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Naming Input Channels, Press the DISPLAY ACCESS [INPUT PATCH] button repeatedly until the

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76 Chapter 6-Input Channels Naming Input Channels By default, Input Channels are named CH1, CH2, etc. You can change these names if necessary. For example, it may be helpful for mixdown if you name a particular Input Channel with the type of musical instrument connected to the corresponding input jack. 1 Press the DISPLAY ACCESS [INPUT PATCH] button repeatedly until the In Patch | CH Name page appears. 1 2 You can specify Short names in the center column (1) and Long (full) names in the right column (2). 2 Move the cursor to a name you wish to change, then press [ENTER]. The Title Edit window appears, enabling you to enter a name. 3 Edit the name, move the cursor to the OK button, then press [ENTER]. The new name is now effective. Tip: The edited name is stored in the Input Patch library. DM1000-Owner's Manual

Section	Page
Important Information	4
Warnings	4
Cautions	4
Operating Notes	5
Interference	5
Exclusion of Certain Responsibility	6
Trademarks	6
Copyright	6
Yamaha Web Site	6
Package Contents	6
Optional Extras	6
About this Owner’s Manual	7
Conventions Used in this Manual	7
Installing the DM1000	7
Contents	8
1 Welcome	11
2 Control Surface & Rear Panel	13
Control Surface	13
Rear Panel	23
Installing an Optional Card	26
3 Operating Basics	27
About the Display	27
Selecting Display Pages	28
Display Interface	29
Selecting Layers	31
Selecting Channels	32
Selecting Fader Modes	33
Selecting Encoder Modes	34
Assigning Parameters to the ENCODER MODE [ASSIGN] button	35
Metering	37
4 Connections and Setup	41
Connections	41
Wordclock Connections and Settings	44
Input and Output Patching	47
5 Analog I/O & Digital I/O	51
Analog Inputs & Outputs	51
Digital Inputs & Outputs	52
Converting Sampling Rates of Signals Received at 2TR Digital Inputs	53
Monitoring Digital Input Channel Status	55
Dithering Digital Outputs	56
Setting the Transfer Format for Higher Sampling Rates	57
6 Input Channels	59
About Input Channels	59
Setting the Input Channels from the Display	60
Setting the Input Channels from the Control Surface	71
Pairing Input Channels	73
Naming Input Channels	76
Using MS Stereo Microphone	77
7 Bus Outs	79
About Stereo Out	79
Bus Out 1–8	80
Setting the Stereo Out and Bus Out 1–8 from the Display	81
Setting the Stereo Out and Bus Out 1–8 from the Control Surface	86
Pairing Buses or Aux Sends	87
Attenuating Output Signals	88
Naming the Stereo Out and Bus Outs	89
8 Aux Sends	91
Aux Out 1–8	91
Setting Aux Out 1–8 from the Control Surface	92
Setting Aux Out 1–8 from the Display	92
Setting Aux Send Levels	96
Viewing Aux Send Settings for Multiple Channels	100
Panning Aux Sends	102
Excluding Certain Channels from Aux Sends (Mix Minus)	103
Copying Channel Fader Positions to Aux Sends	104
9 Input & Output Patching	105
Input Patching	105
Output Patching	108
Patching Direct Outs	111
Insert Patching	112
10 Control Room Monitoring	115
Control Room Monitor	115
Control Room Monitor and Solo Setup	116
Using the Control Room Monitor	118
Using the Solo Function	118
Using the Talkback Function	119
11 Surround Functions	121
Using Surround Pan	121
Surround Monitoring	131
12 Grouping Channels & Linking Parameters	141
Grouping & Linking	141
Using Fader Groups and Mute Groups	142
Linking EQ and Compressor Parameters	144
13 Internal Effects	147
About the Internal Effects	147
Using Effects Processors via Aux Sends	148
Inserting the Internal Effects into Channels	150
Editing Effects	151
About Surround Effects	153
About Plug-Ins	153
14 Scene Memories	155
About Scene Memories	155
Storing and Recalling Scenes	157
Auto Scene Memory Update	159
Fading Scenes	160
Recalling Scenes Safely	162
Sorting Scenes	163
15 Libraries	165
About the Libraries	165
General Library Operation	165
Using Libraries	167
16 Automix	181
About Automix	181
Setting Up for Automix Recording	182
Recording an Automix	184
Punching In & Out	188
[SEL] Button Functions While the [AUTO] Button Indicator Is On	190
Playing Back an Automix	190
Automix Main Page	191
Automix Memory Page	195
Fader1 &2 pages	196
Editing Events Offline	198
17 Remote Control	205
About Remote Function	205
Pro Tools Remote Layer	206
Nuendo Remote Layer	224
Other DAW Remote Layers	224
MIDI Remote Layer	225
Machine Control Function	231
18 MIDI	235
MIDI & the DM1000	235
MIDI Port Setup	236
Assigning Scenes to Program Changes for Remote Recall	239
Assigning Parameters to Control Changes for Real-time Control	240
Controlling Parameters by Using Parameter Changes	246
Transmitting Parameter Settings via MIDI (Bulk Dump)	246
19 Other Functions	249
Changing the Input and Output Connector Names	249
Setting Preferences	250
Creating a Custom Layer by Combining Channels (User Assignable Layer)	255
Using the Oscillator	256
Using the User Defined Keys	257
Using GPI (General Purpose Interface)	259
Using Operation Lock	263
Cascading Consoles	265
Using the AD824	270
Checking the Battery and the System Version	272
Initializing the DM1000	273
Calibrating the Faders	274
Appendix A: Parameter Lists	275
USER DEFINED KEYS	275
USER DEFINED KEYS Initial Assignments	277
Input Patch Parameters	278
Initial Input Patch Settings	280
Output Patch Parameters	282
Initial Output Patch Settings	284
GPI Trigger Source List	286
User Defined Remote Layer Initial Bank Settings	287
Effects Parameters	291
Preset EQ Parameters	316
Preset Gate Parameters (fs = 44.1kHz)	320
Preset Compressor Parameters (fs = 44.1kHz)	320
Appendix B: Specifications	325
General Spec	325
Libraries	330
Analog Input Spec	330
Analog Output Spec	330
Digital Input Spec	331
Digital Output Spec	331
I/O Slot Spec (1–2)	332
Control I/O Spec	332
REMOTE Port	333
CONTROL Port	333
Dimensions	334
Appendix C: MIDI	336
Scene Memory to Program Change Table	336
Initial Parameter to Control Change Table	337
MIDI Data Format	353
Appendix D: About Optional Product	368
MB1000 Peak Meter Bridge	368
Installing the SP1000 Side Panels	371
Rack Mounting the DM1000 Using the RK1 Rack Mount Kit	371
Index	372
MIDI Implementation Chart	378
DM1000 Block Diagram	379