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Yamaha M7CL M7cl V1 Owner's Manual - Page 47

Sending an input channel signal to the STEREO bus

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Setting up to use the M7CL For example, the following illustration shows the OVERVIEW screen for INPUT channels 1-8. The knobs of the HA/PHASE field indicate the amount of HA gain for each channel. 1 Sending an input channel signal to the STEREO bus This section explains how to adjust the gain to set the level of the signal sent from an input channel to the STEREO bus, and adjust the pan/balance so that the signal can be monitored from external speakers connected to the STE- REO channel. The following procedure lets you check whether the connections from the mic or instrument to the main speakers are appropriate. In this case as well, you can either use the SELECTED 4 CHANNEL section to make settings for one channel at a time, or use the Centralogic section to make settings for up to eight channels at a time. Connections and setup 1 HA/PHASE field 3 Press a knob in the HA/PHASE field of the screen to select it. When you press a knob shown in the OVERVIEW screen, a bold frame is displayed around the horizontal row of knobs of the same type. This frame indicates the you can use the multifunction encoders of the Centralogic section to operate the corresponding knobs. ● Using the SELECTED CHANNEL section (settings for one channel) 1 Press the [SEL] key of the input channel you want to control. 2 Press one of the encoders in the SELECTED CHANNEL section. The SELECTED CHANNEL VIEW screen for the selected channel will appear. 1 4 While performing on the mic or instrument, use the Centralogic section's multifunction encoders 1-8 to adjust the HA gain of each channel. Adjust the level as high as possible without allowing the OVER segment of the channel level meter in the Centralogic section to light when the mic or instrument is being played at its loudest volume. The input level is also shown by the level meter of the corresponding INPUT section or ST IN section. NOTE • The PAD will be internally switched on or off when the HA gain is adjusted between -14 dB and -13 dB. Keep in mind that noise may be generated if there is a difference between the Hot and Cold output impedance of the external device connected to the INPUT connector when using phantom power. HINT • In the OVERVIEW screen you can also switch the head amp's phantom power on/off, and switch the phase between normal and reverse. To do so, press the selected knob in the HA/ PHASE field once again to access the popup window. (For details → p. 55). 5 Use the navigation keys to switch the eight channels controlled by the Centralogic section, and adjust the gain for other input channels in the same way. 1 TO ST PAN/BALANCE field 3 In the To ST PAN/BALANCE field of the SELECTED CHANNEL VIEW screen, make sure that the ST button is on (white characters on a pink background). In the TO ST PAN/BALANCE field you can use the ST/MONO button to switch the signal sent from the input channel to the STEREO/MONO buses on/off. The knob in this field indicates the pan/balance of the signal sent to the STEREO bus. If the ST button is off (black characters on blue background), press the button to switch it on. 4 Verify that in the top panel, the [ON] of the corresponding input channel is on. The [ON] turns the corresponding channel on or off. If the [ON] key is off (LED dark), press the key to turn it on (LED lit). M7CL Owner's Manual 47

