Yamaha AW4416 Reference Guide

Yamaha AW4416 Manual

Yamaha AW4416 manual content summary:

  • Yamaha AW4416 | Reference Guide - Page 1
    PROFESSIONAL AUDIO WORKSTATION Reference Guide E
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    page 7 Shut down the AW4416 7 QUICK REC screen 8 Quick Rec page 8 Simultaneously recording 16 inputs/16 tracks 8 MASTERING screen 10 Write CD page 10 Using a CD-RW drive to create an audio CD 10 CD PLAY screen 12 CD Play page 12 Use the CD-RW drive to play an audio CD 12 SET UP screen 14
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    (2 35 Prefer.3 page 37 Make overall settings for the AW4416 (3 37 MIDI screen 39 MIDI Setup page 39 Make basic MIDI settings 39 MIDI Sync page 41 Make settings related to MIDI synchronization 41 PGM Asgn. page 43 Assign a scene number to each program change number 43 VIEW screen 44
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    the output levels of buses 1-8/AUX buses 1-8 77 Omni/ST page 78 Monitor the output levels of the OMNI OUT jacks and stereo output 78 v - Reference Guide DYN/ DLY AUX1- AUX6 AUX7/EFF1 AUX8/EFF2 HOME SAMP. PAD TRACK EDIT AUTO MIX Appendix SCENE
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    109 Import CD-DA to an audio track 109 WavImport page 111 Import a WAV file to an audio track 111 TR Import page 113 Import a track from an existing song 113 AUTOMIX screen 115 Main page 115 Make basic automix settings 115 Memory page 119 Store or recall automix 119 vi - Reference Guide
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    39 Popup messages 41 Specifications 43 General Specifications 43 Mixer section 44 Recorder section 46 Controls 47 Control I/O 48 Dimensions 49 MIDI data format 50 vii - Reference Guide DYN/ DLY AUX1- AUX6 AUX7/EFF1 AUX8/EFF2 HOME SAMP. PAD TRACK EDIT AUTO MIX Appendix SCENE
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    page from which to execute a desired operation. How to read the reference guide Here's how to read the reference guide. A Screen name 1 B Page name [F1] (FLAT) key Reset all bands to a boost/cut amount of 0.0 dB (off if HPF/LPF is selected). • [F2] (BAND FLAT) key Reset only the selected band to
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    location of the current song. Tip! For details on loading or saving songs, refer to Operation Guide "Chapter 11. Song management." F NEW SONG button This button creates a new song. For details on creating a new song, refer to Operation Guide "Chapter 5. Recording on the AW4416." 1 - Reference Guide
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    time code frame rate. 1 2 [Key operation] 3 4 • [SONG] key ¡ counter in the upper part of the display. be possible to edit or record tracks, edit the sampling pads AW4416 and an external device, you must use the FRAME RATE buttons to match the frame rate of the two devices. 2 - Reference Guide
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    the AW4416 transmits and receives. • When you modify the time code Top, the start point and end point will be adjusted automatically. For details on the start point and end point, refer to the explanation in "TRACK screen/ set the region fade time to a longer value. SONG screen 3 - Reference Guide
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    hard disk. D OPTIMIZE button This button optimizes the song marked by the "E" symbol. When optimize is executed, audio operation (DELETE/COPY/OPTIMIZE/MIXER IMPORT) that can be executed by that button will appear in this area. Tip! For details on using each operation, refer to Operation Guide
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    press the [SONG] key until the screen shown at the right appears. [Mouse operation] M button ¡ SONG button ¡ Tempo Map tab [Screen functions] A METER In of the time signature can be set independently. Tip! When the AW4416 is in the default state, time signature data of 4/4 is already Reference Guide
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    of 20.0-300.0, in 0.1 steps. Tip! When the AW4416 is in the default state, tempo data of BPM=120 details on inputting the tempo map, refer to Operation Guide "Chapter 15. MIDI." • A maximum of 26 time NEW button. • [F2] (INS) key This key inserts time signature data or tempo data. This is the same
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    . For details on the order in which the AW4416 and peripheral devices should be shut down, refer to Operation Guide "Important points you must observe." If you turn off the power of the AW4416 without performing the shut-down operation, audio data on the internal hard disk may be damaged. Be sure to
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    such as fader, pan, and EQ for each channel will be reset. • [REC TRACK SELECT] keys 1-16 will blink, and tracks 1-16 will be in record-ready mode. • The output of all tracks 1-16 will be muted. • Input patch and recorder input patch settings will be switched as follows. 8 - Reference Guide
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    press the [REC] key + [PLAY] key to simultaneously record 16 inputs on tracks 1-16. Tip! • To defeat record-ready and mute settings for tracks 1-16, press the [ALL SAFE] key. • For details on operation of the Quick Rec function, refer to Operation Guide "Chapter 8. Patching." 9 - Reference Guide
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    Create an audio CD by writing the stereo track data of songs to CD-R/ RW media as CD audio tracks. [Key operation] 1 [MASTERING] key 6 3 [Mouse operation] 2 M button ¡ MAST button 4 7 5 8 9 KJ L [Screen functions] A DRIVE Select the SCSI ID number of the internal or external CD-RW drive
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    Mastering function, refer to Operation Guide "Chapter 17. Mastering." s Additional functions in the Write CD page In the Write CD page you can press the [SHIFT] key to assign the following functions to the [F1]-[F5] keys. F1 F2 F3 F4 F5 • [F1] (CD LOAD) key Close the tray of the CD-RW drive
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    an audio CD [Function] Use a CD-RW drive connected to the AW4416 to play back an audio CD (CD Play function). 1 [Key operation] 3 [CD PLAY] key 4 [Mouse operation] 2 M button ¡ CD button [Screen functions] A DRIVE Select the SCSI ID number of the internal or external CD-RW drive. B CD
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    in the CD Play page In the CD Play page you can press the [SHIFT] key to assign the following functions to the [F1]-[F2] keys. F1 F2 • [F1] (CD LOAD) key Close the tray of the CD-RW drive. • [F2] (CD UNLOAD) key Eject the tray of the CD-RW drive. CD PLAY screen CD PLAY 13 - Reference Guide
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    I/O card (slot 2) DIN L/R DIGITAL STEREO IN jack (stereo) B EFFECT PATCH Select whether effects 1/2 will be used via AUX send/return (AUX7/AUX8), or inserted into a specified channel (INSERT). For details on operation, refer to Operation Guide "Chapter 10. Internal effects." 14 - Reference Guide
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    signals to be assigned to the inputs of tracks 1-16. The following signals can be assigned. q Recorder inputs 1-16 Display BUS 1-BUS 8 DIR 1-DIR16 Signal type Bus 1-8 Input channel direct out 1- 16 Tip! For detai ls on operations in the Patch IN page, refer to Operation Guide "Chapter 8. Patching
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    BUS 1-BUS8 DIR 1-DIR16 Signal type AUX buses 1-8 Recorder direct outputs 1- 16 L/R channels of the stereo output channel Bus 1-8 Input channel direct out 1- 16 B D.ST OUT ASSIGN (digital stereo out assign) C ST OUT ASSIGN (stereo out assign) These respectively select the pair of signals that will
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    ST L/ST R Signal type Buses 1-8 Input channel direct out 1- 16 AUX buses 1-8 Recorder direct outputs 1- 16 L/R channels of the stereo output channel Tip! For details on operation in the Patch OUT page, refer to Operation Guide "Chapter 8. Patching." SET UP screen s Additional functions in the
