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Yamaha DM1000 Owner's Manual - Page 310

REVERB 5.1, OCTA REVERB, One input, six output reverb for 5.1 surround, with surround panning.

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310 Appendix A: Parameter Lists REVERB 5.1 One input, six output reverb for 5.1 surround, with surround panning. Parameter Range Description REV TIME REV TYPE HI. RATIO DIFF. DENSITY HPF LPF DIV. ROOMSIZE POS L/R POS F/R POS CTRL 0.3-99.0 s Reverb time Hall, Room, Stage, Plate Reverb type 0.1-1.0 High-frequency reverb time ratio 0-10 Reverb diffusion (left-right reverb spread) 0-100% Reverb density THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency 0-100% Divergence determines how the front center signal is fed to the Left, Right, and Center channels. When set to 0%, it's fed only to the Left and Right channels (i.e., Phantom Center). When set to 50%, it's fed equally to the Left, Right, and Center channels. When set to 100%, it's fed to only the Center channel (i.e., Real Center). 0.1-20.0 Size of simulated room's reverb L63-R63 Left/right listening position F63-R63 Front/rear listening position OFF, NOR, INV 1 ER L/R ER F/R ER LVL ER CTRL REV L/R REV F/R REV LVL REV CTRL POS RAD. ER RAD. REV RAD. L63-R63 F63-R63 0-100% OFF, NOR, INV L63-R63 F63-R63 0-100% OFF, NOR, INV 0-63 0-63 0-63 Left/right early reflections position Front/rear early reflections position Early reflections level 1 Left/right reverb position Front/rear reverb position Reverb level 1 Radius of the panning track at the listening position Radius of the panning track for early reflections Radius of the panning track for reverb 1. When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL PAN/SURROUND [EFFECT] button's indicator is on. When set to INV, the Joystick will work inversely. When set to OFF, Joystick control is off. OCTA REVERB Eight input, eight output reverb. Parameter REV TIME REV TYPE INI. DLY HI. RATIO LO. RATIO DIFF. DENSITY E/R BAL. HPF LPF Range Description 0.3-99.0 s Reverb time Hall, Room, Stage, Plate Reverb type 0.0-100.0 ms Initial delay before reverb begins 0.1-1.0 High-frequency reverb time ratio 0.1-2.4 Low-frequency reverb time ratio 0-10 Reverb diffusion (left-right reverb spread) 0-100% Reverb density 0-100% Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) THRU, 21.2 Hz-8.00 kHz High-pass filter cutoff frequency 50.0 Hz-16.0 kHz, THRU Low-pass filter cutoff frequency DM1000-Owner's Manual

Section	Page
Important Information	4
Warnings	4
Cautions	4
Operating Notes	5
Interference	5
Exclusion of Certain Responsibility	6
Trademarks	6
Copyright	6
Yamaha Web Site	6
Package Contents	6
Optional Extras	6
About this Owner’s Manual	7
Conventions Used in this Manual	7
Installing the DM1000	7
Contents	8
1 Welcome	11
2 Control Surface & Rear Panel	13
Control Surface	13
Rear Panel	23
Installing an Optional Card	26
3 Operating Basics	27
About the Display	27
Selecting Display Pages	28
Display Interface	29
Selecting Layers	31
Selecting Channels	32
Selecting Fader Modes	33
Selecting Encoder Modes	34
Assigning Parameters to the ENCODER MODE [ASSIGN] button	35
Metering	37
4 Connections and Setup	41
Connections	41
Wordclock Connections and Settings	44
Input and Output Patching	47
5 Analog I/O & Digital I/O	51
Analog Inputs & Outputs	51
Digital Inputs & Outputs	52
Converting Sampling Rates of Signals Received at 2TR Digital Inputs	53
Monitoring Digital Input Channel Status	55
Dithering Digital Outputs	56
Setting the Transfer Format for Higher Sampling Rates	57
6 Input Channels	59
About Input Channels	59
Setting the Input Channels from the Display	60
Setting the Input Channels from the Control Surface	71
Pairing Input Channels	73
Naming Input Channels	76
Using MS Stereo Microphone	77
7 Bus Outs	79
About Stereo Out	79
Bus Out 1–8	80
Setting the Stereo Out and Bus Out 1–8 from the Display	81
Setting the Stereo Out and Bus Out 1–8 from the Control Surface	86
Pairing Buses or Aux Sends	87
Attenuating Output Signals	88
Naming the Stereo Out and Bus Outs	89
8 Aux Sends	91
Aux Out 1–8	91
Setting Aux Out 1–8 from the Control Surface	92
Setting Aux Out 1–8 from the Display	92
Setting Aux Send Levels	96
Viewing Aux Send Settings for Multiple Channels	100
Panning Aux Sends	102
Excluding Certain Channels from Aux Sends (Mix Minus)	103
Copying Channel Fader Positions to Aux Sends	104
9 Input & Output Patching	105
Input Patching	105
Output Patching	108
Patching Direct Outs	111
Insert Patching	112
10 Control Room Monitoring	115
Control Room Monitor	115
Control Room Monitor and Solo Setup	116
Using the Control Room Monitor	118
Using the Solo Function	118
Using the Talkback Function	119
11 Surround Functions	121
Using Surround Pan	121
Surround Monitoring	131
12 Grouping Channels & Linking Parameters	141
Grouping & Linking	141
Using Fader Groups and Mute Groups	142
Linking EQ and Compressor Parameters	144
13 Internal Effects	147
About the Internal Effects	147
Using Effects Processors via Aux Sends	148
Inserting the Internal Effects into Channels	150
Editing Effects	151
About Surround Effects	153
About Plug-Ins	153
14 Scene Memories	155
About Scene Memories	155
Storing and Recalling Scenes	157
Auto Scene Memory Update	159
Fading Scenes	160
Recalling Scenes Safely	162
Sorting Scenes	163
15 Libraries	165
About the Libraries	165
General Library Operation	165
Using Libraries	167
16 Automix	181
About Automix	181
Setting Up for Automix Recording	182
Recording an Automix	184
Punching In & Out	188
[SEL] Button Functions While the [AUTO] Button Indicator Is On	190
Playing Back an Automix	190
Automix Main Page	191
Automix Memory Page	195
Fader1 &2 pages	196
Editing Events Offline	198
17 Remote Control	205
About Remote Function	205
Pro Tools Remote Layer	206
Nuendo Remote Layer	224
Other DAW Remote Layers	224
MIDI Remote Layer	225
Machine Control Function	231
18 MIDI	235
MIDI & the DM1000	235
MIDI Port Setup	236
Assigning Scenes to Program Changes for Remote Recall	239
Assigning Parameters to Control Changes for Real-time Control	240
Controlling Parameters by Using Parameter Changes	246
Transmitting Parameter Settings via MIDI (Bulk Dump)	246
19 Other Functions	249
Changing the Input and Output Connector Names	249
Setting Preferences	250
Creating a Custom Layer by Combining Channels (User Assignable Layer)	255
Using the Oscillator	256
Using the User Defined Keys	257
Using GPI (General Purpose Interface)	259
Using Operation Lock	263
Cascading Consoles	265
Using the AD824	270
Checking the Battery and the System Version	272
Initializing the DM1000	273
Calibrating the Faders	274
Appendix A: Parameter Lists	275
USER DEFINED KEYS	275
USER DEFINED KEYS Initial Assignments	277
Input Patch Parameters	278
Initial Input Patch Settings	280
Output Patch Parameters	282
Initial Output Patch Settings	284
GPI Trigger Source List	286
User Defined Remote Layer Initial Bank Settings	287
Effects Parameters	291
Preset EQ Parameters	316
Preset Gate Parameters (fs = 44.1kHz)	320
Preset Compressor Parameters (fs = 44.1kHz)	320
Appendix B: Specifications	325
General Spec	325
Libraries	330
Analog Input Spec	330
Analog Output Spec	330
Digital Input Spec	331
Digital Output Spec	331
I/O Slot Spec (1–2)	332
Control I/O Spec	332
REMOTE Port	333
CONTROL Port	333
Dimensions	334
Appendix C: MIDI	336
Scene Memory to Program Change Table	336
Initial Parameter to Control Change Table	337
MIDI Data Format	353
Appendix D: About Optional Product	368
MB1000 Peak Meter Bridge	368
Installing the SP1000 Side Panels	371
Rack Mounting the DM1000 Using the RK1 Rack Mount Kit	371
Index	372
MIDI Implementation Chart	378
DM1000 Block Diagram	379