Section	Page
Cover	1
PRECAUTIONS	4
Contents	6
1. Introduction	9
Thank you	9
An overview of the M7CL	9
Differences between the M7CL-48 and M7CL-32	11
The M7CL's channel structure	13
About the MIX bus types (VARI / FIXED)	14
About word clock	14
Conventions in this manual	14
About the firmware version	14
2. Panels and controls	15
Top panel	15
Rear panel	22
Under the front pad	24
3. Basic operation of the M7CL	25
Basic operations in the top panel / touch screen	25
Pressing the touch screen	25
Multiple selection (specifying a range)	25
Special operations for keys	25
Encoder operations	25
Multifunction encoder operations	26
The on-screen user interface	26
Tabs	26
Buttons	26
Faders / Knobs	27
List windows	27
Keyboard window	27
Popup windows	28
Dialog boxes	28
Viewing the touch screen	28
Function access area	28
Main area	29
Entering names	30
Using the tool buttons	31
About the tool buttons	31
Using libraries	31
Initializing settings	35
Copying/pasting settings	36
Comparing two settings	36
4. Connections and setup	39
Connections	39
Setting up to use the M7CL	43
Restoring the current scene to the default state	43
Word clock connections and settings	43
Making HA (Head Amp) gain settings	44
Sending an input channel signal to the STEREO bus	47
5. Input channel operations	51
Signal flow for input channels	51
Specifying the channel name and icon	53
Making HA (Head Amp) settings	55
Sending the signal from an input channel to the STEREO/MONO buses	57
Sending the signal from an input channel to a MIX bus	61
Using the SELECTED CHANNEL section	61
Using the Centralogic section	63
Using the faders (SENDS ON FADER mode)	64
Sending the signal from an input channel to the MATRIX buses	66
Using the SELECTED CHANNEL section	66
Using the Centralogic section	67
6. Output channel operations	69
Signal flow for output channels	69
Specifying the channel name and icon	71
Sending signals from MIX channels to the STEREO/MONO bus	72
Sending signals from MIX channels and STEREO/MONO channels to MATRIX buses	75
Using the SELECTED CHANNEL section	75
Using the Centralogic section	76
7. Operations in the SELECTED CHANNEL section	79
About the SELECTED CHANNEL section	79
About the SELECTED CHANNEL VIEW screen	80
Operations in the SELECTED CHANNEL section	81
8. Operations in the Centralogic section	87
About the Centralogic section	87
About the OVERVIEW screen	88
Operations in the Centralogic section	90
Fixing the channels or DCA groups of the Centralogic section	94
9. Input/output patching	95
Changing the output patch settings	95
Changing the input patch settings	98
Inserting an external device into a channel	100
Directly outputting an INPUT channel	102
10. EQ and Dynamics	105
About EQ and dynamics	105
Using EQ	105
Using dynamics	108
Using the EQ or Dynamics libraries	111
EQ library	111
Dynamics library	111
11. Grouping and linking	113
About DCA Groups and Mute Groups	113
Using DCA groups	113
Assigning channels to a DCA group	113
Controlling DCA groups	115
Using mute groups	116
Assigning channels to mute groups	116
Controlling mute groups	117
Using the Mute Safe function	119
The Channel Link function	120
Linking the desired input channels	120
Copying, moving, or initializing a channel	122
Copying the parameters of a channel	122
Moving the parameters of a channel	123
Initializing the parameters of a channel	124
12. Scene memory	125
About scene memories	125
Using scene memories	125
Storing a scene	125
Recalling a scene	128
Using user-defined keys to recall	129
Editing scene memories	130
Sorting and renaming scene memories	130
Scene memory editing	132
Copying/pasting a scene	132
Clearing a scene	133
Cutting a scene	134
Inserting a scene	134
Using the Focus function	135
Using the Recall Safe function	136
Using the Fade function	139
13. Monitor/Cue	141
About the monitor/cue functions	141
Using the Monitor function	142
Using the Cue function	145
About cue groups	145
Operating the Cue function	146
14. Talkback/Oscillator	149
About the talkback and oscillator functions	149
Using talkback	149
Using the oscillator	151
15. Meters	153
Operations in the METER screen	153
Using the MBM7CL meter bridge (option)	155
16. Graphic EQ and effects	157
About the virtual rack	157
Virtual rack operations	158
Graphic EQ operations	161
About the graphic EQ	161
Inserting a GEQ in a channel	161
Using the 31 Band GEQ	163
Using the Flex15GEQ	165
About the internal effects	167
Using an internal effect via send/return	168
Inserting an internal effect into a channel	170
Editing the internal effect parameters	171
Using the Tap Tempo function	173
Using the Freeze effect	175
Using the graphic EQ and effect libraries	176
Using an external head amp	177
External head amp connections	177
Remotely controlling an external head amp	178
17. MIDI	181
MIDI functionality on the M7CL	181
Basic MIDI settings	182
Using program changes to recall scenes and library items	184
Using control changes to control parameters	187
Using parameter changes to control parameters	189
18. User settings (Security)	191
User Level settings	191
User types and user authentication keys	191
Setting the Administrator password	192
Creating a user authentication key	193
Logging-in	193
Changing the password	195
Editing a user authentication key	196
Changing the user level	196
Preferences	198
User-defined keys	200
Console lock	201
Locking the console	201
Unlocking the console	201
Using a USB storage device to save/load data	202
Saving the M7CL's internal data on a USB storage device	202
Loading a file from a USB storage device	203
Editing the files saved on a USB storage device	203
Formatting media on a USB storage device	206
19. Other functions	207
About the SETUP screen	207
Word Clock and Slot settings	208
Using cascade connections	210
Operations on the cascade slave M7CL	210
Operations on the cascade master M7CL	211
Basic settings for MIX buses and MATRIX buses	212
Setting the date and time of the internal clock	213
Setting the network address	214
Specifying the brightness of the touch screen, LEDs, and lamps	215
Initializing the M7CL's internal memory	216
Adjusting the detection point of the touch screen (Calibration function)	217
Adjusting the faders (Calibration function)	218
Adjusting the input/output gain (Calibration function)	219
Appendices	221
EQ Library List	221
DYNAMICS Library List	222
Dynamics Parameters	225
Effect Type List	228
Effects Parameters	229
Effects and tempo synchronization	240
Scene Memory/Effect Library to Program Change Table	241
Parameters that can be assigned to control changes	245
Control change parameter assignments	247
NRPN parameter assignments	249
Mixing parameter operation applicability	252
Functions that can be assigned to user-defined keys	253
MIDI Data Format	255
Warning/Error Messages	262
Troubleshooting	264
General Specifications	265
Input/output characteristics	266
Electrical characteristics	268
Other Functions	269
Pin Assignment	270
Dimensions	271
Installing the MBM7CL meter bridge (option)	272
MIDI Implementation Chart	273
Index	274
Block Diagram	279

