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Basic settings for MIX buses and MATRIX buses, Use the MIX BUS SETUP/MATRIX BUS

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Basic settings for MIX buses and MATRIX buses Basic settings for MIX buses and MATRIX buses This section explains how to change the basic settings for MIX buses and MATRIX buses, such as switching between stereo and monaural, and selecting the position from which the signal is sent from an input channel. The settings you make in the following procedure are saved as part of the scene. 1 In the function access area, press the SETUP button to access the SETUP screen. 2 In the center right of the SETUP screen, press the BUS SETUP button to open the BUS SETUP popup window. In the BUS SETUP popup window you can make various settings for MIX buses and MATRIX buses. 1 2 3 3 Use the MIX BUS SETUP/MATRIX BUS SETUP tabs to view either the MIX buses or the MATRIX buses. 4 Use the buttons in the SIGNAL TYPE field to specify whether each bus will function as STEREO (main parameters will be linked for two adjacent odd-numbered/even-numbered buses) or MONOx2 (use as two monaural channels). 4 This popup window contains the following items. 1 SIGNAL TYPE (Signal processing method) This selects whether two adjacent odd-numbered/ even-numbered buses will be used as stereo channels whose main parameters are linked (STEREO) or as two monaural channels (MONO x2). B BUS TYPE / SEND POINT For two adjacent odd-numbered/even-numbered buses, this selects the position from which the signal will be sent from the input channel. For a MIX bus, you can also switch the bus type (VARI or FIXED) here. C PAN LINK This specifies whether the position from which the signal is sent from an input channel to the stereo bus will be linked with the INPUT TO ST PAN setting. D MIX BUS SETUP/MATRIX BUS SETUP tabs These tabs switch the type of buses (MIX buses or MATRIX buses) shown in the screen. 5 Use the buttons of the BUS TYPE / SEND POINT field to select the position from which the signal of the input channel will be sent. In the case of a MIX bus, you can use this field to switch the type of bus (VARI or FIXED). The following items can be selected for each bus. ● MIX bus • VARI [PRE EQ] ........... The send level of the MIX bus is adjustable. Choose this if you want to use the MIX bus as an external effect send or as a foldback output. The signal is sent from immediately before the input channel EQ (attenuator). • VARI [PRE FADER] ........... The send level of the MIX bus is adjustable. Choose this if you want to use the MIX bus as an external effect send or as a foldback output. The signal is sent from immediately before the input channel fader. • FIXED The send level of the MIX bus is fixed at nominal level (0.0 dB). Choose this if you want to use the MIX bus as a group output or as a bus output for recording on a multitrack recorder. The signal is sent from immediately after the [ON] key of the input channel. ● MATRIX bus • PRE EQ.......... The signal is sent from immediately before the input channel EQ (attenuator). • PRE FADER ... The signal is sent from immediately before the input channel fader. 212 M7CL Owner's Manual

