left/right listening position Front/rear listening position 1 Left/right early reflections position Front/rear early reflections position Early reflections level 1 Left/right reverb position Front/rear reverb position Reverb level 1 1. When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL PAN/SURROUND [EFFECT] button's indicator is on. When set to INV, the Joystick will work inversely. When set to OFF, Joystick control is off. OCTA REVERB Eight input, eight output reverb. Parameter Range Description REV TIME REV TYPE INI. DLY HI. RATIO LO. RATIO DIFF. DENSITY HPF LPF E/R BAL. 0.3-99.0 s Reverb time Hall, Room, Stage, Plate Reverb type 0.0-100.0 ms Initial delay before reverb begins 0.1-1.0 High-frequency reverb time ratio 0.1-2.4 Low-frequency reverb time ratio 0.0-1.0 Reverb diffusion (left-right reverb spread) 0-100% Reverb density THRU, 21.2 Hz-8.00 kHz 50.0 Hz-16.0 kHz, THRU 0-100% High-pass filter cutoff frequency Low-pass filter cutoff frequency Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) 02R96-Owner's Manual

Section	Page
FCC INFORMATION	2
Important Information	3
Warnings	3
Cautions	3
Operating Notes	4
Interference	4
02R96 Exclusion of Certain Responsibility	5
Trademarks	5
Copyright	5
Yamaha Web Site	5
Package Contents	5
Optional Extras	5
About this Owner’s Manual	5
Conventions Used in this Manual	6
Installing the 02R96	6
Contents	7
1 Welcome	14
2 Control Surface & Rear Panel	17
Control Surface	17
Rear Panel	36
3 Operating Basics	42
Connecting the Power Cord	42
Turning On & Off the 02R96	42
About the Display	42
Selecting Display Pages	44
Display Parameter Boxes	44
Parameter Windows	44
Confirmation Messages	45
Title Edit Window	45
Selecting Layers	46
Selecting Channels	47
Selecting Fader Modes	48
Selecting Encoder Modes	49
Assigning Parameters to the ENCODER MODE Assign Buttons	50
4 Analog I/O & the AD Input Section	52
AD Input Section	52
Stereo Out	53
Control Room Monitor Out	53
Studio Monitor Out	53
Omni Outs	53
2TR Analog INs	53
5 Digital I/O & Cascading	54
Wordclocks	54
2TR Digital Outs	56
2TR Digital Ins	57
2TR In Sampling Rate Conversion	57
Slot I/O	58
Dithering Digital Outputs	61
Monitoring Digital Input Channel Status	61
Cascading Consoles	62
6 Input & Output Patching	65
Input Patching	65
Output Patching	67
Naming Input & Output Ports	70
Patch Select Window	70
Patching with the Encoders	71
7 Input Channels	72
Patching Input Channels	72
Metering Input Channels	72
Reversing the Signal Phase	72
Gating Input Channels	73
Attenuating Input Channels	74
EQ’ing Input Channels	74
Grouping Input Channel EQs	75
Input Channel Inserts	75
Compressing Input Channels	75
Grouping Input Channel Compressors	76
Delaying Input Channels	76
Muting Input Channels (ON/OFF)	76
Grouping Input Channel Mutes (ON/OFF)	77
Setting Input Channel Levels	78
Grouping Input Channel Faders	78
Routing Input Channels	79
Panning Input Channels	80
Using Surround Pan	82
Sending Input Channels to Aux Sends	85
Soloing Input Channels	85
Direct Outs	85
Pairing Input Channels	85
Using MS Decoding	85
Viewing Input Channel Settings	85
Naming Input Channels	85
8 Stereo Out	86
Stereo Out Connectors	86
Patching the Stereo Out to Outputs	86
Routing Input Channels to the Stereo Out	86
Sending Bus Outs to the Stereo Out	86
Metering the Stereo Out	86
Monitoring the Stereo Out	86
Attenuating the Stereo Out	86
EQ’ing the Stereo Out	86
Grouping Master EQs	86
Stereo Out Inserts	87
Compressing the Stereo Out	87
Grouping Master Compressors	87
Muting the Stereo Out (ON/OFF)	87
Grouping Master Mutes (ON/OFF)	87
Setting the Stereo Out Level	87
Grouping Master Faders	87
Balancing the Stereo Out	88
Delaying the Stereo Out	88
Viewing Stereo Out Settings	88
Naming the Stereo Out	88
9 Bus Outs	89
Patching Bus Outs to Outputs	89
Routing Input Channels to Bus Outs	89
Metering Bus Outs	89
Monitoring Bus Outs	89
Attenuating Bus Outs	89
EQ’ing Bus Outs	89
Grouping Master EQs	89
Bus Out Inserts	89
Compressing Bus Outs	89
Grouping Master Compressors	89
Muting Bus Outs (ON/OFF)	90
Grouping Master Mutes (ON/OFF)	90
Setting Bus Out Levels	90
Grouping Master Faders	90
Delaying Bus Outs	90
Soloing Bus Outs	90
Pairing Bus Outs	90
Sending Bus Outs to the Stereo Out	91
Viewing Bus Out Settings	91
Naming Bus Outs	91
10 Aux Sends	92
Patching Aux Send Masters to Outputs	92
Setting the Aux Send Mode	92
PreFader or PostFader Aux Sends	92
Setting Aux Send Levels	93
Aux Send Pages	93
Viewing Aux Send Settings	95
Panning Aux Sends	97
Metering Aux Send Masters	98
Monitoring Aux Send Masters	98
Attenuating Aux Send Masters	98
EQ’ing Aux Send Masters	98
Grouping Master EQs	98
Aux Send Master Inserts	98
