Yamaha MO6 Owner's Manual - Page 130

Keyboard Mega Voices, One Voice, One Performance, Set in the Voice Edit mode PITCH, FILTER

Page 130 highlights

Basic Structure Internal Structure (System Overview) The illustration below shows the structure and interrelationship of the Voices, Performances, and Mixings. VOICE One Voice Up to four elements (Normal Voice) Up to 73 keys (Drum Voice) n This synthesizer has two types of Voices-Voices created in the Voice mode and Mixing Voices (dedicated for the Song/Pattern) created in the Mixing Voice mode. Element 1 - 4 or Key C0 - C6 Common Edit parameters Arpeggio, Effects, Controller Set, etc. One Part Voice PERFORM One Performance Up to four parts Part Edit parameters Common Edit parameters SONG PATTERN MIXING MIXING One Mixing 1 -16 parts (of the internal tone generator) One Part Voice Part Edit parameters Different Voice for each part Set in the Voice Edit mode (page 153) Element Edit parameters or Key Edit parameters OSC (Oscillator) Waveform (AWM2) PITCH LFO Low Frequency Oscillator FILTER Common Edit parameters AMP Different Voice for each part PEG Pitch Envelope Generator FEG Filter Envelope Generator AEG Amplitude Envelope Generator n The Drum Voice Key Edit parameters do not contain LFO settings. Keyboard Mega Voices Normal Voices use velocity switching to make the sound quality and/or level of a Voice change according to how strongly or softly you play it. This makes the Voices sound authentic and natural. However, with Keyboard Mega Voices, each velocity range (the measure of your playing strength) has a completely different sound. For example, a guitar Voice includes the sounds of various performance techniques. In conventional instruments, different Voices having those sounds would be called up via MIDI and played in combination to achieve the desired effect. Now with Keyboard Mega Voices, a convincing guitar Part can be played with just a single Voice, using specific velocity values to play the desired sounds. n The Keyboard Mega Voice names are indicated as "Mega **" in the display. 130 Owner's Manual

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Basic Structure
Internal Structure (System Overview)
130
Owner’s Manual
The illustration below shows the structure and interrelationship of the Voices, Performances, and Mixings.
n
The Drum Voice Key Edit parameters do not contain LFO settings.
Keyboard Mega Voices
Normal Voices use velocity switching to make the sound quality and/or level of a Voice change according to how
strongly or softly you play it. This makes the Voices sound authentic and natural. However, with Keyboard Mega Voices,
each velocity range (the measure of your playing strength) has a completely different sound. For example, a guitar
Voice includes the sounds of various performance techniques. In conventional instruments, different Voices having
those sounds would be called up via MIDI and played in combination to achieve the desired effect. Now with Keyboard
Mega Voices, a convincing guitar Part can be played with just a single Voice, using specific velocity values to play the
desired sounds.
n
The Keyboard Mega Voice names are indicated as “Mega **” in the display.
VOICE
PATTERN
MIXING
SONG
MIXING
PERFORM
One Voice
Up to four elements (Normal Voice)
Up to 73 keys (Drum Voice)
Common Edit parameters
Arpeggio, Effects, Controller Set, etc.
Element 1 – 4
or Key C0 – C6
n
This synthesizer has two types of Voices—Voices created in the
Voice mode and Mixing Voices (dedicated for the Song/Pattern)
created in the Mixing Voice mode.
Common Edit parameters
Part Edit parameters
One Performance
Up to four parts
One Part
Voice
Different Voice for each part
One Mixing
Part Edit parameters
Common Edit parameters
Different Voice for each part
One Part
Voice
1 –16 parts (of the internal tone
generator)
Pitch Envelope
Generator
Waveform
(AWM2)
Filter Envelope
Generator
Amplitude Envelope
Generator
Low Frequency
Oscillator
Element Edit parameters
or Key Edit parameters
Set in the Voice Edit mode (page 153)
LFO
OSC
(Oscillator)
PITCH
FILTER
AMP
PEG
FEG
AEG