Yamaha AW4416 Reference Guide - Page 144

GATE REVERB, REVERSE GATE, MONO DELAY, STEREO DELAY, Parameter, Range, Description

Get Yamaha AW4416 PDF manuals and user guides View all Yamaha AW4416 manuals
Add to My Manuals
Save this manual to your list of manuals

Page 144 highlights

Appendix GATE REVERB, REVERSE GATE Early reflections with gate, and early reflections with reverse gate. Parameter Range Description TYPE Type-A, Type-B Type of early reflection simulation ROOMSIZE 0.1-20.0 Reflection spacing LIVENESS INI.DLY DIFF. DENSITY 0-10 0.0-500.0 ms 0-10 0-100% Early reflections decay characteristics (0 = dead, 10 = live) Initial delay before reverb begins Reverb diffusion (left-right reverb spread) Reverb density ER NUM. 1-19 Number of early reflections FB.GAIN -99 to +99% Feedback gain HI.RATIO 0.1-1.0 High-frequency feedback ratio HPF Thru, 21 Hz-8.0 kHz High-pass filter cutoff frequency LPF 50 Hz-16.0 kHz, Thru Low-pass filter cutoff frequency MIX BAL. 0-100 [%] Mix balance of the effects and dry sounds MONO DELAY Basic repeat delay. Parameter Range DELAY 0.0-2730.0 ms FB.GAIN -99 to +99% HI.RATIO HPF LPF MIX BAL. 0.1-1.0 Thru, 21 Hz-8.0 kHz 50 Hz-16.0 kHz, Thru 0-100 [%] Description Delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix balance of the effects and dry sounds STEREO DELAY Basic stereo delay. Parameter Range DELAY L 0.0-1350.0 ms FB.G L -99 to +99% DELAY R 0.0-1350.0 ms FB.G R -99 to +99% HI.RATIO HPF LPF MIX BAL. 0.1-1.0 Thru, 21 Hz-8.0 kHz 50 Hz-16.0 kHz, Thru 0-100 [%] Description Left channel delay time Left channel feedback (plus values for normal-phase feedback, minus values for reverse-phase feedback) Right channel delay time Right channel feedback (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Mix balance of the effects and dry sounds 9 - Reference Guide Appendix-

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
Appendix
— Reference Guide
Appendix
–
9
GATE REVERB, REVERSE GATE
Early re
fl
ections with gate, and early re
fl
ections with reverse gate.
MONO DELAY
Basic repeat delay.
STEREO DELAY
Basic stereo delay.
Parameter
Range
Description
TYPE
Type-A, Type-B
Type of early re
fl
ection simulation
ROOMSIZE
0.1
–
20.0
Re
fl
ection spacing
LIVENESS
0
–
10
Early re
fl
ections decay characteristics (0 = dead, 10 = live)
INI.DLY
0.0
–
500.0 ms
Initial delay before reverb begins
DIFF.
0
–
10
Reverb diffusion (left
–
right reverb spread)
DENSITY
0
–
100%
Reverb density
ER NUM.
1
–
19
Number of early re
fl
ections
FB.GAIN
–
99 to +99%
Feedback gain
HI.RATIO
0.1
–
1.0
High-frequency feedback ratio
HPF
Thru, 21 Hz
–
8.0 kHz
High-pass
fi
lter cutoff frequency
LPF
50 Hz
–
16.0 kHz, Thru
Low-pass
fi
lter cutoff frequency
MIX BAL.
0
–
100 [%]
Mix balance of the effects and dry sounds
Parameter
Range
Description
DELAY
0.0
–
2730.0 ms
Delay time
FB.GAIN
–
99 to +99%
Feedback gain (plus values for normal-phase feedback, minus values
for reverse-phase feedback)
HI.RATIO
0.1
–
1.0
High-frequency feedback ratio
HPF
Thru, 21 Hz
–
8.0 kHz
High-pass
fi
lter cutoff frequency
LPF
50 Hz
–
16.0 kHz, Thru
Low-pass
fi
lter cutoff frequency
MIX BAL.
0
–
100 [%]
Mix balance of the effects and dry sounds
Parameter
Range
Description
DELAY L
0.0
–
1350.0 ms
Left channel delay time
FB.G L
–
99 to +99%
Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
DELAY R
0.0
–
1350.0 ms
Right channel delay time
FB.G R
–
99 to +99%
Right channel feedback (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
HI.RATIO
0.1
–
1.0
High-frequency feedback ratio
HPF
Thru, 21 Hz
–
8.0 kHz
High-pass
fi
lter cutoff frequency
LPF
50 Hz
–
16.0 kHz, Thru
Low-pass
fi
lter cutoff frequency
MIX BAL.
0
–
100 [%]
Mix balance of the effects and dry sounds