Home » Yamaha Manuals » Audio Mixers » Yamaha M7CL » Manual Viewer

Yamaha M7CL M7cl V3 Owner's Manual - Page 153

Monitor/Cue, About the monitor/cue functions,

Get Yamaha M7CL PDF manuals and user guides

Add to My Manuals
Save this manual to your list of manuals

Page 153 highlights

Chapter 13 Monitor/Cue This chapter explains the M7CL's monitor/cue functions. About the monitor/cue functions The Monitor function lets you audition various outputs through your nearfield monitors or headphones. Below the M7CL's front pad there is a PHONES OUT jack for monitoring, and this jack always lets you monitor the signal that is selected as the monitoring source. By assigning the MONITOR OUT L/R/C channels to the desired output jacks, you can also monitor the same signal through external speakers. You can select the following signals as the monitor source. • STEREO channel output signal • MONO channel output signal • STEREO + MONO channel output signal • ST IN channel 1-4 input signal • A combination of up to eight MIX, MATRIX, STEREO, or MONO channel output signals and ST IN channel input signals. The Cue function lets you check an individual selected channel/DCA group by temporarily monitoring it via MONITOR OUT or PHONES. When you press the top panel [CUE] key, the cue signal of the corresponding channel/DCA group is sent as the monitor output from the selected output port. NOTE • The cue signal is sent to the same output destination as the monitor signal. Be aware that for this reason, if you turn off the Monitor function, the cue signal will no longer be sent to the connected monitor speakers. However, the cue signal will always be sent to the PHONES OUT jack. The following diagram shows the cue/monitor signal flow. CUE L R CUE TRIM (INPUT / OUTPUT / DCA) CUE L MONO CUE R METER CUE L METER CUE R PHONES OUT LR 2 DA Tip Ring Sleeve PHONES LEVEL [PHONES] 13 MONITOR SELECT DIMMER Monitor/Cue ST IN1 L,R ST IN2 L,R ST IN3 L,R ST IN4 L,R STEREO OUT L,R STEREO OUT MONO (C) STEREO OUT L,C,R ST IN1 L,R ST IN2 L,R ST IN3 L,R ST IN4 L,R STEREO OUT L,R STEREO OUT MONO (C) MIX OUT1-16 MATRIX OUT1-8 DEFINE MIX (MAX : 8ch) CUE LOGIC PHONES LEVEL LINK CUE ON DELAY (MAX:600ms) DELAY (MAX:600ms) PHONES L PHONES R To PHONES OUT To PHONES OUT MONO MONITOR L MONITOR R MONITOR MONO (C) METER MONITOR L METER MONITOR R METER MONITOR MONO (C) TALKBACK ON ON +MONO (C) MONITOR DIMM ON MONITOR MONITOR LEVEL FADER DELAY (MAX:600ms) DELAY (MAX:600ms) DELAY (MAX:600ms) MONITOR OUT L MONITOR OUT R MONITOR OUT MONO (C) An output port delay becomes invalid by assigning a monitor out to the output port To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH ● MONITOR SELECT Selects the monitor source. ● METER Detects and indicates the level of the monitor signal or cue signal. ● DIMMER Attenuates the monitor/cue signal by a fixed amount. ● MONITOR LEVEL Adjusts the output level of the MONITOR OUT L/R/C channels. If PHONES LEVEL LINK is ON, this will also affect the level at the PHONES OUT jack. ● MONITOR FADER Use the STEREO MASTER fader or MONO MASTER fader to adjust the output level of the MONITOR OUT L/ R/C channels. MONITOR FADER is positioned in serial with MONITOR LEVEL. If PHONES LEVEL LINK is ON, this setting will also affect the level at the PHONES OUT jack. M7CL Owner's Manual 153