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    For buses 1-8 ( - ) and the stereo bus ( ), buses to which that channel is assigned will be displayed as white characters on black background. D TRACK 1-8/9-16 This area displays s symbols to indicate the track inputs to which buses 1-8 ( - ) and the direct output ( ) of the input channel currently
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    window will not appear. 4. Input the library title. For details on inputting characters, refer to Operation Guide P.60. 5. Move the cursor to the OK button and press the [ENTER] key. The Store operation will be executed. q To recall patching settings from a library [Procedure] 1. Access the SET
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    . One pair of digital I/O card input channels 1/2-7/8 can be selected. q INT The internal clock of the AW4416 will be used as the clock source. q D.ST IN The word clock data included in the input signal of the DIGITAL STEREO IN jack will be the clock source. 20 - Reference Guide q WCLK IN The
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    connected to the DIGITAL STEREO IN jack to be cascade-connected to the stereo bus, the clock source must be set to "D.ST IN." If another clock source is selected, a message of "CANNOT ASSIGN DIGITAL-ST-IN." will be displayed, and it will not be possible to set the button to "ENABLE." 21 - Reference
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    input signals [Function] Monitor the state of the digital audio sig- nals being input from the DIGITAL STE- 1 REO IN jack or from digital I/O cards installed in the OPTION I/O slots. [Key operation] • [SETUP] key ¡ [F5] (Monitor) key (*1) • Repeatedly press the [SETUP] key until the screen
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    CD player D/D Conv D/D converter or signal processor D.Broadcast Digital Memory Solid-state memory device Experimental Experimental device Unknown Unknown device q COPY This shows the copy permit/prohibit status of the digital SHIFT] key to assign the following function to the [F1] key
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    of bits) for the signals that are output to the DIGITAL STEREO OUT jack (DIGITAL OUT) or to digital I/O cards installed in the OPTION I/O slots (OPTION OUT SLOT). Set this to the word length of the destination device. 24 - Reference Guide s Additional functions in the Dither Out page In the
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    for recording on tracks 1-16 of the 2 recorder. [Key operation] • [SETUP] key ¡ [F2] (Dither TRK) key (*1) • Repeatedly press the [SETUP] key until the screen shown at the right appears. *1. In the SET UP screen, the tabs dis- played at the bottom of the screen are divided into two groups
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    played at the bottom of the screen are divided into two groups. If the Solo Setup tab is not assigned to the [F3] 5 key when you press the on one of the following two buttons to select the operating mode of the Solo function. q RECORDING SOLO If this button is on, the solo signal Reference Guide
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    pressing its [ON] key will be monitored. q MIX SOLO When the Solo function is on, all channels the signal that is sent to the SOLO bus when RECORDING SOLO mode is selected for 1. E SOLO SAFE CHANNEL , you can press the [SHIFT] key to assign the following function to the [F1] key. F1 • [F1]
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    FILE screen Backup page Backup a song [Function] Backup song data from the internal hard disk to a SCSI device (e.g., internal CD-RW drive or external MO drive). [Key operation] 1 • [FILE] key ¡ [F1] (Backup) key • Repeatedly press the [FILE] key until the screen shown at the right
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    refer to Operation Guide "Chapter 16. Backing up and restoring songs." s Additional functions in the Backup page In the Backup page you can press the [SHIFT] key to assign the following functions to the [F1]-[F2] keys. F1 F2 • [F1] (CD LOAD) key Close the open tray of the CD-RW drive. • [F2] (CD
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    SHIFT] key to assign the following functions to the [F1]-[F3] keys. F1 F2 F3 • [F1] (CD LOAD) key Close the open tray of the CD-RW drive. • [F2] (CD UNLOAD) key Eject the tray of the CD-RW drive. • [F3] (RELOAD) key Reload the removable media and update the displayed list. 30 - Reference Guide
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    . [Mouse operation] M button ¡ FILE button ¡ Disk Util. tab FILE screen [Screen functions] A Drive select Select the SCSI ID number of the drive that you wish to format (external SCSI device such as MO) or of the CD-RW drive in which you wish to erase CD-RW media. To format the internal hard disk
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    will be erased. • SIMPLE Only the TOC (Table Of Con- tents) of the CD-RW media will be erased. • PERFECT .......... All data on the CD-RW media will be erased. Tip! For details on erasing CD-RW media, refer to Operation Guide "Chapter 16. Backing up and restoring songs." When you execute the Erase
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    [Function] Select the waveform of the test 1 tone oscillator built into the AW4416, and send it to the desired bus. [Key operation] • [UTILITY] key ¡ [F1] (Oscillator) key • Repeatedly press bus Tip! You can specify more than one bus as the oscillator output destination. 33 - Reference Guide
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    F DIGITAL ST IN SYNC CAUTION G OPTION IN SYNC CAUTION If the 6 or 7 buttons are ON, an error message will be displayed if a digital signal that cannot be synchronized with the word clock source is input from the DIGITAL STEREO IN jack or from an optional I/O card. (Default=on) 34 - Reference Guide
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    /out. For details on pre-roll time and post-roll time, refer to Operation Guide "Chapter 7. Punch-in/out." (Default= 5 seconds) D FL METER FINE Select one of the following two scales for the level meter/counter display. q NORMAL The full range of the level meter will indicate levels of -60 dB-0 dB
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    ) Tip! For details on using the Nudge function, refer to Operation Guide "Chapter 6. Transport/ locate operations." G CD/DAT DIGITAL REC This setting specifies whether digital recording from an audio CD or DAT tape via a CD-RW drive or the DIGITAL STEREO IN jack will be allowed (ENABLE) or not
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    terminator setting, refer to Operation Guide "Before you begin." (Default: on) D BATTERY This displays the state of the battery that operates the AW4416's internal clock. If the battery capacity is sufficient, this will indicate "OK." If the battery has run low and needs to be replaced, this will
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    refer to Operation Guide "Chapter 16. Backing up and restoring songs." F MASTERING MODE Use the following two buttons to select the writing mode that will be used when you execute the Mastering function. q TEST button If this button is on, a test will be performed before writing data to the CD-R/RW
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    will be used as MIDI OUT or as MIDI THRU. If "MIDI THRU" is selected, operations performed on the AW4416 itself will not be output. If you wish to transmit MIDI Clock to an external MIDI device, you must set this to "MIDI OUT." For details on synchronization, refer to P.41. 39 - Reference Guide
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    I PORT SELECT Select the port and transmission speed with which MIDI messages will be transmitted and received. Setting MIDI TO HOST PC2 TO HOST MAC Computer platform MIDI compatible IBM PC compatible Apple Macintosh series (*1) Port type MIDI IN, OUT/THRU connectors TO HOST connector TO HOST
