Yamaha MO6 Owner's Manual - Page 65

Editing a Performance by using the Knobs, Editing a Performance by using the Control sliders

Page 65 highlights

Editing a Program Quick Guide Editing a Performance TIP Editing a Performance by using the Knobs The four knobs at the top left of the instrument are not only for tweaking the sound while you perform-you can also use them to edit a Performance, either in the Performance Play mode or the Performance Edit mode. ● When the [PAN/SEND] indicator is turned on: PAN Determines the stereo pan position of the Performance. REVERB CHORUS TEMPO Determines the amount of Reverb effect that is applied to the Performance. Determines the amount of Chorus effect that is applied to the Performance. Determines the tempo of the Arpeggio assigned to the currently selected Performance. [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F2] OUT/MEF → [SF1] OUT → Pan [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F2] OUT/MEF → [SF1] OUT → RevSend [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F2] OUT/MEF → [SF1] OUT → ChoSend [PERFORM] → Performance selection → [F6] ARP → Tempo Page 172 Page 172 Page 172 Page 171 ● When the [TONE] indicator is turned on: CUTOFF Raises or lowers the Filter cutoff frequency to adjust the tone brilliance. RESONANCE Boosts or attenuates the level at the area around the Filter cutoff frequency. ATTACK Determines the attack time of the sound. For example, you can adjust a strings Voice so that the sound gradually swells in volume by setting a slow attack time - simply turn this knob to the right. RELEASE Determines the release time of the sound. Turning the knob to the right sets a long release time and (depending on the Voice assigned to the selected Performance) lets the sound sustain after the key is released. To produce a sharp release, in which the sound abruptly cuts off, set a short release time. [PERFORM] → Performance selection → [F5] EG → CUTOF Page 171 [PERFORM] → Performance selection → [F5] EG → RESO Page 171 [PERFORM] → Performance selection → [F5] EG → ATK (AEG) Page 171 [PERFORM] → Performance selection → [F5] EG → REL (AEG) Page 171 n The settings above are applied as offsets to the AEG and FEG settings in the Performance Edit mode. ● When the [ARP FX] indicator is turned on: SWING Adjusts the swing feel of the Arpeggio playback. GATE TIME Adjusts the Gate Time (length) of the Arpeggio notes. VELOCITY Adjusts the velocity of the Arpeggio notes. UNITMULTIPLY Adjusts the Arpeggio playback time based on tempo. [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F3] ARP → [SF3] PLAY FX → Swing [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F3] ARP → [SF3] PLAY FX → GateTimeRate [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F3] ARP → [SF3] PLAY FX → VelocityRate [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F3] ARP → [SF3] PLAY FX → UnitMultiply Page 173 Page 173 Page 173 Page 173 ● When the [EQ] indicator is turned on: LO Determines the amount of boost or attenuation applied to the low frequency band of the Master EQ. LO MID Determines the amount of boost or attenuation applied to the lowmidrange frequency band of the Master EQ. HI MID Determines the amount of boost or attenuation applied to the highmidrange frequency band of the Master EQ. HI Determines the amount of boost or attenuation applied to the high frequency band of the Master EQ. [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F1] GENERAL → [SF3] MEQ OFS → LOW [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F1] GENERAL → [SF3] MEQ OFS → LOW MID [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F1] GENERAL → [SF3] MEQ OFS → HIGH MID [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F1] GENERAL → [SF3] MEQ OFS → HIGH Page 172 Page 173 Page 173 Page 173 n The settings above are applied as offsets to the EQ settings in the [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F2] OUT/MEF → [SF2] MEQ (Master EQ) display. ● When both the [PAN/SEND] and [TONE] indicators are turned on (by pressing them simultaneously): ASSIGN A Adjusts parameters assigned to these knobs in the [UTILITY] → [F4] CTL ASN → [SF2] ASSIGN display. Page 71 ASSIGN B ASSIGN 1 Depends on the settings of the Voice assigned to the selected Performance. Page 70 ASSIGN 2 n In addition to above functions, Master Effect related parameters (set in the [PERFORM] → Performance selection → [COMMON] → [F2] OUT/ MEF → [SF3] MEF display) can be assigned to these four knobs by pressing the [ARP FX] and [EQ] buttons simultaneously. The particular parameters are assigned to the four knobs can be set in the [UTILITY] → [F4] CTL ASN → [SF5] MEF display. TIP Editing a Performance by using the Control sliders [PERFORM] ➞ Performance selection ➞ [EDIT] ➞ Part selection ➞ [F2] OUTPUT ➞ [SF1] VOL/PAN ➞ Volume In the Performance mode, the four Control sliders let you independently adjust the levels of the Parts (Voices), letting you control the overall balance of the Parts. n Inadvertent use of the sliders may result in no sound. If this occurs, move the sliders upward. Owner's Manual 65