Compressing Aux Send Masters	98
Grouping Master Compressors	98
Muting Aux Send Masters (ON/OFF)	98
Grouping Master Mutes (ON/OFF)	98
Settings Aux Send Master Levels	99
Grouping Master Faders	99
Delaying Aux Send Masters	99
Soloing Aux Sends	99
Pairing Aux Sends	99
Viewing Aux Send Master Settings	99
Naming Aux Send Masters	99
11 Common Channel Functions	100
Metering	100
Attenuating Signals	103
Using EQ	104
Grouping Output Channel EQs	107
Using Inserts	108
Compressing Channels	110
Grouping Output Channel Compressors	113
Delaying Channel Signals	114
Soloing Channels	115
Pairing Channels	117
Grouping Output Channel Faders	119
Grouping Output Channel Mutes (ON/OFF)	120
Viewing Channel Parameter Settings	121
Viewing Channel Fader Settings	122
Naming Channels	125
12 Monitoring & Talkback	127
Control Room Monitoring	127
Studio Monitoring	128
Surround Monitoring	129
Using Talkback	134
13 Libraries	135
About the Libraries	135
General Library Operation	135
Channel Library	136
Input Patch Library	137
Output Patch Library	137
Effects Library	138
Bus to Stereo Library	139
Gate Library	140
Comp Library	141
EQ Library	142
Automix Library	143
Surround Monitor Library	143
14 Internal Effects & PlugIns	144
About the Effects	144
Patching Effects Processors	144
Preset Effects & Types	144
Editing Effects	146
About Plug-Ins	148
Configuring Plug-Ins	148
Editing Plug-Ins	149
15 Scene Memories	151
About Scene Memories	151
Auto Scene Memory Update	152
Storing & Recalling Scenes with the SCENE MEMORY Buttons	153
Using the Scene Memory Page	154
Fading Scenes	155
Recalling Scenes Safely	156
Sorting Scenes	157
16 Automix	158
About Automix	158
What’s Recorded in an Automix?	158
Automix Main Page	159
Channel Strip [AUTO] Buttons	162
Automix Memory Page	163
Fader Edit Pages	164
Selecting the Timecode Source & Frame Rate	165
Creating a Time Signature Map	166
Recording an Automix	167
Rerecording Events	167
Parameter Recording	168
Punching In & Out Individual Parameters	169
Playing Back an Automix	170
Editing Events Offline	171
17 MIDI	176
MIDI & the 02R96	176
MIDI I/O	176
MIDI Port Setup	177
MIDI Channel Setup	178
Assigning Scenes to Program Changes	179
Assigning Parameters to Control Changes	180
Controlling Parameters by Using Parameter Changes	180
Using Bulk Dump	181
18 Pro Tools Remote Layer	182
Configuring Windows Computers	182
Configuring Macintosh Computers	182
Configuring the 02R96	182
Configuring Pro Tools	183
Control Surface Operation with the Pro Tools Remote Layer	184
Selecting Channels	192
Setting Channel Levels	192
Muting Channels	192
Panning Channels	192
Soloing Channels	192
Viewing Send Destinations	193
Configuring Sends as Pre or Post	193
Setting Send Levels	193
Muting Sends	193
Panning Sends	193
Flip Mode	194
Assigning Inserts/Plugins	195
Editing Plugins	196
Bypassing Plugins	197
Resetting Faders, Sends, & Panpots	197
Navigating the Edit Window	197
Zooming	198
Making Fine Adjustments to the Selected Region	198
Scrub & Shuttle	199
Automation	200
19 Remote Control	202
About the Remote Layer	202
Assigning a Target to the Remote Layer	202
Configuring the User Defined Remote Layer	203
Using the User Defined Remote Layer	204
About Machine Control	205
Configuring Machines	205
Transport Buttons	206
Using Shuttle & Scrub	206
Using the Locator	207
Setting the Locate Memories	207
GPI (General Purpose Interface)	208
20 Other Functions	209
Using the User Defined Keys	209
Setting Preferences	210
Using the Oscillator	213
Checking the Battery	213
Initializing the 02R96	214
Appendix A: Parameter Lists	215
USER DEFINED KEYS	215
USER DEFINED KEYS Initial Assignments	217
Input Patch Parameters	217
Initial Input Patch Settings	220
Output Patch Parameters	221
Initial Output Patch Settings	226
Initial Input Channel Names	227
Initial Output Channel Names	227
Initial Input Port Names	228
Initial Output Port Names	229
GPI Trigger Source List	230
User Defined Remote Layer Initial Bank Settings	232
Effects Parameters	236
Preset EQ Parameters	264
Preset Gate Parameters (fs = 44.1kHz)	268
Preset Compressor Parameters (fs = 44.1kHz)	268
Appendix B: Specifications	273
General Spec	273
Controls	278
Indicators	280
Libraries	280
Analog Input Spec	281
Analog Output Spec	281
Digital Input Spec	282
Digital Output Spec	282
I/O Slot Spec (1–4)	283
Control I/O Spec	283
Connector Pin Assignments	284
Dimensions	285
Appendix C: MIDI	286
Scene Memory to Program Change Table	286
Initial Parameter to Control Change Table	287
MIDI Data Format	288
Format Details	288
Appendix D: Options	301
MB02R96 Peak Meter Bridge	301
SP02R96 Wooden Side Panels	303
Index	304
02R96 Block Diagram	312
02R96 Level Diagram	313