Section	Page
Cover	1
PRECAUTIONS	4
Contents	6
1. Introduction	9
Thank you	9
An overview of the M7CL	9
Differences between the M7CL-48 and M7CL-32	11
The M7CL's channel structure	13
About the MIX bus types (VARI / FIXED)	14
About word clock	14
Conventions in this manual	14
About the firmware version	14
2. Panels and controls	15
Top panel	15
Rear panel	22
Under the front pad	24
3. Basic operation of the M7CL	25
Basic operations in the top panel / touch screen	25
Pressing the touch screen	25
Multiple selection (specifying a range)	25
Special operations for keys	25
Encoder operations	25
Multifunction encoder operations	26
The on-screen user interface	26
Tabs	26
Buttons	26
Faders / Knobs	27
List windows	27
Keyboard window	27
Popup windows	28
Dialog boxes	28
Viewing the touch screen	28
Function access area	28
Main area	29
Entering names	30
Using the tool buttons	31
About the tool buttons	31
Using libraries	31
Initializing settings	35
Copying/pasting settings	36
Comparing two settings	36
4. Connections and setup	39
Connections	39
Setting up to use the M7CL	43
Restoring the current scene to the default state	43
Word clock connections and settings	43
Making HA (Head Amp) gain settings	44
Sending an input channel signal to the STEREO bus	47
5. Input channel operations	51
Signal flow for input channels	51
Specifying the channel name and icon	53
Making HA (Head Amp) settings	55
Sending the signal from an input channel to the STEREO/MONO buses	57
Sending the signal from an input channel to a MIX bus	61
Using the SELECTED CHANNEL section	61
Using the Centralogic section	63
Using the faders (SENDS ON FADER mode)	64
Sending the signal from an input channel to the MATRIX buses	66
Using the SELECTED CHANNEL section	66
Using the Centralogic section	67
6. Output channel operations	69
Signal flow for output channels	69
Specifying the channel name and icon	71
Sending signals from MIX channels to the STEREO/MONO bus	72
Sending signals from MIX channels and STEREO/MONO channels to MATRIX buses	75
Using the SELECTED CHANNEL section	75
Using the Centralogic section	76
7. Operations in the SELECTED CHANNEL section	79
About the SELECTED CHANNEL section	79
About the SELECTED CHANNEL VIEW screen	80
Operations in the SELECTED CHANNEL section	81
8. Operations in the Centralogic section	87
About the Centralogic section	87
About the OVERVIEW screen	88
Operations in the Centralogic section	90
Fixing the channels or DCA groups of the Centralogic section	94
9. Input/output patching	95
Changing the output patch settings	95
Changing the input patch settings	98
Inserting an external device into a channel	100
Directly outputting an INPUT channel	102
10. EQ and Dynamics	105
About EQ and dynamics	105
Using EQ	105
Using dynamics	108
Using the EQ or Dynamics libraries	111
EQ library	111
Dynamics library	111
11. Grouping and linking	113
About DCA Groups and Mute Groups	113
Using DCA groups	113
Assigning channels to a DCA group	113
Controlling DCA groups	115
Using mute groups	116
Assigning channels to mute groups	116
Controlling mute groups	117
Using the Mute Safe function	119
The Channel Link function	120
Linking the desired input channels	120
Copying, moving, or initializing a channel	122
Copying the parameters of a channel	122
Moving the parameters of a channel	123
Initializing the parameters of a channel	124
12. Scene memory	125
About scene memories	125
Using scene memories	125
Storing a scene	125
Recalling a scene	128
Using user-defined keys to recall	129
Editing scene memories	130
Sorting and renaming scene memories	130
Scene memory editing	132
Copying/pasting a scene	132
Clearing a scene	133
Cutting a scene	134
Inserting a scene	134
Using the Focus function	135
Using the Recall Safe function	136
Using the Fade function	139
13. Monitor/Cue	141
About the monitor/cue functions	141
Using the Monitor function	142
Using the Cue function	145
About cue groups	145
Operating the Cue function	146
14. Talkback/Oscillator	149
About the talkback and oscillator functions	149
Using talkback	149
Using the oscillator	151
15. Meters	153
Operations in the METER screen	153
Using the MBM7CL meter bridge (option)	155
16. Graphic EQ and effects	157
About the virtual rack	157
Virtual rack operations	158
Graphic EQ operations	161
About the graphic EQ	161
Inserting a GEQ in a channel	161
Using the 31 Band GEQ	163
Using the Flex15GEQ	165
About the internal effects	167
Using an internal effect via send/return	168
Inserting an internal effect into a channel	170
Editing the internal effect parameters	171
Using the Tap Tempo function	173
Using the Freeze effect	175
Using the graphic EQ and effect libraries	176
Using an external head amp	177
External head amp connections	177
Remotely controlling an external head amp	178
17. MIDI	181
MIDI functionality on the M7CL	181
Basic MIDI settings	182
Using program changes to recall scenes and library items	184
Using control changes to control parameters	187
Using parameter changes to control parameters	189
18. User settings (Security)	191
User Level settings	191
User types and user authentication keys	191
Setting the Administrator password	192
Creating a user authentication key	193
Logging-in	193
Changing the password	195
Editing a user authentication key	196
Changing the user level	196
Preferences	198
User-defined keys	200
Console lock	201
Locking the console	201
Unlocking the console	201
Using a USB storage device to save/load data	202
Saving the M7CL's internal data on a USB storage device	202
Loading a file from a USB storage device	203
Editing the files saved on a USB storage device	203
Formatting media on a USB storage device	206
19. Other functions	207
About the SETUP screen	207
Word Clock and Slot settings	208
Using cascade connections	210
Operations on the cascade slave M7CL	210
Operations on the cascade master M7CL	211
Basic settings for MIX buses and MATRIX buses	212
Setting the date and time of the internal clock	213
Setting the network address	214
Specifying the brightness of the touch screen, LEDs, and lamps	215
Initializing the M7CL's internal memory	216
Adjusting the detection point of the touch screen (Calibration function)	217
Adjusting the faders (Calibration function)	218
Adjusting the input/output gain (Calibration function)	219
Appendices	221
EQ Library List	221
DYNAMICS Library List	222
Dynamics Parameters	225
Effect Type List	228
Effects Parameters	229
Effects and tempo synchronization	240
Scene Memory/Effect Library to Program Change Table	241
Parameters that can be assigned to control changes	245
Control change parameter assignments	247
NRPN parameter assignments	249
Mixing parameter operation applicability	252
Functions that can be assigned to user-defined keys	253
MIDI Data Format	255
Warning/Error Messages	262
Troubleshooting	264
General Specifications	265
Input/output characteristics	266
Electrical characteristics	268
Other Functions	269
Pin Assignment	270
Dimensions	271
Installing the MBM7CL meter bridge (option)	272
MIDI Implementation Chart	273
Index	274
Block Diagram	279