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Quick Guide
Editing a Program
Editing a Performance
65
Owner’s Manual
Editing a Performance by using the Knobs
The four knobs at the top left of the instrument are not only for tweaking the sound while you perform—you can also
use them to edit a Performance, either in the Performance Play mode or the Performance Edit mode.
When the [PAN/SEND] indicator is turned on:
When the [TONE] indicator is turned on:
n
The settings above are applied as offsets to the AEG and FEG settings in the Performance Edit mode.
When the [ARP FX] indicator is turned on:
When the [EQ] indicator is turned on:
n
The settings above are applied as offsets to the EQ settings in the [PERFORM]
Performance selection
[EDIT]
[COMMON]
[F2]
OUT/MEF
[SF2] MEQ (Master EQ) display.
When both the [PAN/SEND] and [TONE] indicators are turned on (by pressing them simultaneously):
n
In addition to above functions, Master Effect related parameters (set in the [PERFORM]
Performance selection
[COMMON]
[F2] OUT/
MEF
[SF3] MEF display) can be assigned to these four knobs by pressing the [ARP FX] and [EQ] buttons simultaneously. The particular
parameters are assigned to the four knobs can be set in the [UTILITY]
[F4] CTL ASN
[SF5] MEF display.
Editing a Performance by using the Control sliders
In the Performance mode, the four Control sliders let you independently adjust the levels of the Parts (Voices), letting you control the
overall balance of the Parts.
n
Inadvertent use of the sliders may result in no sound. If this occurs, move the sliders upward.
PAN
Determines the stereo pan position of the Performance.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F2] OUT/MEF
[SF1] OUT
Pan
Page 172
REVERB
Determines the amount of Reverb effect that is applied to the
Performance.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F2] OUT/MEF
[SF1] OUT
RevSend
Page 172
CHORUS
Determines the amount of Chorus effect that is applied to the
Performance.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F2] OUT/MEF
[SF1] OUT
ChoSend
Page 172
TEMPO
Determines the tempo of the Arpeggio assigned to the currently
selected Performance.
[PERFORM]
Performance selection
[F6] ARP
Tempo
Page 171
CUTOFF
Raises or lowers the Filter cutoff frequency to adjust the tone
brilliance.
[PERFORM]
Performance selection
[F5] EG
CUTOF
Page 171
RESONANCE
Boosts or attenuates the level at the area around the Filter cutoff
frequency.
[PERFORM]
Performance selection
[F5] EG
RESO
Page 171
ATTACK
Determines the attack time of the sound. For example, you can
adjust a strings Voice so that the sound gradually swells in volume
by setting a slow attack time – simply turn this knob to the right.
[PERFORM]
Performance selection
[F5] EG
ATK (AEG)
Page 171
RELEASE
Determines the release time of the sound. Turning the knob to the right
sets a long release time and (depending on the Voice assigned to the
selected Performance) lets the sound sustain after the key is released. To
produce a sharp release, in which the sound abruptly cuts off, set a short
release time.
[PERFORM]
Performance selection
[F5] EG
REL (AEG)
Page 171
SWING
Adjusts the swing feel of the Arpeggio playback.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F3] ARP
[SF3] PLAY FX
Swing
Page 173
GATE TIME
Adjusts the Gate Time (length) of the Arpeggio notes.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F3] ARP
[SF3] PLAY FX
GateTimeRate
Page 173
VELOCITY
Adjusts the velocity of the Arpeggio notes.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F3] ARP
[SF3] PLAY FX
VelocityRate
Page 173
UNITMULTIPLY
Adjusts the Arpeggio playback time based on tempo.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F3] ARP
[SF3] PLAY FX
UnitMultiply
Page 173
LO
Determines the amount of boost or attenuation applied to the low
frequency band of the Master EQ.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F1] GENERAL
[SF3] MEQ OFS
LOW
Page 172
LO MID
Determines the amount of boost or attenuation applied to the low-
midrange frequency band of the Master EQ.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F1] GENERAL
[SF3] MEQ OFS
LOW MID
Page 173
HI MID
Determines the amount of boost or attenuation applied to the high-
midrange frequency band of the Master EQ.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F1] GENERAL
[SF3] MEQ OFS
HIGH MID
Page 173
HI
Determines the amount of boost or attenuation applied to the high
frequency band of the Master EQ.
[PERFORM]
Performance selection
[EDIT]
[COMMON]
[F1] GENERAL
[SF3] MEQ OFS
HIGH
Page 173
ASSIGN A
Adjusts parameters assigned to these knobs in the [UTILITY]
[F4] CTL ASN
[SF2] ASSIGN display.
Page 71
ASSIGN B
ASSIGN 1
Depends on the settings of the Voice assigned to the selected Performance.
Page 70
ASSIGN 2
[PERFORM]
Performance selection
[EDIT]
Part selection
[F2] OUTPUT
[SF1] VOL/PAN
Volume
TIP
TIP