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    MMC command to be transmitted from the MIDI OUT connector or TO HOST connector. If slave is selected, MMC commands sent from a MIDI sequencer or other external device can be used to remotely select or de-select recording tracks and control transport operations on the AW4416. 41 - Reference Guide
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    the MTC OUT connector to be shifted relative to the absolute time of the AW4416, you must adjust the Time Code Top (SONG screen Setting page). F MMC DEV. (MIDI Machine Control device) When using MMC for remote control, specify a device ID of 1-127 to distinguish each device. 42 - Reference Guide
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    reset to the following default settings. q Program change numbers 1-96 Scenes 1-96 q Program change numbers 97-99/101-128 No assignment q Program change number 100 Initial data (default scene) 12 3 Scene numbers in which nothing has been stored will be displayed as "No Data!". 43 - Reference Guide
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    all mix parameters of the selected channel. Parameters other than EQ and dynamics can also be edited in this page. q Input channel/monitor channel 1 26 7 89 J [Key operation] • also be edited here. F ROUT (routing) Assign the channel to buses 1- 8 and the stereo bus. 44 - Reference Guide
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    group This area shows the fader group to which the channel belongs. You can also defeat or register groups in this page. I Mute group This area shows the mute group set/defeated in this page. L ASSIGN button Use this button to insert an external effect or internal effect into the channel. Move the
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    cannot be changed. • For the procedure of inserting an external effect into a channel, refer to Operation Guide "Chapter 8. Patching." • For the procedure of inserting an internal effect into a channel, refer to Operation Guide "Chapter 10. Internal effects." M Fader This shows the current fader
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    press the [ENTER] key to access the TITLE EDIT popup window where you can input the name. For details on inputting text, refer to page 60 of the Operation Guide. Library numbers 0 and 1 are recall-only preset programs, and their names cannot be edited. Also, numbers in which channel settings have
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    STORE CONFIRMATION off in the UTILITY screen Prefer.1 page ([UTILITY] key ¡ [F2] key). 4. Input the library title. For details on inputting characters, refer to Operation Guide page 60. 5. Move the cursor to the OK button and press the [ENTER] key. The settings will be stored. When you execute the
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    (Pan 1- 1 2 16)/[F2] key (Pan 17-24)/[F3] key (Pan MONI) 3 • Repeatedly press the [PAN] key until one of the screens shown at 5 4 the right appear. [Mouse operation] M button ¡ PAN button ¡ Pan 1- 16 tab/Pan 17-24 tab/Pan MONI tab q Pan 17-24 1 2 3 4 5 PAN/ ROUTE 49 - Reference Guide
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    will be linked inversely. On the AW4416, the pan of a channel can be [DATA/JOG] dial. In the PAN 1-16/PAN 17-24/PAN MONI pages, the cases in which the channel whose pan is adjusted by the [PAN] control is different than the channel whose pan is adjusted by the [DATA/JOG] dial. 50 - Reference Guide
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    page In the Pan 1-16/Pan 17-24/Pan MONI pages, you can press the [SHIFT] key to assign the following additional functions to asking you to confirm the copy. • [F1] (INDIVIDUAL) key Independently control the pan of paired channels. This is the same function as the INDIVIDUAL button. Reference Guide
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    of the screens shown at the right appears. [Mouse operation] M button ¡ PAN button ¡ Pair CH tab/ symbol will be connected for channels/buses "MONO x2." 52 - Reference Guide 2 Tip! • All parameters master level (HOME screen/Bus page) will be linked. • For AUX buses that are paired, the master
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    channel. q RESET BOTH The parameters of both odd and even-numbered channels/buses will be reset to their default values. When you execute pairing, the button display will change to "STEREO." When you use the [SEL] keys to select a paired channel, the other [SEL] key will blink. 53 - Reference Guide
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    the F knob. Higher settings will produce a steeper curve. For the LOW band EQ, turning the Q knob all the way in the clockwise direction operating these keys or controls will automatically cause the EQ/ATT page to automatically appear if any other page is currently selected. 54 - Reference Guide
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    EQ/Att page you can press the [SHIFT] key to assign the following additional functions to the [F1]-[F2] and [F5] keys. F1 F2 F5 • [F1] (FLAT) key Reset all bands to a boost/cut amount of 0.0 dB ( the copy destination channel. For the procedure refer to page 47. EQ/ATT /GRP 55 - Reference Guide
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    up to 16 characters can be input. Move the cursor to the TITLE EDIT button and press the [ENTER] key to access the TITLE EDIT popup window where you can input a name. For details on inputting characters, refer to Operation Guide P.60. Library numbers 1-40 are recall-only preset memories, and their
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    button and press the [ENTER] key. The TITLE EDIT popup window will appear, allowing you to assign a name to the EQ program. 4. Input the library title as desired. For details on inputting characters, refer to Operation Guide P.60. EQ/ATT/GRP screen 5. Move the cursor to the OK button and press the
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    you can press the [SHIFT] key to assign the following additional function to the [F1] key. F1 • [F1] (ALL CLEAR) key Clear all fader group settings. Do not manually operate two or more faders of a group at the same time. Doing so will strain the motor and cause malfunctions. 58 - Reference Guide
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    page Set and cancel mute groups [Function] Assign input channels 1-24/monitor channels 1-16 to mute groups E-H. If channels are assigned to a mute group, you can operate a single [ON] key to switch the on/off status of all [ON] keys in that group. [Key operation] 1 • [EQ] key ¡ [F4] (Mute Grp
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    ON/OFF (stereo link on/off) button If this button is on, dynamics processor parameter settings and operation will be linked for adjacent odd-numbered ¡ even-numbered channels. For the stereo out channel and for -numbered channel will be copied to the even-numbered channel. 60 - Reference Guide
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    COMP (compressor) q EXPAND (expander) q GATE q COMPANDER (HARD/SOFT) q DUCKING The type cannot be changed in this page type from the library. For details on recalling a program, refer to P.47. J PARAMETER Set the parameters of the dynamics and their functions, refer to the following appendices: "Dynamics
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    processor settings in the library, or recall stored programs. 2 [Key operation] • [DYN] key ¡ [F2] (Library) key • Repeatedly can input the name. You can input a library name of up to 16 characters. Library numbers 1-40 are recall-only preset programs, and their name 62 - Reference Guide
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    cannot be stored in them. You can store only to library numbers 41-128. • When you execute the Store operation, the dynamics program that had been stored in that number will be erased. H LIBRARY No. (library number) currently selected dynamics program are shown in this area. 63 - Reference Guide
