Yamaha AW4416 Reference Guide - Page 141

Appendix Preset Effects Programs The following table lists the preset effects programs. See "Effects Parameters" on page Appendix-8 for detailed parameter information. Effects programs that use the HQ. PITCH effect can be used only with Effect 2. Reverb-type Effects # Title 01 Reverb Hall Type REVERB HALL 02 Reverb Room REVERB ROOM 03 Reverb Stage REVERB STAGE 04 Reverb Plate REVERB PLATE 05 Early Ref. 06 Gate Reverb 07 Reverse Gate EARLY REF. GATE REVERB REVERSE GATE Description Reverb simulating a large space such as a concert hall. Reverb simulating the acoustics of a smaller space (room) than REVERB HALL. Reverb designed with vocals in mind. Simulation of a metal-plate reverb unit, producing a feeling of hardedged reverberation. An effect which isolates only the early reflection (ER) component from reverberation. A flashier effect than reverb is produced. A type of ER designed for use as gated reverb. A reverse-playback type ER. Delays # Title 08 Mono Delay 09 Stereo Delay 10 Mod.delay 11 Delay LCR 12 Echo Type MONO DELAY STEREO DELAY MOD.DELAY DELAY LCR ECHO Description Mono delay with simple operation. Use when you don't need to use complex parameter settings. Stereo delay with independent left and right. Mono delay with modulation. Three-tap delay (L, C, R). Stereo delay with additional parameters for more detailed control. The signal can be fed back from left to right, and right to left. Modulation-type Effects # Title 13 Chorus 14 Flange Type CHORUS FLANGE 15 Symphonic SYMPHONIC 16 Phaser 17 Auto Pan 18 Tremolo 19 HQ.Pitch 20 Dual Pitch 21 Rotary PHASER AUTO PAN TREMOLO HQ.PITCH (Effect 2 only) DUAL PITCH ROTARY 22 Ring Mod. RING MOD. 23 Mod.Filter MOD.FILTER Description Three-phase stereo chorus. The well-known flanging effect. A Yamaha proprietary effect that produces a richer and more complex modulation than chorus. Stereo phaser with 2-16 stages of phase shift. An effect which cyclically moves the sound between left and right. Tremolo Only one note is pitch-shifted, but a stable effect is produced. Stereo pitch shift with left and right pitches set independently. Simulation of a rotary speaker. An effect that modifies the pitch by applying amplitude modulation to the frequency of the input. On the AW4416, even the modulation frequency can be controlled by modulation. An effect which uses an LFO to modulate the frequency of the filter. Appendix-6 - Reference Guide