Match case Limit results 1 per page

310

Appendix A: Parameter Lists

DM1000—Owner’s Manual

REVERB 5.1

One input, six output reverb for 5.1 surround, with surround panning.

OCTA REVERB

Eight input, eight output reverb.

Parameter

Range

Description

REV TIME

0.3–99.0 s

Reverb time

REV TYPE

Hall, Room, Stage, Plate

Reverb type

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

DIFF.

0–10

Reverb diffusion (left–right reverb spread)

DENSITY

0–100%

Reverb density

HPF

THRU, 21.2 Hz–8.00 kHz

High-pass ﬁlter cutoff frequency

LPF

50.0 Hz–16.0 kHz, THRU

Low-pass ﬁlter cutoff frequency

DIV.

0–100%

Divergence determines how the front center signal is fed to

the Left, Right, and Center channels. When set to 0%, it’s fed

only to the Left and Right channels (i.e., Phantom Center).

When set to 50%, it’s fed equally to the Left, Right, and Cen-

ter channels. When set to 100%, it’s fed to only the Center

channel (i.e., Real Center).

ROOMSIZE

0.1–20.0

Size of simulated room’s reverb

POS L/R

L63–R63

Left/right listening position

POS F/R

F63–R63

Front/rear listening position

POS CTRL

OFF, NOR, INV

When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL

PAN/SURROUND [EFFECT] button’s indicator is on. When set to INV, the Joystick will work inversely.

When set to OFF, Joystick control is off.

ER L/R

L63–R63

Left/right early reﬂections position

ER F/R

F63–R63

Front/rear early reﬂections position

ER LVL

0–100%

Early reﬂections level

ER CTRL

OFF, NOR, INV

REV L/R

L63–R63

Left/right reverb position

REV F/R

F63–R63

Front/rear reverb position

REV LVL

0–100%

Reverb level

REV CTRL

OFF, NOR, INV

POS RAD.

0–63

Radius of the panning track at the listening position

ER RAD.

0–63

Radius of the panning track for early reﬂections

REV RAD.

0–63

Radius of the panning track for reverb

Parameter

Range

Description

REV TIME

0.3–99.0 s

Reverb time

REV TYPE

Hall, Room, Stage, Plate

Reverb type

INI. DLY

0.0–100.0 ms

Initial delay before reverb begins

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

LO. RATIO

0.1–2.4

Low-frequency reverb time ratio

DIFF.

0–10

Reverb diffusion (left–right reverb spread)

DENSITY

0–100%

Reverb density

E/R BAL.

0–100%

Balance of early reﬂections and reverb

(0% = all reverb, 100% = all early reﬂections)

HPF

THRU, 21.2 Hz–8.00 kHz

High-pass ﬁlter cutoff frequency

LPF

50.0 Hz–16.0 kHz, THRU

Low-pass ﬁlter cutoff frequency