Yamaha MO6 Owner's Manual - Page 171
Performance mode, PERFORM], Performance selection
UPC - 086792837703
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Voice mode Performance mode Performance Play mode Performance Play mode [PERFORM] ➞ Performance selection The Performance Play mode lets you perform a variety of general editing operations on the selected Performance. For more detailed and comprehensive editing operations, use the Performance Edit mode. Edited parameters with the exception of some parameters are stored to internal Flash ROM as a User Performance. n The parameters that have the same name in the Performance Play mode and in the Performance Edit mode have the same functions and settings. [F1] PLAY TCH (Transmit Channel) OCT (Octave) Same as in Voice Play mode. These parameters are available both in the Voice mode and the Performance mode regardless of the selected Voice or Performance. ASA (ASSIGN A), ASB (ASSIGN B) n TCH (Transmit Channel), OCT (Octave), ASA (ASSIGN A), and ASB (ASSIGN B) settings do not belong to each Performance. Because of this, these are not stored as an individual Performance in the Performance Store mode (page 177). AS1 (ASSIGN 1), AS2 (ASSIGN 2) Indicates the values obtained by controlling the respective Knobs (printed "ASSIGN 1" and "ASSIGN 2"). The functions assigned to these Knobs depend on the setting of the Voice assigned to each Part of the Performance. [SF1] ARP1 (Arpeggio 1) - [SF5] ARP5 (Arpeggio 5) You can register the desired Arpeggio types to these buttons and call them up any time during your keyboard performance. Refer to page 48 in the Quick Guide section. [F2] VOICE From this display you can select a Voice for each Part and determine the note range it can be played from. [SF1] ADD Press this button to assign a Voice to the selected Part. [SF3] DELETE Pressing this button deletes the Voice assignment for the selected Part, leaving the Part blank. [SF4] LIMIT L (Note Limit Low) This sets the lowest note of the range over which the voice of the selected part sounds. Simultaneously hold down this button and press the desired key on the keyboard to set the note. [SF5] LIMIT H (Note Limit High) This sets the highest note of the range over which the voice of the selected part sounds. Simultaneously hold down this button and press the desired key on the keyboard to set the note. [F3] EFFECT Pressing the [F3] EFFECT button in the Performance Play mode calls up the same EFFECT display in the Performance Edit mode ([PERFORM] → [EDIT] → [COMMON] → [F6] EFFECT). From this display, you can set the effect related parameters for the current Performance. [F4] PORTA (Portamento) From this display you can set the Portamento parameters for each part. Portamento is used to create a smooth transition in pitch from the first note played on the keyboard to the next. PortaSw (Portamento Switch) Determines whether Portamento is on or off for all Parts. Settings: off, on PortaTime (Portamento Time) Determines the pitch transition time. This parameter offsets the same parameter in the part edit (page 174). Higher values result in longer transition times. Settings: -64 - 0 - +63 PartSwitch Determines whether Portamento is on or off for each individual Part. This is available only when the PortaSw (above) is set to on. [F5] EG (Envelope Generator) This display contains the basic EG settings, both volume and filter. The settings made here are applied as offsets to the AEG and FEG settings in the Performance Edit mode (page 176). The parameters are the same as in the Voice Play mode. See page 152. [F6] ARP (Arpeggio) This display contains the basic settings for Arpeggio playback, including Type and Tempo. Note that the Performance mode lets you independently enable or disable Arpeggio playback for each Part. The parameters are the same as in the Voice Play mode (page 152) except for PartSw below. PartSw Determines whether Arpeggio is on or off for the selected Part. The Parts for which boxes are checkmarked are enabled for Arpeggio play. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 171