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    key ¡ [F2] key) and turn STORE CONFIRMATION off. 4. Input the library title. For details on inputting characters, refer to Operation Guide P.60. The Store operation will be executed. q Recalling dynamics settings from the library [Procedure] 1. Select the recall destination channel, and access the
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    key until the desired page appears. [Mouse operation] M button ¡ DYN button ¡ Dly/ø1-16 tab, Dly/ø17-24 tab, Dly/øMONI tab q Dly/ø1-16 1 2 3 4 [Screen functions] A . Tip! Phase (ø) will operate independently even for paired channels. q Dly/ø17-24 1 2 3 4 q Dly/øMONI 1 2 3 4 65 - Reference Guide
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    Dly/ø1-16, Dly/ø17-24, Dly/øMONI page. 2. Move the cursor to the delay time parameter or the ø button of the copy source channel. 3. Press the [SHIFT] key + [F5] key. The following confirmation screen will appear. 4. Move the cursor to the OK button and press the [ENTER] key. 66 - Reference Guide
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    key/[F2] (Pre/Pst MONI) key • Repeatedly press an [AUX 1]-[AUX 6] key until the desired page appears. [Mouse operation] M button ¡ AUX 1-AUX 6 buttons ¡ Pre/Pst IN tab/Pre/Pst MONI tab [Screen functions] A Channels This area Pre/Pst IN 1 42 3 q Pre/Pst MONI 3 2 1 4 AUX1- AUX6 67 - Reference Guide
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    IN, Pre/Pst MONI pages In the Pre/Pst IN/Pre/Pst MONI pages, you can press the [SHIFT] key to assign the following functions to the [F1]-[F2] keys. F1 F2 • [F1] (GLOBAL PRE) key Switch all channels in that . This is the same function as the POST button in the GBL area 5. 68 - Reference Guide
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    and AUX8/EFF2 screens Eff. Edit page Edit internal effects 1/2 [Function] Edit the parameters of the effect 3 that is selected for internal effect 1 (AUX7/EFF1 screen) or external effect 2 (AUX8/EFF2). [Key operation] 1 • [AUX 7] key/[AUX 8] ¡ [F1] (Eff. Edit) key 2 • Repeatedly press
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    adjust the mix amount of the effect sound. A setting of 0% will output only the original sound, 50% will output equal amounts of direct and effect sound, and 100% will output only the effect sound. If the effect is patched via AUX send/return, set this to 100%. If the effect is inserted in a speci
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    EDIT popup window where you can input the name. For details on inputting characters, refer to Operation Guide P.60. Library numbers 1-41 are recall-only presets; their name cannot be edited. Numbers in which no effect program has been stored will be displayed as "No Data!," and their name cannot
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    the [ENTER] key. The TITLE EDIT popup window will appear, allowing you to assign a name to the effect program. 4. Input the library title as desired. For details on inputting characters, refer to Operation Guide P.60. A maximum of 16 characters can be input. 5. Move the cursor to the OK button and
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    AUX buses 7/ 8 (effects 1/2). q Pre/Pst IN [Key operation] • [AUX 7] key key until the desired page appears. [Mouse operation] M button ¡ EFF 1 button/EFF This area shows the channels whose effect send pre/post settings are being to 1 5 effect 1/2. C PRE/POST channel to the effect send. D
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    accidentally returned to the same effect, creating a loop. s Additional functions in the Pre/ Pst IN/Pre/Pst MONI pages In the Pre/Pst IN/Pre/Pst MONI pages, you can press the [SHIFT] key to assign the following functions to the function as the POST button in the GBL area 5. 74 - Reference Guide
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    F1] (1-24/Rtn) key • Repeatedly press the [HOME] key until the screen shown at the right appears [Mouse operation] M button ¡ HOME button ¡ 1-24/Rtn tab HOME 2 34 5 [Screen functions] A Level meters These meters be maintained in the level meter to indicate the peak level. 75 - Reference Guide
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    Mouse operation] M button ¡ HOME button ¡ Monitor tab 2 34 5 [Screen functions] A Level meters These meters show the input levels of monitor channels 1-16. The the Monitor page In the Monitor page you can press the [SHIFT] key to assign the following function to the [F1] key. F1 • [F1] (PEAK HOLD)
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    also 1 adjust the master level of each bus. [Key operation] • [HOME] key screen shown at the right appears [Mouse operation] M button ¡ HOME button ¡ Bus 1-8. B Faders These faders adjust the master level of buses 1- 8/AUX buses press the [SHIFT] key to assign the following function to the [
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    the stereo output. [Key operation] • [HOME] key ¡ [F4] the screen shown at the right appears [Mouse operation] M button ¡ HOME button ¡ Omni/St assignments cannot be changed in this page. The signals assigned to can press the [SHIFT] key to assign the following function to the [F1]
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    Option page Monitor the output level of option I/O cards [Function] Monitor the output level of option I/O cards inserted in slots 1/2 of the AW4416. [Key operation] 1 • [HOME] key ¡ [F5] (Option) key • Repeatedly press the [HOME] key until the screen shown at the right appears [Mouse
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    SAMP. PAD screen From Rgn. page Assign a region to a sampling pad [Function] Assign a region (continuous audio data recorded in one operation) to a sampling pad. [Key operation] • Sampling pad section [EDIT] pad ¡ [F1] (From Rgn.) key 1 • Repeatedly press the [EDIT] pad until the 2 screen
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    available for recording in the track. • [F2] (X-ZOOM IN) key Each time you press the [SHIFT] key + [F2] (XZOOM IN) key, the track view 7 ) key, the track view 7 will zoomout horizontally (three stages). Tip! For the procedure of assigning a region to a pad, refer to Operation Guide "Chapter 12.
  • Yamaha AW4416 | Reference Guide - Page 89
    screen CD Import page Assign CD-DA to a sampling pad [Function] Import CD-DA (CD audio) audio data from 2 an audio CD/mixed-mode CD-ROM inserted in an internal or external CD-RW drive, and assign it to a sampling pad. [Key operation] • Sampling pad section [EDIT] pad ¡ [F2] 1 (CD Import
  • Yamaha AW4416 | Reference Guide - Page 90
    an audio CD or mixed-mode CD in the tray, and press the [SHIFT] key + [F1] (CD LOAD) key. The tray of the CD-RW drive will close, and the CD will be inserted. 3. Move the cursor to the DRIVE area, use the [DATA/JOG] dial to select the SCSI ID of the CD-RW drive, and press the [ENTER] key. The AW4416
  • Yamaha AW4416 | Reference Guide - Page 91
    audio file from a CD- 2 ROM or MO disk inserted in the internal CD-RW drive or an external SCSI device, and assign it to a sampling pad. [Key operation le and its quantization (word length) is displayed. 5 The AW4416 can recognize only WAV files that have the same sampling Reference Guide
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    CD-RW drive. • [F2] (CD UNLOAD) key Eject the tray of the CD-RW drive. q Assigning a WAV file to a sampling pad [Procedure] 1. Insert the media containing the WAV file into an external SCSI device (e.g., MO drive) or the internal CD-RW drive is selected for the operation. Tip! indicates the current
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    automatically. Undo is not possible after the pad name has been edited. 86 - Reference Guide These buttons have the following functions. q PAD Select the bank/pad number of the pad that you wish to erase. q EXECUTE Execute the pad erase operation. Undo is not possible after a pad has been erased.
