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Yamaha 02R96 Owner's Manual - Page 160

master levels, the Stereo Out level, and User Deﬁned Remote Layer faders. The Edit Out, EDIT OUT

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Automix Main Page 147 TO END OFF Return Takeover or Off At the point at which recording is stopped, the fader returns to the position specified by the existing fader data, at the speed specified by the Time parameter on the Fader Edit pages. At the point at which recording is stopped, the fader remains at the same position until the next Fader event in the existing data occurs. Existing data Return time Existing data Fader edit Fader edit Punch in Time Stop recording Time Punch in Stop recording At the point at which recording is stopped, the fader returns to the position specified by the existing fader data, at the speed specified by the Time parameter, and all subsequent events are erased so that the fader remains at that position right through to the end of the Automix. At the point at which recording is stopped, all subsequent events are erased so that the fader remains at that position right through to the end of the Automix. Existing data ON Return time Existing data Fader edit Fader edit Punch in Time Stop recording Time Punch in Stop recording EDIT OUT: These buttons are used to set the Edit Out mode: Off, Takeover, or Return. The Edit Out mode determines how rerecorded fader moves align with existing fader data at the punch out point. Fader data includes Input Channel levels, Bus Out master levels, Aux Send master levels, the Stereo Out level, and User Defined Remote Layer faders. The Edit Out modes are explained in the following table. The Return Time is specified on the Fader Edit page (see page 151). Off At the punch out point, the fader remains at the same position until the next Fader event in the existing data occurs. Existing data Return Takeover At the punch out point, the fader returns to the position specified by the existing fader data, at the speed specified by the Time parameter on the Fader Edit pages. At the punch out point, recording continues until the fader position intersects the existing fader data. If you are still touching the fader knob at the actual punch out point, the fader is disabled until you release it. Existing data Return time Existing data Fader edit Punch in Time Punch out Fader edit Fader edit Punch in Time Punch out Time Punch in Punch out Actual punch out In this example, punch out was performed by pressing the [AUTO] button, and the fader was moved manually between the punch out and actual punch out points. 02R96-Owner's Manual