Section	Page
Cover	1
PRECAUTIONS	4
Contents	6
1. Introduction	9
Thank you	9
An overview of the M7CL	9
About the models	11
The M7CL's channel structure	14
About the MIX bus types (VARI / FIXED)	15
About word clock	15
Conventions in this manual	15
About the firmware version	16
2. Panels and controls	17
Top panel	17
Rear panel	24
Under the front pad	27
3. Basic operation of the M7CL	29
Basic operations in the top panel / touch screen	29
Pressing the touch screen	29
Multiple selection (specifying a range)	29
Special operations for keys	29
Encoder operations	29
Multifunction encoder operations	30
The on-screen user interface	30
Tabs	30
Buttons	30
Faders / Knobs	31
List windows	31
Keyboard window	31
Popup windows	32
Dialog boxes	32
Viewing the touch screen	32
Function access area	32
Main area	33
Entering names	34
Using the tool buttons	35
About the tool buttons	35
Using libraries	35
Initializing settings	39
Copying/pasting settings	40
Comparing two settings	40
4. Connections and setup	43
Connecting SB168-ES units to the M7CL-48ES using the STAGE BOX SETUP function	43
Audio input/output connections	46
Setup items required when you start up the M7CL for the first time	50
Restoring the current scene to the default state	50
Word clock connections and settings	50
Making HA (Head Amp) gain settings	51
Sending an input channel signal to the STEREO bus	54
5. Input channel operations	57
Signal flow for input channels	57
Specifying the channel name and icon	59
Making HA (Head Amp) settings	61
Sending the signal from an input channel to the STEREO/MONO buses	63
Sending the signal from an input channel to a MIX bus	67
Using the SELECTED CHANNEL section	67
Using the Centralogic section	69
Using the faders (SENDS ON FADER mode)	70
Sending the signal from an input channel to the MATRIX buses	72
Using the SELECTED CHANNEL section	72
Using the Centralogic section	74
Using the faders (SENDS ON FADER mode)	75
Channel library operations	77
6. Output channel operations	79
Signal flow for output channels	79
Specifying the channel name and icon	81
Sending signals from MIX channels to the STEREO/MONO bus	82
Sending signals from MIX channels and STEREO/MONO channels to MATRIX buses	85
Using the SELECTED CHANNEL section	85
Using the Centralogic section	86
Channel library operations	88
7. Operations in the SELECTED CHANNEL section	89
About the SELECTED CHANNEL section	89
About the SELECTED CHANNEL VIEW screen	90
Operations in the SELECTED CHANNEL section	91
8. Operations in the Centralogic section	97
About the Centralogic section	97
About the OVERVIEW screen	98
Operations in the Centralogic section	100
Fixing the channels or DCA groups of the Centralogic section	104
9. Input/output patching	105
Changing the output patch settings	105
Changing the input patch settings	108
Inserting an external device into a channel	110
Directly outputting an INPUT channel	112
10. EQ and Dynamics	115
About EQ and dynamics	115
Using EQ	115
Using dynamics	118
Using the EQ or Dynamics libraries	121
EQ library	121
Dynamics library	121
11. Grouping and linking	123
About DCA Groups and Mute Groups	123
Using DCA groups	123
Assigning channels to a DCA group	123
Controlling DCA groups	125
Using mute groups	126
Assigning channels to mute groups	126
Controlling mute groups	127
Using the Mute Safe function	129
The Channel Link function	130
Linking the desired input channels	130
Copying, moving, or initializing a channel	132
Copying the parameters of a channel	132
Moving the parameters of a channel	133
Initializing the parameters of a channel	134
12. Scene memory	135
About scene memories	135
Using scene memories	135
Storing a scene	135
Recalling a scene	138
Using user-defined keys to recall	139
Editing scene memories	140
Sorting and renaming scene memories	140
Scene memory editing	142
Copying/pasting a scene	142
Clearing a scene	143
Cutting a scene	144
Inserting a scene	144
Using the Global Paste	145
Using the Global Paste function	145
Using the Focus function	147
Using the Recall Safe function	148
Using the Fade function	151
13. Monitor/Cue	153
About the monitor/cue functions	153
Using the Monitor function	154
Using the Cue function	157
About cue groups	157
Operating the Cue function	158
14. Talkback / Oscillator	161
About the talkback and oscillator functions	161
Using talkback	162
Using the oscillator	164
15. Meters	167
Operations in the METER screen	167
Using the MBM7CL meter bridge (option)	169
16. Graphic EQ and effects	171
About the virtual rack	171
Virtual rack operations	172
Graphic EQ operations	175
About the graphic EQ	175
Inserting a GEQ in a channel	175
Using the 31BandGEQ	177
Using the Flex15GEQ	178
About the internal effects	180
Using an internal effect via send/return	181
Inserting an internal effect into a channel	183
Editing the internal effect parameters	184
Using the Tap Tempo function	186
Using the Freeze effect	188
Using the graphic EQ and effect libraries	189
Using an external head amp	190
Connecting the M7CL-32/48 to the AD8HR	190
Connecting the M7CL-48ES to the AD8HR	191
Connecting the M7CL-32/48 to the SB168-ES	192
Remotely controlling an external head amp	193
17. MIDI	197
MIDI functionality on the M7CL	197
Basic MIDI settings	198
Using program changes to recall scenes and library items	200
Using control changes to control parameters	203
Using parameter changes to control parameters	205
18. User settings (Security)	207
User Level settings	207
User types and user authentication keys	207
Setting the Administrator password	208
Creating a user authentication key	209
Logging-in	209
Changing the password	211
Editing a user authentication key	212
Changing the user level	212
Preferences	214
User-defined keys	216
Console lock	217
Locking the console	217
Unlocking the console	217
Using a USB storage device to save/load data	218
Saving the M7CL's internal data on a USB storage device	218
Loading a file from a USB storage device	219
Converting and loading the file content from a USB storage device	220
Editing the files saved on a USB storage device	221
Formatting media on a USB storage device	224
19. Help function	225
Loading a Help file from a USB storage device	225
Loading a text file from a USB storage device	226
Viewing Help	227
Using user-defined keys to recall Help directly	227
20. Other functions	229
About the SETUP screen	229
Word Clock and Slot settings	230
Using cascade connections	232
Operations on the cascade slave M7CL	232
Operations on the cascade master M7CL	233
Basic settings for MIX buses and MATRIX buses	234
Setting the date and time of the internal clock	235
Setting the network address	236
Specifying the brightness of the touch screen, LEDs, and lamps	237
Initializing the M7CL's internal memory	238
Adjusting the detection point of the touch screen (Calibration function)	239
Adjusting the faders (Calibration function)	240
Adjusting the input/output gain (Calibration function)	241
Connecting SB168-ES units to the M7CL-48ES using the Stage Box Setup function	242
Changing settings to suit the connection	242
Changing the EtherSound settings from AVS-ESMonitor (M7CL-48ES)	243
Appendices	245
EQ Library List	245
DYNAMICS Library List	246
Dynamics Parameters	249
Effect Type List	252
Effects Parameters	253
Effects and tempo synchronization	265
Scene Memory/Effect Library to Program Change Table	266
Parameters that can be assigned to control changes	270
Control change parameter assignments	272
NRPN parameter assignments	274
Mixing parameter operation applicability	277
Functions that can be assigned to user-defined keys	280
MIDI Data Format	282
Warning/Error Messages	289
Troubleshooting	291
General Specifications	293
Input/output characteristics	293
Electrical characteristics	295
Mixer Basic Parameters	297
Pin Assignment	298
Dimensions	299
Installing the MBM7CL meter bridge (option)	300
MIDI Implementation Chart	301
Index	302
M7CL-48/M7CL-32 Block Diagram	307
M7CL-48ES Block Diagram	308
M7CL-48/M7CL-32 Level Diagram	309