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    (for a 44.1 kHz/16 bit song). I Parameter area In this area you can set the parameters for the selected menu. When you select a button for menu 1-4, the corresponding parameter values will appear here. Tip! For examples of editing the sampling pads, refer to Operation Guide "Chapter 12. Sampling
  • Yamaha AW4416 | Reference Guide - Page 95
    at the right appears. [Mouse operation] M button ¡ SAMP. PAD EDIT button ¡ Trig. List tab 8 3 4 56 7 [Screen functions] A COPY menu Using this menu, events recorded in the convenience sequencer can be copied to another location in the same pad track or to another pad track. When you move the
  • Yamaha AW4416 | Reference Guide - Page 96
    [ENTER] key, the O display will change to q, and that pad track will no longer be played back. If bank A (B) is selected by operation can be set in this area. Tip! For the procedure of recording or playing your pad performances, and copying or erasing a recorded performance, refer to Operation Guide
  • Yamaha AW4416 | Reference Guide - Page 97
    shows the name of the virtual track currently selected for each track 1-16. When you record something on a track, a default name of "V.Tr x-y" (x=track number 1-16, y=virtual track number 1-8) will be assigned automatically. Tracks on which nothing has been recorded will be displayed as "-NO REC
  • Yamaha AW4416 | Reference Guide - Page 98
    SELECT] key, and the current transport mode will determine which signal is being monitored for each track. G Track view The regions (continuous audio data recorded in a single operation) included in each track are displayed as bar graphs in this area. The vertical line in this area indicates the
  • Yamaha AW4416 | Reference Guide - Page 99
    in record-ready mode from one track to two tracks, the remaining recordable time will be halved. • [F2] (WAVE) key Display the waveform for the audio of a desired track. This is convenient when you wish to view the waveform while searching precisely for a locate point. For the procedure, refer to
  • Yamaha AW4416 | Reference Guide - Page 100
    • The keys of the locate/transport section cannot be used while the waveform is displayed. • The audio of the corresponding track cannot be monitored while the [DATA/JOG] dial is being used to move the pointer. • This , and the song will locate to the location of the pointer. 93 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 101
    by each track 1-16. The currently selected virtual track number will be highlighted. Of the virtual track numbers that are not currently selected, tracks that have been recorded are displayed as . Tip! For details on operating virtual tracks, refer to Operation Guide "Chapter 9. Track and virtual
  • Yamaha AW4416 | Reference Guide - Page 102
    you turn muting on for the stereo track, tracks 1-16 will return to their previous status. Tip! For details on recording/playing the stereo track, refer to Operation Guide "Chapter 5. Recording on the AW4416." B Track view Continuous audio data in the stereo track is displayed as a bar graph. The
  • Yamaha AW4416 | Reference Guide - Page 103
    recording will depend on the number of tracks that are currently in record- track view 2 will zoom-in horizontally in three levels. • [F3] (X-ZOOM OUT) key Each time you press the [SHIFT] key + [F3] (XZOOM OUT) key, the track view 2 will zoomout horizontally in three levels. 96 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 104
    operation] 1 • [TRACK] key ¡ [F4] (Mark Adj.) key • Repeatedly press the [TRACK] key 2 until the screen shown at the right appears. 3 [Mouse operation 000. When you record the song, the end of the area that was last-recorded, and can also be set individually by assigned in sequence from
  • Yamaha AW4416 | Reference Guide - Page 105
    show the remaining time available for recording. When you press the [SHIFT] key + [F1] (REMAIN) key once again, the usual counter display will reappear. Tip! The remaining time available for recording will depend on the number of tracks that are currently in record-ready mode. 98 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 106
    tracks [Function] Assign a name to each track, and edit audio data by tracks, parts, or regions. [Key operation] • RECORDER [EDIT] key ¡ [F1] (TR Edit) 1 key 2 • Repeatedly press the RECORDER parameters that can be selected from the TRACK/PART/ REGION menus, refer to page 101. Tip! If you
  • Yamaha AW4416 | Reference Guide - Page 107
    you can set the necessary parameters for executing the edit command. Tip! For the track editing procedure, refer to Operation Guide "Chapter 9. Track/virtual track operations." The keys of the transport section will have no effect while the TR Edit page is displayed. s Additional functions in the TR
  • Yamaha AW4416 | Reference Guide - Page 108
    tracks 1-16 will be selected for the operation. • ALL V.TR (all virtual tracks) Select whether all virtual tracks included in the corresponding track(s) will be erased (YES) or whether only the currently selected virtual track will be erased (NO). • EXECUTE Execute the command. q COPY Copy the audio
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    . q ERASE Erase the audio data from the selected part. If all audio data in a track is erased, the track name will return to the "-NO REC-" display. • TRACK Select the track from which you wish to erase data. For the Erase command, you can specify all tracks as the subject of the operation. To do so
  • Yamaha AW4416 | Reference Guide - Page 110
    Execute the command. FR.START FR.END Move source track A (FR. TRACK) MOVE Move destination track B C (TO TRACK) TO START Move destination track after execution Move destination track after execution MOVE B A' B C INSERT= Insert B A' C INSERT= OverWrite 103 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 111
    length of silence into the selected part. Subsequent audio data will be moved backward by the length of the inserted silence. • TRACK Select the track into which you wish to insert silence. For the Insert command, you can specify all tracks as the subject of the operation. To do so, rotate the [DATA
  • Yamaha AW4416 | Reference Guide - Page 112
    In the REGION menu you can specify a region (a continuous piece of audio data that was recorded in a single operation) in the selected track, and execute an editing command. Tip! For the commands of the REGION menu, it is not possible to select only part of the region for editing. If you wish to do
  • Yamaha AW4416 | Reference Guide - Page 113
    Specify whether the moved audio data will be inserted (Insert) or overwritten (OverWrite) in the move destination track. • EXECUTE Execute the command. q DIVIDE Divide the actual length of the audio. Also, it is not possible to cancel the command after it has been executed. 106 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 114
    area In this area you can set the required parameters for executing the edit command. Tip! For the track editing procedure, refer to Operation Guide "Chapter 9. Track/virtual track operations." The keys of the transport section will have no effect while the V. TR Edit page is displayed. 107
  • Yamaha AW4416 | Reference Guide - Page 115
    EDIT screen s Additional functions in the V.TR Edit page In the V.TR Edit page, you can press the [SHIFT] key to assign the following additional functions to the [F1]-[F3] keys. F1 F2 F3 • [F1] (REMAIN) key • [F2] (X-ZOOM IN) key • [F3] (X-ZOOM OUT) key These are
  • Yamaha AW4416 | Reference Guide - Page 116
    CD/mixed-mode CD-ROM inserted in the internal or external CD-RW drive, and assign it to the desired audio track. 1 [Key operation] • [EDIT] key ¡ [F3] (CD Import) key 5 • Repeatedly press the [EDIT] key until the screen shown at the right appears. [Mouse operation] M button ¡ RECORDER
  • Yamaha AW4416 | Reference Guide - Page 117
    the audio CD or mixed-mode CDROM on the tray, and press the [SHIFT] key + [F1] (CD LOAD) key. The CD-RW drive tray will close, and the disc will be inserted. 3. Move the cursor to the DRIVE area, use the [DATA/JOG] dial to select the SCSI ID of the CD-RW drive, and press the [ENTER] key. The AW4416
  • Yamaha AW4416 | Reference Guide - Page 118