Section	Page
FCC INFORMATION	2
Important Information	3
Warnings	3
Cautions	3
Operating Notes	4
Interference	4
02R96 Exclusion of Certain Responsibility	5
Trademarks	5
Copyright	5
Yamaha Web Site	5
Package Contents	5
Optional Extras	5
About this Owner’s Manual	5
Conventions Used in this Manual	6
Installing the 02R96	6
Contents	7
1 Welcome	14
2 Control Surface & Rear Panel	17
Control Surface	17
Rear Panel	36
3 Operating Basics	42
Connecting the Power Cord	42
Turning On & Off the 02R96	42
About the Display	42
Selecting Display Pages	44
Display Parameter Boxes	44
Parameter Windows	44
Confirmation Messages	45
Title Edit Window	45
Selecting Layers	46
Selecting Channels	47
Selecting Fader Modes	48
Selecting Encoder Modes	49
Assigning Parameters to the ENCODER MODE Assign Buttons	50
4 Analog I/O & the AD Input Section	52
AD Input Section	52
Stereo Out	53
Control Room Monitor Out	53
Studio Monitor Out	53
Omni Outs	53
2TR Analog INs	53
5 Digital I/O & Cascading	54
Wordclocks	54
2TR Digital Outs	56
2TR Digital Ins	57
2TR In Sampling Rate Conversion	57
Slot I/O	58
Dithering Digital Outputs	61
Monitoring Digital Input Channel Status	61
Cascading Consoles	62
6 Input & Output Patching	65
Input Patching	65
Output Patching	67
Naming Input & Output Ports	70
Patch Select Window	70
Patching with the Encoders	71
7 Input Channels	72
Patching Input Channels	72
Metering Input Channels	72
Reversing the Signal Phase	72
Gating Input Channels	73
Attenuating Input Channels	74
EQ’ing Input Channels	74
Grouping Input Channel EQs	75
Input Channel Inserts	75
Compressing Input Channels	75
Grouping Input Channel Compressors	76
Delaying Input Channels	76
Muting Input Channels (ON/OFF)	76
Grouping Input Channel Mutes (ON/OFF)	77
Setting Input Channel Levels	78
Grouping Input Channel Faders	78
Routing Input Channels	79
Panning Input Channels	80
Using Surround Pan	82
Sending Input Channels to Aux Sends	85
Soloing Input Channels	85
Direct Outs	85
Pairing Input Channels	85
Using MS Decoding	85
Viewing Input Channel Settings	85
Naming Input Channels	85
8 Stereo Out	86
Stereo Out Connectors	86
Patching the Stereo Out to Outputs	86
Routing Input Channels to the Stereo Out	86
Sending Bus Outs to the Stereo Out	86
Metering the Stereo Out	86
Monitoring the Stereo Out	86
Attenuating the Stereo Out	86
EQ’ing the Stereo Out	86
Grouping Master EQs	86
Stereo Out Inserts	87
Compressing the Stereo Out	87
Grouping Master Compressors	87
Muting the Stereo Out (ON/OFF)	87
Grouping Master Mutes (ON/OFF)	87
Setting the Stereo Out Level	87
Grouping Master Faders	87
Balancing the Stereo Out	88
Delaying the Stereo Out	88
Viewing Stereo Out Settings	88
Naming the Stereo Out	88
9 Bus Outs	89
Patching Bus Outs to Outputs	89
Routing Input Channels to Bus Outs	89
Metering Bus Outs	89
Monitoring Bus Outs	89
Attenuating Bus Outs	89
EQ’ing Bus Outs	89
Grouping Master EQs	89
Bus Out Inserts	89
Compressing Bus Outs	89
Grouping Master Compressors	89
Muting Bus Outs (ON/OFF)	90
Grouping Master Mutes (ON/OFF)	90
Setting Bus Out Levels	90
Grouping Master Faders	90
Delaying Bus Outs	90
Soloing Bus Outs	90
Pairing Bus Outs	90
Sending Bus Outs to the Stereo Out	91
Viewing Bus Out Settings	91
Naming Bus Outs	91
10 Aux Sends	92
Patching Aux Send Masters to Outputs	92
Setting the Aux Send Mode	92
PreFader or PostFader Aux Sends	92
Setting Aux Send Levels	93
Aux Send Pages	93
Viewing Aux Send Settings	95
Panning Aux Sends	97
Metering Aux Send Masters	98
Monitoring Aux Send Masters	98
Attenuating Aux Send Masters	98
EQ’ing Aux Send Masters	98
Grouping Master EQs	98
Aux Send Master Inserts	98
Compressing Aux Send Masters	98
Grouping Master Compressors	98
Muting Aux Send Masters (ON/OFF)	98
Grouping Master Mutes (ON/OFF)	98
Settings Aux Send Master Levels	99
Grouping Master Faders	99
Delaying Aux Send Masters	99
Soloing Aux Sends	99
Pairing Aux Sends	99
Viewing Aux Send Master Settings	99
Naming Aux Send Masters	99
11 Common Channel Functions	100
Metering	100
Attenuating Signals	103
Using EQ	104
Grouping Output Channel EQs	107
Using Inserts	108
Compressing Channels	110
Grouping Output Channel Compressors	113
Delaying Channel Signals	114
Soloing Channels	115
Pairing Channels	117
Grouping Output Channel Faders	119
Grouping Output Channel Mutes (ON/OFF)	120
Viewing Channel Parameter Settings	121
Viewing Channel Fader Settings	122
Naming Channels	125
12 Monitoring & Talkback	127
Control Room Monitoring	127
Studio Monitoring	128
Surround Monitoring	129
Using Talkback	134
13 Libraries	135
About the Libraries	135
General Library Operation	135
Channel Library	136
Input Patch Library	137
Output Patch Library	137
Effects Library	138
Bus to Stereo Library	139
Gate Library	140
Comp Library	141
EQ Library	142
Automix Library	143
Surround Monitor Library	143
14 Internal Effects & PlugIns	144
About the Effects	144
Patching Effects Processors	144
Preset Effects & Types	144
Editing Effects	146
About Plug-Ins	148
Configuring Plug-Ins	148
Editing Plug-Ins	149
15 Scene Memories	151
About Scene Memories	151
Auto Scene Memory Update	152
Storing & Recalling Scenes with the SCENE MEMORY Buttons	153
Using the Scene Memory Page	154
Fading Scenes	155
Recalling Scenes Safely	156
Sorting Scenes	157
16 Automix	158
About Automix	158
What’s Recorded in an Automix?	158
Automix Main Page	159
Channel Strip [AUTO] Buttons	162
Automix Memory Page	163
Fader Edit Pages	164
Selecting the Timecode Source & Frame Rate	165
Creating a Time Signature Map	166
Recording an Automix	167
Rerecording Events	167
Parameter Recording	168
Punching In & Out Individual Parameters	169
Playing Back an Automix	170
Editing Events Offline	171
17 MIDI	176
MIDI & the 02R96	176
MIDI I/O	176
MIDI Port Setup	177
MIDI Channel Setup	178
Assigning Scenes to Program Changes	179
Assigning Parameters to Control Changes	180
Controlling Parameters by Using Parameter Changes	180
Using Bulk Dump	181
18 Pro Tools Remote Layer	182
Configuring Windows Computers	182
Configuring Macintosh Computers	182
Configuring the 02R96	182
Configuring Pro Tools	183
Control Surface Operation with the Pro Tools Remote Layer	184
Selecting Channels	192
Setting Channel Levels	192
Muting Channels	192
Panning Channels	192
Soloing Channels	192
Viewing Send Destinations	193
Configuring Sends as Pre or Post	193
Setting Send Levels	193
Muting Sends	193
Panning Sends	193
Flip Mode	194
Assigning Inserts/Plugins	195
Editing Plugins	196
Bypassing Plugins	197
Resetting Faders, Sends, & Panpots	197
Navigating the Edit Window	197
Zooming	198
Making Fine Adjustments to the Selected Region	198
Scrub & Shuttle	199
Automation	200
19 Remote Control	202
About the Remote Layer	202
Assigning a Target to the Remote Layer	202
Configuring the User Defined Remote Layer	203
Using the User Defined Remote Layer	204
About Machine Control	205
Configuring Machines	205
Transport Buttons	206
Using Shuttle & Scrub	206
Using the Locator	207
Setting the Locate Memories	207
GPI (General Purpose Interface)	208
20 Other Functions	209
Using the User Defined Keys	209
Setting Preferences	210
Using the Oscillator	213
Checking the Battery	213
Initializing the 02R96	214
Appendix A: Parameter Lists	215
USER DEFINED KEYS	215
USER DEFINED KEYS Initial Assignments	217
Input Patch Parameters	217
Initial Input Patch Settings	220
Output Patch Parameters	221
Initial Output Patch Settings	226
Initial Input Channel Names	227
Initial Output Channel Names	227
Initial Input Port Names	228
Initial Output Port Names	229
GPI Trigger Source List	230
User Defined Remote Layer Initial Bank Settings	232
Effects Parameters	236
Preset EQ Parameters	264
Preset Gate Parameters (fs = 44.1kHz)	268
Preset Compressor Parameters (fs = 44.1kHz)	268
Appendix B: Specifications	273
General Spec	273
Controls	278
Indicators	280
Libraries	280
Analog Input Spec	281
Analog Output Spec	281
Digital Input Spec	282
Digital Output Spec	282
I/O Slot Spec (1–4)	283
Control I/O Spec	283
Connector Pin Assignments	284
Dimensions	285
Appendix C: MIDI	286
Scene Memory to Program Change Table	286
Initial Parameter to Control Change Table	287
MIDI Data Format	288
Format Details	288
Appendix D: Options	301
MB02R96 Peak Meter Bridge	301
SP02R96 Wooden Side Panels	303
Index	304
02R96 Block Diagram	312
02R96 Level Diagram	313

