Yamaha DM1000 Owner's Manual - Page 176

Libraries, E. B. Finger

Page 176 highlights

176 Chapter 15-Libraries No. Preset Name 8 A. Dr. SN 9 A. Dr. SN Type EXPAND COMPAND-S 10 A. Dr. Tom EXPAND 11 A. Dr. OverTop COMPAND-S 12 E. B. Finger 13 E. B. Slap 14 Syn. Bass 15 Piano1 16 Piano2 17 E. Guitar 18 A. Guitar 19 Strings1 20 Strings2 21 Strings3 22 BrassSection COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP COMP 23 Syn. Pad COMP 24 SamplingPerc 25 Sampling BD 26 Sampling SN 27 Hip Comp 28 Solo Vocal1 29 Solo Vocal2 30 Chorus 31 Click Erase 32 Announcer 33 Limiter1 34 Limiter2 35 Total Comp1 36 Total Comp2 COMPAND-S COMP COMP COMPAND-S COMP COMP COMP EXPAND COMPAND-H COMPAND-S COMP COMP COMP Description Expander for use with acoustic snare drum. Soft-kneed compander for use with acoustic snare drum. Expander for use with acoustic tom toms, which automatically reduces the volume when the tom toms are not played, improving mic separation. Soft-kneed compander for emphasizing the attack and ambience of cymbals recorded with overhead mics. It automatically reduces the volume when the cymbals are not played, improving mic separation. Compressor for leveling the attack and volume of a finger-picked electric bass guitar. Compressor for leveling the attack and volume of a slapped electric bass guitar. Compressor for controlling or emphasizing the level of a synth bass. Compressor for brightening the tonal color of a piano. A variation on preset 15, using a deep threshold to change the overall attack and level. Compressor for electric guitar "cutting" or arpeggio-style backing. The sound color can be varied by playing different styles. Compressor for acoustic guitar "stroke" or arpeggio-style backing. Compressor for use with strings. A variation on preset 19, intended for violas or cellos. A variation on preset 20, intended for string instruments with a very low range, such as cellos or contrabass. Compressor for brass sounds with a fast and strong attack. Compressor for musical instruments that feature gentle sounds which, depending on the tones, could diffuse, such as synth pad. Intended to prevent diffusion of the sound. Compressor for making sampled percussion sound like real acoustic percussion. A variation on preset 24, intended for sampled bass drum sounds. A variation on preset 25, intended for sampled snare drum sounds. A variation on preset 26, intended for sampled loops and phrases. Compressor for use with main vocals. A variation on preset 28. A variation on preset 28, intended for choruses. Expander for removing a click track that may bleed through from a musicians headphones. Hard-kneed compander for reducing the level of the music when an announcer speaks. A soft-kneed compander with a slow release. A "peak-stop" compressor. Compressor for reducing the overall volume level. Use it on the stereo output during mixdown, or with paired Input or Output Channels. A variation on preset 35, but with more compression. DM1000-Owner's Manual

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176
Chapter 15—Libraries
DM1000—Owner’s Manual
8
A. Dr. SN
EXPAND
Expander for use with acoustic snare drum.
9
A. Dr. SN
COMPAND-S
Soft-kneed compander for use with acoustic snare
drum.
10
A. Dr. Tom
EXPAND
Expander for use with acoustic tom toms, which auto-
matically reduces the volume when the tom toms are
not played, improving mic separation.
11
A. Dr. OverTop
COMPAND-S
Soft-kneed compander for emphasizing the attack and
ambience of cymbals recorded with overhead mics. It
automatically reduces the volume when the cymbals
are not played, improving mic separation.
12
E. B. Finger
COMP
Compressor for leveling the attack and volume of a fin-
ger-picked electric bass guitar.
13
E. B. Slap
COMP
Compressor for leveling the attack and volume of a
slapped electric bass guitar.
14
Syn. Bass
COMP
Compressor for controlling or emphasizing the level of
a synth bass.
15
Piano1
COMP
Compressor for brightening the tonal color of a piano.
16
Piano2
COMP
A variation on preset 15, using a deep threshold to
change the overall attack and level.
17
E. Guitar
COMP
Compressor for electric guitar “cutting” or arpeg-
gio-style backing. The sound color can be varied by
playing different styles.
18
A. Guitar
COMP
Compressor for acoustic guitar “stroke” or arpeg-
gio-style backing.
19
Strings1
COMP
Compressor for use with strings.
20
Strings2
COMP
A variation on preset 19, intended for violas or cellos.
21
Strings3
COMP
A variation on preset 20, intended for string instru-
ments with a very low range, such as cellos or contra-
bass.
22
BrassSection
COMP
Compressor for brass sounds with a fast and strong
attack.
23
Syn. Pad
COMP
Compressor for musical instruments that feature gentle
sounds which, depending on the tones, could diffuse,
such as synth pad. Intended to prevent diffusion of the
sound.
24
SamplingPerc
COMPAND-S
Compressor for making sampled percussion sound like
real acoustic percussion.
25
Sampling BD
COMP
A variation on preset 24, intended for sampled bass
drum sounds.
26
Sampling SN
COMP
A variation on preset 25, intended for sampled snare
drum sounds.
27
Hip Comp
COMPAND-S
A variation on preset 26, intended for sampled loops
and phrases.
28
Solo Vocal1
COMP
Compressor for use with main vocals.
29
Solo Vocal2
COMP
A variation on preset 28.
30
Chorus
COMP
A variation on preset 28, intended for choruses.
31
Click Erase
EXPAND
Expander for removing a click track that may bleed
through from a musicians headphones.
32
Announcer
COMPAND-H
Hard-kneed compander for reducing the level of the
music when an announcer speaks.
33
Limiter1
COMPAND-S
A soft-kneed compander with a slow release.
34
Limiter2
COMP
A “peak-stop” compressor.
35
Total Comp1
COMP
Compressor for reducing the overall volume level. Use
it on the stereo output during mixdown, or with paired
Input or Output Channels.
36
Total Comp2
COMP
A variation on preset 35, but with more compression.
No.
Preset Name
Type
Description