    audio track [Function] Import a WAV format audio file from a CD-ROM or CD-ROM/MO disk inserted in the internal CD- RW drive or an external SCSI device, and assign it to a track. 1 [Key operation] • [EDIT] key ¡ [F4] (WavImport) key 5 • Repeatedly press the RECORDER The AW4416 can recognize
  • Yamaha AW4416 | Reference Guide - Page 119
    to assign the following additional functions to the [F1]-[F2] keys. F1 F2 • [F1] (CD LOAD) key Close the tray of the CD-RW drive. • [F2] (CD UNLOAD) key Eject the tray of the CD-RW drive. q Importing a WAV file to a track [Procedure] 1. Insert the media containing the WAV file into an external SCSI
  • Yamaha AW4416 | Reference Guide - Page 120
    track from an existing song [Function] Import a track from a song on the hard disk into the desired track of the current song. [Key operation] 1 • [EDIT] key ¡ [F5] (TR Import) key • Repeatedly press the RECORDER song was last saved • SIZE Song data size (includ- ing audio data) • BIT/FS Song
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    cursor to the DEST. TRACK field, and specify the track number (1-16) and virtual track number (1-8) of the import destination track. If you select an already-recorded virtual track as the import destination, all the contents of the corresponding track will be erased and replaced by the contents of
  • Yamaha AW4416 | Reference Guide - Page 122
    the previous location when editing ends, which is convenient when you are editing only a portion of the fader operations. • If you want the fader locations at which editing ended to be maintained to the end of the automix, it is convenient to turn on the END button. 115 - Reference Guide AUTO MIX
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    fader events are erased and the new events recorded. q RELATIVE In this mode, the previously-recorded fader operation events are combined with the new events and recorded. This is convenient when you wish to add relative changes to the previously-recorded fader movements. 116 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 124
    mode G NEW MIX button When you operation. These buttons have the following functions. q ABORT This button stops automix recording and discards the changes. If you turn on this button while recording automix, a popup window will ask whether you wish to discard the automix. 117 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 125
    recording or playback. If you turn on this button while recording automix, a popup window will ask whether you wish to update the data. q PLAY button If the recorder key. Tip! For the procedure of recording and playing automix, refer to Operation Guide "Chapter 14. Automix." s Additional functions
  • Yamaha AW4416 | Reference Guide - Page 126
    automix stored in memory. When you move the cursor to the TITLE EDIT button and press the [ENTER] key, the TITLE EDIT popup window will appear, allowing you to input a name. A maximum of 16 characters can be input. For details on inputting characters, refer to Operation Guide P.60. B RECALL button
  • Yamaha AW4416 | Reference Guide - Page 127
    button O AUTOMIX TRANSPORT These are the same functions as described in the Main page. Refer to the explanation on page 115. s Additional functions in the Memory page In the Memory page you can press the [SHIFT] key to assign the following functions to the [F1]-[F3] keys. F1 F2 F3 • [F1] (TITLE
  • Yamaha AW4416 | Reference Guide - Page 128
    page View fader events as a bar graph [Function] View a bar graph representation of the fader operation events recorded in the automix. [Key operation] • [AUTO MIX] key ¡ [F3] (Fader Edit) key • Repeatedly press the [AUTO 1 MIX] key until the screen shown at the right appears. 2 [Mouse
  • Yamaha AW4416 | Reference Guide - Page 129
    operations recorded in the automix. [Key operation] 7 • [AUTO MIX] key ¡ [F4] (Event List) key 8 9 • Repeatedly press the [AUTO MIX Scene memory and library recall events will be Reference Guide • EF. Lib............Effect library recall events. The numeric value indicates the effect
  • Yamaha AW4416 | Reference Guide - Page 130
    dial to edit the value. D TIME This area shows the time at which the event is recorded, as hours/minutes/seconds/milliseconds. (The minimum unit is 25 milliseconds.) You can move the procedure of duplicating or deleting an event, refer to Operation Guide "Chapter 14. Automix." AUTOMIX screen 123
  • Yamaha AW4416 | Reference Guide - Page 131
    the current settings of the AW4416 into scene memory, or recall a scene that was stored in scene memory. 45 67 [Key operation] • [SCENE] key ¡ input a library name of up to 16 characters. For details on inputting characters, refer to page 60 of the Operation Guide. It is not possible to change
  • Yamaha AW4416 | Reference Guide - Page 132
    are saved in memory as a scene. Fader locations of all channels and buses (input channels 1-24, recorder monitor channels 1-16, AUX send levels 1-8, effect returns 1/2, stereo) ON key settings of all channels Attenuation settings of all channels Phase settings of all channels Mix param- eters
  • Yamaha AW4416 | Reference Guide - Page 133
    the faders will reach their new locations when a scene is recalled. [Key operation] • [SCENE] key ¡ [F2] (Fade Time) key • Repeatedly channels 1-24 q Monitor channels 1-16 q Effect return channels 1/2 q Stereo output channel Fade time will have no effect unless it is specified for Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 134
    key until the screen shown at the right appears. [Mouse operation] M button ¡ SCEN button ¡ RCL. Safe tab SCENE Input channels 1-24 q Monitor channels 1-16 q Effect return channels 1/2 q Stereo output channel a scene is recalled. However even in this case, moving one of the faders will cause the
  • Yamaha AW4416 | Reference Guide - Page 135
    [Mouse operation] M button ¡ SCEN button ¡ Sort tab [Screen functions] A SOURCE This list shows the current state of the scene memories. Move the the point where the scene will be inserted. (The location currently selected for insertion is displayed as "INSERTION POINT.") C EXECUTE button Move the
  • Yamaha AW4416 | Reference Guide - Page 136
    29 Troubleshooting 35 Display message list 39 Messages 39 Popup messages 41 Specifications 43 General Specifications 43 Mixer section 44 Recorder section 46 Controls 47 Control I/O 48 Dimensions 49 MIDI data format 50 MIDI Implementation Chart 54 Block diagram 1 - Reference Guide Appendix
  • Yamaha AW4416 | Reference Guide - Page 137
    +3.0dB H.SHELF 7.55kHz +0.5dB H.SHELF 16.9kHz 0.0dB H.SHELF 4.00kHz 0.0dB H.SHELF 4.00kHz +0.5dB Description Emphasizes the low range of the bass drum and the by cutting very low frequencies. Unlike program 009, this emphasizes the low range of the electric bass. Appendix-2 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 138
    0.63 1.00kHz 1.88kHz 0.0dB +4.0dB PEAKING PEAKING 0.4 0.16 445Hz 3.36kHz +1.5dB +2.5dB PEAKING PEAKING 9 10 944Hz low range of the piano sound by using a compressor. Use for line-recording an electric guitar or semiacoustic guitar to get a slightly hard - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 139
    1 031 Total EQ 2 032 Total EQ 3 LOW L.SHELF Q F 223Hz G -0.5dB L.SHELF H.SHELF 16.0kHz +6. effect, try it with a compressor. This is a variation on program 030. This is a variation on program 030. Also use these programs for stereo inputs or external effect returns. Appendix-4 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 140
    0dB H.SHELF 16.9kHz 0.0dB program 001. The low and mid range recording a voice reading a text. Note The EQ programs were programmed for recording acoustic musical instruments. If you are using them for a sampler, synthesizer, or rhythm machine, adjust the parameters accordingly. 5 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 141
    of a rotary speaker. An effect that modifies the pitch by applying amplitude modulation to the frequency of the input. On the AW4416, even the modulation frequency can be controlled by modulation. An effect which uses an LFO to modulate the frequency of the filter. Appendix-6 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 142