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Effects Parameters

245

02R96—Owner’s Manual

REVERB 5.1

One input, six output reverb for 5.1 surround, with surround panning.

OCTA REVERB

Eight input, eight output reverb.

Parameter

Range

Description

REV TIME

0.3

–

99.0 s

Reverb time

REV TYPE

Hall, Room, Stage, Plate

Reverb type

HI. RATIO

0.1

–

1.0

High-frequency reverb time ratio

DIFF.

0.0

–

1.0

Reverb diffusion (left

–

right reverb spread)

DENSITY

–

100%

Reverb density

HPF

THRU, 21.2 Hz

–

8.00

kHz

High-pass

ﬁ

lter cutoff frequency

LPF

50.0 Hz

–

16.0 kHz,

THRU

Low-pass

ﬁ

lter cutoff frequency

DIV.

–

100%

Divergence determines how the front center signal is fed to

the Left, Right, and Center channels. When set to 0%, it

’

fed only to the Left and Right channels (i.e., Phantom Cen-

ter). When set to 50%, it

’

s fed equally to the Left, Right, and

Center channels. When set to 100%, it

’

s fed to only the

Center channel (i.e., Real Center).

ROOMSIZE

0.1

–

20.0

Size of simulated room

’

s reverb

POS L/R

L63

–

R63

Left/right listening position

POS F/R

F63

–

R63

Front/rear listening position

POS CTRL

OFF, NOR, INV

1. When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL

PAN/SURROUND [EFFECT] button

’

s indicator is on. When set to INV, the Joystick will work inverse-

ly. When set to OFF, Joystick control is off.

ER L/R

L63

–

R63

Left/right early re

ﬂ

ections position

ER F/R

F63

–

R63

Front/rear early re

ﬂ

ections position

ER LVL

–

100

Early re

ﬂ

ections level

ER CTRL

OFF, NOR, INV

REV L/R

L63

–

R63

Left/right reverb position

REV F/R

F63

–

R63

Front/rear reverb position

REV LVL

–

100

Reverb level

REV CTRL

OFF, NOR, INV

Parameter

Range

Description

REV TIME

0.3

–

99.0 s

Reverb time

REV TYPE

Hall, Room, Stage, Plate

Reverb type

INI. DLY

0.0

–

100.0 ms

Initial delay before reverb begins

HI. RATIO

0.1

–

1.0

High-frequency reverb time ratio

LO. RATIO

0.1

–

2.4

Low-frequency reverb time ratio

DIFF.

0.0

–

1.0

Reverb diffusion (left

–

right reverb spread)

DENSITY

–

100%

Reverb density

HPF

THRU, 21.2 Hz

–

8.00

kHz

High-pass

ﬁ

lter cutoff frequency

LPF

50.0 Hz

–

16.0 kHz,

THRU

Low-pass

ﬁ

lter cutoff frequency

E/R BAL.

–

100%

Balance of early re

ﬂ

ections and reverb

(0% = all reverb, 100% = all early re

ﬂ

ections)