Match case Limit results 1 per page

Setting up to use the M7CL

M7CL

Owner’s Manual

Connections and setup

For example, the following illustration shows the

OVERVIEW screen for INPUT channels 1–8. The

knobs of the HA/PHASE ﬁeld indicate the amount of

HA gain for each channel.

HA/PHASE ﬁeld

Press a knob in the HA/PHASE ﬁeld of the

screen to select it.

When you press a knob shown in the OVERVIEW

screen, a bold frame is displayed around the horizontal

row of knobs of the same type. This frame indicates

the you can use the multifunction encoders of the Cen-

tralogic section to operate the corresponding knobs.

While performing on the mic or instrument,

use the Centralogic section’s multifunction

encoders 1–8 to adjust the HA gain of each

channel.

Adjust the level as high as possible without allowing

the OVER segment of the channel level meter in the

Centralogic section to light when the mic or instru-

ment is being played at its loudest volume.

The input level is also shown by the level meter of the

corresponding INPUT section or ST IN section.

Use the navigation keys to switch the eight

channels controlled by the Centralogic sec-

tion, and adjust the gain for other input

channels in the same way.

This section explains how to adjust the gain to set the level

of the signal sent from an input channel to the STEREO

bus, and adjust the pan/balance so that the signal can be

monitored from external speakers connected to the STE-

REO channel. The following procedure lets you check

whether the connections from the mic or instrument to the

main speakers are appropriate.

In this case as well, you can either use the SELECTED

CHANNEL section to make settings for one channel at a

time, or use the Centralogic section to make settings for

up to eight channels at a time.

●

Using the SELECTED CHANNEL section

(settings for one channel)

Press the [SEL] key of the input channel

you want to control.

Press one of the encoders in the

SELECTED CHANNEL section.

The SELECTED CHANNEL VIEW screen for the

selected channel will appear.

TO ST PAN/BALANCE ﬁeld

In the To ST PAN/BALANCE ﬁeld of the

SELECTED CHANNEL VIEW screen, make

sure that the ST button is on (white charac-

ters on a pink background).

In the TO ST PAN/BALANCE ﬁeld you can use the

ST/MONO button to switch the signal sent from the

input channel to the STEREO/MONO buses on/off.

The knob in this ﬁeld indicates the pan/balance of the

signal sent to the STEREO bus.

If the ST button is off (black characters on blue back-

ground), press the button to switch it on.

Verify that in the top panel, the [ON] of the

corresponding input channel is on.

The [ON] turns the corresponding channel on or off. If

the [ON] key is off (LED dark), press the key to turn it

on (LED lit).

•

The PAD will be internally switched on or off when the HA

gain is adjusted between -14 dB and -13 dB. Keep in mind

that noise may be generated if there is a difference between

the Hot and Cold output impedance of the external device

connected to the INPUT connector when using phantom

power.

NOTE

•

In the OVERVIEW screen you can also switch the head amp’s

phantom power on/off, and switch the phase between normal

and reverse. To do so, press the selected knob in the HA/

PHASE ﬁeld once again to access the popup window. (For

details

→

p. 55).

HINT

Sending an input channel signal

to the STEREO bus