    On velocity when SOURCE set to MIDI. Dynamically controlled flanger. Responds to MIDI Note On velocity when SOURCE set to MIDI. Dynamically controlled phase shifter. Responds to MIDI Note On velocity when SOURCE set to MIDI. Combined Effects # Title 29 Rev+Chorus 30 Rev->Chorus 31 Rev+Flange
  • Yamaha AW4416 | Reference Guide - Page 143
    HPF LPF MIX BAL. Range S-Hall, L-Hall, Random, Reverse, Plate, Spring 0.1-20.0 0-10 0.0-500.0 ms 0-10 0-100% 1-19 -99 to +99% 0.1-1.0 Thru, 21 Hz-8.0 kHz 50 Hz-16.0 kHz, filter cutoff frequency Low-pass filter cutoff frequency Mix balance of the effects and dry sounds Appendix-8 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 144
    filter cutoff frequency LPF 50 Hz-16.0 kHz, Thru Low-pass filter cutoff frequency MIX BAL. 0-100 [%] Mix balance of the effects and dry sounds MONO DELAY Basic pass filter cutoff frequency Low-pass filter cutoff frequency Mix balance of the effects and dry sounds 9 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 145
    0.0-2730.0 ms FB.GAIN -99 to +99% HI.RATIO HPF LPF MIX BAL. 0.1-1.0 Thru, 21 Hz-8.0 kHz 50 Hz-16.0 kHz, Thru 0-100 [%] Description Left channel delay time Center channel delay frequency Low-pass filter cutoff frequency Mix balance of the effects and dry sounds Appendix-10 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 146
    ) Modulation waveform Low-shelving filter frequency Low-shelving filter gain Parametric equalizer center frequency Parametric equalizer gain Parametric equalizer band width High-shelving filter frequency High-shelving filter gain Mix balance of the effects and dry sounds 11 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 147
    Modulation waveform Low-shelving filter frequency Low-shelving filter gain Parametric equalizer center frequency Parametric equalizer gain Parametric equalizer band width High-shelving filter frequency High-shelving filter gain Mix balance of the effects and dry sounds Appendix-12 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 148
    16 0.0-1000.0 ms -99 to +99% LEVEL 2 MODE MIX BAL. -100 to +100% 1-10 0-100 [%] Appendix Description Modulation speed Modulation depth Modulation waveform Low-shelving filter frequency Low reverse phase) Pitch shift precision Mix balance of the effects and dry sounds 13 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 149
    and right-channel modulation phase difference Output level Mix balance of the effects and dry sounds Description Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Tone Noise reduction Mix balance of the effects and dry sounds Appendix-14 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 150
    OVD = overdrive) Noise reduction Distortion drive Master volume Speaker cabinet simulation depth Bass tone control Middle tone control High tone control Parametric equalizer frequency Parametric equalizer gain Parametric equalizer bandwidth Mix balance of the effects and dry sounds *1. STK-M1, STK
  • Yamaha AW4416 | Reference Guide - Page 151
    -12 to +12 [dB] Low-shelving filter gain HSH F 50.0-16.0 k [Hz] High-shelving filter frequency HSH G MIX BAL. -12 to +12 [dB] 0-100 [%] High-shelving filter gain Mix balance of the effects and dry sounds *1. 6.0 ms-46.0 s (fs=44.1 kHz), 5.0 ms-42.3 s (fs=48kHz) Appendix-16 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 152
    cutoff frequency Low-pass filter cutoff frequency Modulation speed Pitch modulation depth Amp modulation depth Modulation delay time Modulation waveform Reverb and chorused reverb balance (0% = chorused reverb, 100% = reverb) Mix balance of the effects and dry sounds 17 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 153
    MIX BAL. 0-100 [%] Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Reverb diffusion (left-right reverb spreed) Reverb density High-pass filter cutoff frequency Low , 100% = reverb) Mix balance of the effects and dry sounds Appendix-18 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 154
    LPF 50 Hz-16.0 kHz, Thru Low-pass filter cutoff Low-pass filter cutoff frequency Modulation speed Modulation depth Modulation delay time Modulation waveform Reverb and symphonic reverb balance (0% = symphonic reverb, 100% = reverb) Mix balance of the effects and dry sounds 19 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 155
    50 Hz-16.0 kHz, Thru Number of early reflections High-pass filter cutoff frequency Low-pass filter cutoff frequency DLY/ER 0-100% Delay and early reflections balance (0% = early reflections, 100% = delay) MIX BAL. 0-100 [%] Mix balance of the effects and dry sounds Appendix-20 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 156
    reverb begins High-frequency reverb time ratio Reverb diffusion (left-right reverb spreed) Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and reverb balance (0% = reverb, 100% = delay) Mix balance of the effects and dry sounds 21 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 157
    pass filter cutoff frequency Low-pass filter cutoff frequency Delay and delayed reverb balance (0% = delayed reverb, 100% = delay) Mix balance of the effects and dry sounds Description Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Tone control Noise reduction Delay
  • Yamaha AW4416 | Reference Guide - Page 158
    , band pass Filter 3 type: low pass, high pass, band pass Filter 1 frequency Filter 2 frequency Filter 3 frequency Filter 1 level Filter 2 level Filter 3 level Filter 1 resonance Filter 2 resonance Filter 3 resonance Mix balance of the effects and dry sounds Appendix 23 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 159
    are generally used to correct or control signal levels. However, you can also use them creatively to shape the volume envelope of a sound. The AW4416 features comprehensive dynamics processors for all 038 Total Comp1 "CMP 039 Total Comp2 "CMP 040 Total Comp3 "CMP Appendix-24 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 160
    = hard high levels, thus effectively reducing the dynamic range, the compressor makes it much easier to control signals and set appropriate fader levels. Reducing the dynamic range also means that recording levels appears, and it will be compressed incorrectly. 25 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 161
    another form of automatic level control. By attenuating the signal below the threshold, the expander reduces low-level noise and effectively increases the dynamic range of the recorded material. Expander (EXP) once the trigger signal level drops below the threshold. Appendix-26 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 162
    hard compander (CPH) has a fixed ratio of 5:1 for expansion and the soft compander (CPS) has a fixed ratio of 1.5:1 for expansion. Attack controls compressor. With a width of 90 dB, the expander is effectively switched off and the compander is simply a compressor-limiter. With Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 163
    or noise gate is an audio switch used to mute signals below a background music is controls how fast the gate closes once the hold time has expired. A longer decay time produces a more natural gating effect, allowing the natural decay of an instrument to pass through. Appendix-28 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 164
    "Decay" values shown in the following table are valid when the AW4416 is set at a sampling frequency of 44.1 kHz. No. Name the same purpose as -53 program 001. 0 1.93 400 -11 Hard compander for the same 3.5 purpose as program 001. 1 -1.5 7 192 0.63 238 29 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 165
    the toms are not played, 2 helping to differentiate the bass and 5.0 snare hard 133 -10 Compressor to adjust and/or 3.5 emphasize the level of a synth bass. 9 3.0 hard 250 -9 Compressor to brighten the tonal 2.5 color of a piano. 17 1.0 hard 238 Appendix-30 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 166
    or cellos. 93 1.5 4 1.35 S -17 A variation on program 018, 1.5 intended for string instruments with a very low range, such as cellos or 76 contrabass. 2.5 2 186 -18 Compressor intended for brass 1.7 sounds with fast and strong attack. 18 4.0 1 226 31 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 167
