Brother International PR-620 Users Manual - English - Page 184

Fabric/stabilizer compatibility chart

Page 184 highlights

Fabric/stabilizer compatibility chart Fabric/ Garment No. of Backing Pieces No. of Topping Pieces Comments Terry cloth 1 tear-away 1 water-soluble Increase density and/or satin stitch width. Fine details and small lettering tend to get caught in the terry loops. Satin jacket Heavy lining: None Light or no lining: 1 tear-away None If garment slips in frame, causing alignment problems, wrap inner frame with masking tape or fabric bias tape. This provides a rough surface to grip garment and also helps minimize frame burn. Cotton sheeting 1 tear-away None High-density or highly detailed designs may require more backing. If so, use two pieces of lightweight backing instead of one piece of heavy backing. Denim 1 tear-away None Reduce speed if needle begins to heat up and the thread breaks. Headwear Optional Optional Change needles more often than usual because the buckram backing dulls needles faster. A lightweight tear-away backing helps reduce thread breaks and regulates thread tension. Use a topping on corduroy or foam cap fronts. Dress shirt (woven) 1 tear-away None High-density or highly detailed designs may require more backing. If so, use two pieces of lightweight backing instead of one piece of heavy backing. Golf shirt 1 cut-away Optional Use topping for designs containing small lettering or a lot of detail, and also for pique knits. Canton fleece 1 tear-away Optional Use a topping if the garment has a textured surface, such as a basketweave or pronounced twill. Canvas 1 tear-away None Frame tightly Corduroy 1 tear-away 1 water-soluble A higher stitch density or more understitches, as well as a topping, may be necessary to prevent stitches from sinking into the fabric. Lingerie or silk 1 or 2 lightweight tear-away Optional Reduce sewing speed. The thread tension should be low. Use topping for designs with high detail or small lettering. For very fine fabrics, use a thinner thread. Avoid extremely narrow satin stitching on letters or details; instead increase satin stitch width or use a bean stitch. Gently remove (don't pull) backing and topping from garment. 7 Sweater knit 1 cut-away or adhesive tearaway 1 water-soluble Use tightly woven organza or curtain fabric in a matching color as a backing for bulky or "holey" knits. Sweatshirt 1 cut-away or adhesive tearaway Optional Highly detailed designs may require two layers of lightweight cut-away stabilizer. Use a topping on extra-thick fabrics or with finedetail designs. T-shirt 1 light-weight cutaway or adhesive Optional tear-away Use a topping on designs with fine detail or small lettering. Tensions should be light. Avoid stitch-heavy designs. Creating Beautiful Embroidery 167

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Creating Beautiful Embroidery
167
7
Fabric/stabilizer compatibility chart
Fabric/
Garment
No. of Backing
Pieces
No. of Topping
Pieces
Comments
Terry cloth
1 tear-away
1 water-soluble
Increase density and/or satin stitch width.
Fine details and small lettering tend to get
caught in the terry loops.
Satin jacket
Heavy lining:
None
Light or no lining:
1 tear-away
None
If garment slips in frame, causing alignment
problems, wrap inner frame with masking
tape or fabric bias tape. This provides a rough
surface to grip garment and also helps
minimize frame burn.
Cotton sheeting
1 tear-away
None
High-density or highly detailed designs may
require more backing. If so, use two pieces of
lightweight backing instead of one piece of
heavy backing.
Denim
1 tear-away
None
Reduce speed if needle begins to heat up and
the thread breaks.
Headwear
Optional
Optional
Change needles more often than usual
because the buckram backing dulls needles
faster. A lightweight tear-away backing helps
reduce thread breaks and regulates thread
tension. Use a topping on corduroy or foam
cap fronts.
Dress shirt
(woven)
1 tear-away
None
High-density or highly detailed designs may
require more backing. If so, use two pieces of
lightweight backing instead of one piece of
heavy backing.
Golf shirt
1 cut-away
Optional
Use topping for designs containing small
lettering or a lot of detail, and also for pique
knits.
Canton fleece
1 tear-away
Optional
Use a topping if the garment has a textured
surface, such as a basketweave or
pronounced twill.
Canvas
1 tear-away
None
Frame tightly
Corduroy
1 tear-away
1 water-soluble
A higher stitch density or more understitches,
as well as a topping, may be necessary to
prevent stitches from sinking into the fabric.
Lingerie or silk
1 or 2 lightweight
tear-away
Optional
Reduce sewing speed. The thread tension
should be low. Use topping for designs with
high detail or small lettering. For very fine
fabrics, use a thinner thread. Avoid extremely
narrow satin stitching on letters or details;
instead increase satin stitch width or use a
bean stitch. Gently remove (don’t pull)
backing and topping from garment.
Sweater knit
1 cut-away or
adhesive tear-
away
1 water-soluble
Use tightly woven organza or curtain fabric in
a matching color as a backing for bulky or
“holey” knits.
Sweatshirt
1 cut-away or
adhesive tear-
away
Optional
Highly detailed designs may require two
layers of lightweight cut-away stabilizer. Use
a topping on extra-thick fabrics or with fine-
detail designs.
T-shirt
1 light-weight cut-
away or adhesive
tear-away
Optional
Use a topping on designs with fine detail or
small lettering. Tensions should be light.
Avoid stitch-heavy designs.