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Automix Main Page

147

02R96—Owner’s Manual

EDIT OUT:

These buttons are used to set the Edit Out mode: Off, Takeover, or Return. The

Edit Out mode determines how rerecorded fader moves align with existing fader data at the

punch out point. Fader data includes Input Channel levels, Bus Out master levels, Aux Send

master levels, the Stereo Out level, and User Deﬁned Remote Layer faders. The Edit Out

modes are explained in the following table. The Return Time is speciﬁed on the Fader Edit

page (see page 151).

TO END

Return

Takeover or Off

OFF

At the point at which recording is stopped, the fader

returns to the position speci

ﬁ

ed by the existing fader

data, at the speed speci

ﬁ

ed by the Time parameter on

the Fader Edit pages.

At the point at which recording is stopped, the fader

remains at the same position until the next Fader

event in the existing data occurs.

At the point at which recording is stopped, the fader

returns to the position speci

ﬁ

ed by the existing fader

data, at the speed speci

ﬁ

ed by the Time parameter,

and all subsequent events are erased so that the fader

remains at that position right through to the end of

the Automix.

At the point at which recording is stopped, all subse-

quent events are erased so that the fader remains at

that position right through to the end of the Automix.

Off

Return

Takeover

At the punch out point, the fader

remains at the same position until the

next Fader event in the existing data

occurs.

At the punch out point, the fader returns

to the position speci

ﬁ

ed by the existing

fader data, at the speed speci

ﬁ

ed by the

Time parameter on the Fader Edit pages.

At the punch out point, recording con-

tinues until the fader position intersects

the existing fader data. If you are still

touching the fader knob at the actual

punch out point, the fader is disabled

until you release it.

In this example, punch out was per-

formed by pressing the [AUTO] button,

and the fader was moved manually

between the punch out and actual

punch out points.

Return time

Stop recording

Time

Existing data

Punch in

Fader edit

Stop recording

Time

Existing data

Punch in

Fader edit

Return time

Stop recording

Time

Existing data

Punch in

Fader edit

Stop recording

Time

Existing data

Punch in

Fader edit

Punch out

Time

Existing data

Punch in

Fader edit

Return time

Punch out

Time

Existing data

Punch in

Fader edit

Time

Punch out

Existing data

Actual punch out

Punch in

Fader edit