    program 023, 2 intended for sampled bass drum sounds. 2 3.5 4 35 -18 A variation on program 023, 4 intended for sampled snare drum sounds. 8 8.0 hard 354 -23 A variation on program 023, 20 intended for sampled sounds for loops. 15 0.0 15 163 -20 Compressor suited for a solo
  • Yamaha AW4416 | Reference Guide - Page 168
    gate program. -56 0 2.56 331 -19 Ducking background music for -22 voiceovers, typically keyed from the announcer's channel. 93 1.20 S 6.32 S -8 A template for a limiter using the 4 soft compander program. This program has a slow release. 25 0.0 24 180 33 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 169
    interesting on stereo input signals. 0.0 2 1.12 S -18 A variation of program 038. It has a 3.5 harder compression ratio. 94 2.5 hard 447 -16 A variation of program 038. It has 6 an extreme compression ratio, almost a limiter in effect. 11 6.0 1 180 Appendix-34 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 170
    the AW4416 and the external device(s)? • An effect such as Distortion or Amp Simulate may be in use. sCan't record • Is the internal hard disk connected? • Is there sufficient free space on the internal hard disk? • The song may be protected. • Is the [REC TRACK SELECT] key lit? 35 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 171
    mode, the signal is output from monitor channels 1 and 2. sNot all tracks will play back • There are limitations on the number of tracks that can be simultaneously recorded or played. Refer to Operation Guide P.147 "Audio tracks". sThe volume of a particular channel increases or decreases • Are the
  • Yamaha AW4416 | Reference Guide - Page 172
    AW4416 operating on the same sampling frequency as the synchronized external device? • Is the master device operating in a stable way? • You may have executed the EDIT screen PITCH command. • Is an effect such as HQ.Pitch or Dual Pitch selected for a monitor channel? 37 - Reference Guide Appendix
  • Yamaha AW4416 | Reference Guide - Page 173
    free space on the internal hard disk? sCD-RW drive is not recognized • Is the CD-RW drive connected correctly? sCan't create an audio CD • Is CD-R media inserted? • The inserted CD-R may have already been final- ized. • Is a signal recorded on the stereo track? • The stereo track must be at least
  • Yamaha AW4416 | Reference Guide - Page 174
    AUTOMIX MEMORY FULL! AUTOMIX NOT RUNNING. AUTOMIX REC ABORTED. AUTOMIX RECORDING. AUTOMIX RUNNING. BANK A SELECTED BANK B SELECTED CANNOT ASSIGN DIGITAL-ST-IN. CANNOT CHANGE THE MUTE CANNOT PLAY THIS PAGE CANNOT RECALL AUTOMIX CANNOT REDO CANNOT SELECT (MTC SLAVE) CANNOT SELECT (WC EXTERNAL) CANNOT
  • Yamaha AW4416 | Reference Guide - Page 175
    REGION. SELECTED TRACK NOT RECORDED. SLOT1 INPUT SYNC ERROR! SLOT1,2 INPUT SYNC ERROR! SLOT2 INPUT SYNC ERROR! SOLO READY. SOLO SLAVE. SONG NUMBER FULL. SONG TOP/END OUT OF RANGE STEREO PAIRED. The internal effect is connected to the AUX send, and cannot be inserted. The internal battery is running
  • Yamaha AW4416 | Reference Guide - Page 176
    the previous operation) has been executed. The word clock from a connected device selected by the AW4416 for synchronization is not appropriate. CD Access Error! A error occurred when accessing the CD. CD Size Full! Data exceeding the recordable length of the CD cannot be added. CD Track Over
  • Yamaha AW4416 | Reference Guide - Page 177
    Found! Recall Channel Data Conflict! SCSI Error! Selected Drive is not CD Drive! Selected Drive is not Connected! Selected Preset is Effect2 Only! Selected Song Status Conflict! Selected Track is not Recorded! Too Many Regions! Too Small Region! A problem has occurred on the media. The media has no
  • Yamaha AW4416 | Reference Guide - Page 178
    DIGITAL STEREO OUT mini YGDAI card (option) Mixing layer section Input channel Internal effect return Playback Internal effects section Multi-effects × 2 Bus section Bus Aux Stereo Solo Sampler section Assign to mixer section Playback Trigger pads Sampling time Recorder section Recording medium
  • Yamaha AW4416 | Reference Guide - Page 179
    Appendix Tracks Maximum recording time Power requirements Dimensions (W × H × D) Weight Operating temperature range Options 130 tracks (16 tracks × 8 virtual tracks plus stereo track) Approx. 140 min (44.1 kHz, 16-bit, 16 tracks, 12 GB hard disk) U.S.A. & Canada 120 V 80 W AC, 60 Hz Europe 230 V
  • Yamaha AW4416 | Reference Guide - Page 180
    output level DIGITAL STEREO I/O Option card slot Digital I/O Analog Digital mixer Input channel (channel 1-24, playback 1-16) Attenuator, Phase (normal, reverse), EQ (4-band PEQ), Dynamics, Delay, On/Off, Fader (60 mm motorized), Pan, Bus assign (stereo, bus, aux, solo, direct out) Internal effects
  • Yamaha AW4416 | Reference Guide - Page 181
    9-16 0 • 24 bit song Simultaneous Simultaneous recording tracks playback tracks 0 16 1-2 14 3-4 12 5-8 8 9-16 0 Tracks 130 tracks (16 tracks × 8 virtual tracks plus stereo track) s Format File system Internal hard disk drive Max. hard disk capacity Max. songs per hard disk AW4416
  • Yamaha AW4416 | Reference Guide - Page 182
    section WORK NAVIGATE buttons SONG, QUICK REC, MASTERING, CD PLAY UNIT buttons SETUP, FILE, UTILITY, MIDI MIXER buttons VIEW, PAN, EQ, DYN FADER MODE buttons AUX1, AUX2, AUX3, AUX4, AUX5, AUX6, AUX7, AUX8, HOME MIXING LAYER buttons 1-16, 17-24 RTN, MONI ON buttons, SEL buttons, Faders
  • Yamaha AW4416 | Reference Guide - Page 183
    button, UNDO button, REDO button, CURSOR button DATA ENTRY button (JOG/SHUTTLE), ENTER button 320 × 240 dots graphical LCD (with contrast control), 3-color FL display BNC BNC 5-pin DIN 5-pin DIN 5-pin DIN 8-pin mini DIN 50-pin half pitch D-Sub 9-pin D-Sub Phone jack Appendix-48 - Reference Guide
  • Yamaha AW4416 | Reference Guide - Page 184
    Appendix 147.7 132.1 7.6 459.7 450 Specifications and external appearance subject to change without notice. For European Model Purchaser/User Information specified in EN55103-1 and EN55103-2. Inrush Current: 30A Conformed Environment: E1, E2, E3 and E4 Unit: mm 49 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 185
    the [MIDI Program Change Assign Table]. If multiple program numbers are assigned to that memory number, the lowest-numbered program change will be transmitted. 1.3 MMC CONTROL Basic recorder operations such as stop/play/rec/locate can be controlled. If you select MMC MASTER from the MIDI SETUP menu
  • Yamaha AW4416 | Reference Guide - Page 186
    according to the time code operation of the recorder. < Reception > These messages are received if the AW4416 is operating as a MTC slave. Quarter Frame messages received in realtime are assembled internally to create time code values that control the recorder. 51 - Reference Guide Appendix-
  • Yamaha AW4416 | Reference Guide - Page 187
    received, MIDI communications will be initialized by clearing the running status, etc. STATUS 11111111 FF Reset 4.13 EXCLUSIVE MESSAGES (F0-F7) 4.13.1 MMC STOP < Transmission > Transmitted with a device number of 7F when the STOP key is pressed. < Reception > If the AW4416 is operating as the
  • Yamaha AW4416 | Reference Guide - Page 188
    all call) Machine Control Command (mcc) sub-id Reset End Of Exclusive 4.13.9 MMC WRITE < Reception > If the AW4416 is operating as the MMC Exclusive Appendix 4.13.9.1 MMC INFORMATION FIELD - TRACK RECORD READY < Reception > If the AW4416 is operating as the MMC SLAVE and the device number
  • Yamaha AW4416 | Reference Guide - Page 189
    YAMAHA [PROFESSIONAL AUDIO WORKSTATION] Date: 18 Feb. 2000 Model: AW4416 MIDI Implementation Chart Version: 1.0 Function... Key's Ch's Pitch Bend 1-16 1-16 X X X X X X X X 1-16 1-16 OMNI off/OMNI on X X 0-127 X X X X X X Memorized Memorized Memorized Control Change X X Prog Change :
  • Yamaha AW4416 | Reference Guide - Page 190
    8(EFF2) ... METER INSERT ATT 4BAND EQ DYNAMICS STEREO METER ON LEVEL BAL METER (EQ) ATT 4BAND EQ DYNAMICS METER METER METER METER CD-RW (EQ) (Gain Reduction) DRIVE L CD PlayBack R CD PLAY mode METER METER BUS1(...8) LEVEL METER METER LEVEL RECORDER INPUT 1~16 AUX1(...8) SOLO
  • Yamaha AW4416 | Reference Guide - Page 191
    V566460 R1 1 IP 194 00 09 7000 AP Printed in Japan YAMAHA CORPORATION Pro Audio & Digital Musical Instrument Division P.O. Box 3, Hamamatsu, 430-8651, Japan
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PROFESSIONAL AUDIO WORKSTATION
E
Reference Guide