Match case Limit results 1 per page

M7CL

Owner’s Manual

Monitor/Cue

153

Chapter 13

Monitor/Cue

This chapter explains the M7CL’s monitor/cue functions.

The Monitor function lets you audition various outputs through your nearﬁeld monitors or head-

phones. Below the M7CL’s front pad there is a PHONES OUT jack for monitoring, and this jack

always lets you monitor the signal that is selected as the monitoring source. By assigning the

MONITOR OUT L/R/C channels to the desired output jacks, you can also monitor the same sig-

nal through external speakers. You can select the following signals as the monitor source.

• STEREO channel output signal

• MONO channel output signal

• STEREO + MONO channel output signal

• ST IN channel 1–4 input signal

•A combination of up to eight MIX, MATRIX, STEREO, or MONO channel output signals and ST IN

channel input signals.

The Cue function lets you check an individual selected channel/DCA group by temporarily moni-

toring it via MONITOR OUT or PHONES.

When you press the top panel [CUE] key, the cue signal of

the corresponding channel/DCA group is sent as the monitor output from the selected output port.

The following diagram shows the cue/monitor signal ﬂow.

●

MONITOR SELECT

Selects the monitor source.

●

METER

Detects and indicates the level of the monitor signal or cue

signal.

●

DIMMER

Attenuates the monitor/cue signal by a ﬁxed amount.

●

MONITOR LEVEL

Adjusts the output level of the MONITOR OUT L/R/C

channels. If PHONES LEVEL LINK is ON, this will also

affect the level at the PHONES OUT jack.

●

MONITOR FADER

Use the STEREO MASTER fader or MONO MASTER

fader to adjust the output level of the MONITOR OUT L/

R/C channels. MONITOR FADER is positioned in serial

with MONITOR LEVEL. If PHONES LEVEL LINK is

ON, this setting will also affect the level at the PHONES

OUT jack.

About the monitor/cue functions

•

The cue signal is sent to the same output destination as the monitor signal. Be aware that for this reason,

if you turn off the Monitor function, the cue signal will no longer be sent to the connected monitor speak-

ers. However, the cue signal will always be sent to the PHONES OUT jack.

NOTE

CUE

DEFINE

MIX

(MAX : 8ch)

STEREO OUT L,R

MONITOR L

MONITOR R

MONITOR MONO (C)

STEREO OUT

MIX OUT1-16

MATRIX OUT1-8

MONO (C)

L,R

STEREO OUT MONO (C)

STEREO OUT L,C,R

CUE TRIM

(INPUT / OUTPUT / DCA)

MONO

MONITOR L

CUE LOGIC

PHONES

LEVEL LINK

CUE ON

DELAY

(MAX:600ms)

DELAY

(MAX:600ms)

DELAY

(MAX:600ms)

DELAY

(MAX:600ms)

DELAY

(MAX:600ms)

TALKBACK ON

An output port delay becomes invalid by

assigning a monitor out to the output port

+MONO (C)

MONITOR DIMM ON

MONITOR R

MONITOR MONO (C)

CUE L

CUE R

METER

L R

MONITOR

LEVEL

MONITOR

FADER

PHONES L

PHONES R

MONITOR OUT L

MONITOR OUT R

MONITOR OUT MONO (C)

To PHONES OUT

To OUTPUT PATCH

CUE L

CUE R

ST IN2 L,R

ST IN1 L,R

ST IN3 L,R

ST IN4 L,R

ST IN1 L,R

ST IN2 L,R

ST IN3 L,R

ST IN4 L,R

DIMMER

MONITOR SELECT

PHONES LEVEL

PHONES OUT LR

[PHONES]

Tip

Ring

Sleeve

METER