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M7CL

Owner’s Manual

Basic settings for MIX buses and MATRIX buses

212

This section explains how to change the basic settings for MIX buses and MATRIX buses, such

as switching between stereo and monaural, and selecting the position from which the signal is

sent from an input channel.

The settings you make in the following procedure are saved as part of the scene.

In the function access area, press the

SETUP button to access the SETUP screen.

In the center right of the SETUP screen,

press the BUS SETUP button to open the

BUS SETUP popup window.

In the BUS SETUP popup window you can make vari-

ous settings for MIX buses and MATRIX buses.

This popup window contains the following items.

SIGNAL TYPE (Signal processing

method)

This selects whether two adjacent odd-numbered/

even-numbered buses will be used as stereo channels

whose main parameters are linked (STEREO) or as

two monaural channels (MONO x2).

BUS TYPE / SEND POINT

For two adjacent odd-numbered/even-numbered

buses, this selects the position from which the signal

will be sent from the input channel. For a MIX bus,

you can also switch the bus type (VARI or FIXED)

here.

PAN LINK

This speciﬁes whether the position from which the sig-

nal is sent from an input channel to the stereo bus will

be linked with the INPUT TO ST PAN setting.

MIX BUS SETUP/MATRIX BUS SETUP tabs

These tabs switch the type of buses (MIX buses or

MATRIX buses) shown in the screen.

Use the MIX BUS SETUP/MATRIX BUS

SETUP tabs to view either the MIX buses or

the MATRIX buses.

Use the buttons in the SIGNAL TYPE ﬁeld to

specify whether each bus will function as

STEREO (main parameters will be linked for

two adjacent odd-numbered/even-num-

bered buses) or MONOx2 (use as two mon-

aural channels).

Use the buttons of the BUS TYPE / SEND

POINT ﬁeld to select the position from

which the signal of the input channel will be

sent.

In the case of a MIX bus, you can use this ﬁeld to

switch the type of bus (VARI or FIXED). The follow-

ing items can be selected for each bus.

●

MIX bus

•

VARI [PRE EQ]

...........

The send level of the MIX bus is

adjustable. Choose this if you want

to use the MIX bus as an external

effect send or as a foldback output.

The signal is sent from immediately

before the input channel EQ (attenu-

ator).

•

VARI [PRE FADER]

...........

The send level of the MIX bus is

adjustable. Choose this if you want

to use the MIX bus as an external

effect send or as a foldback output.

The signal is sent from immediately

before the input channel fader.

• FIXED

...........

The send level of the MIX bus is

ﬁxed at nominal level (0.0 dB).

Choose this if you want to use the

MIX bus as a group output or as a

bus output for recording on a multi-

track recorder. The signal is sent

from immediately after the [ON] key

of the input channel.

●

MATRIX bus

•

PRE EQ

..........

The signal is sent from immediately

before the input channel EQ (attenu-

ator).

•

PRE FADER

... The signal is sent from immediately

before the input channel fader.

Basic settings for MIX buses and MATRIX buses