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Yamaha M7CL M7cl V3 Owner's Manual - Page 159

To adjust the Cue signal level, use the, DCA group to turn it on.

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Operating the Cue function • DCA TRIM knob ...........Adjusts the level of cue output from a DCA group in a range of -20 dB- +10 dB. You can operate this knob using multifunction encoder 4. • DCA UNITY button ...........If this button is on, pressing the [CUE] key of a DCA group will always monitor the corresponding DCA group at unity gain (the same level at when the fader in the Centralogic section is at 0 dB). D OUTPUT field Here you can select one of the following choices as the position from which output channels will be cued. • PFL (Pre-Fader Listen) button ...........The pre-fader signal will be output • AFL (After-Fader Listen) button ...........The signal immediately after the [ON] key will be output • PFL TRIM knob ...........If you select PFL, you can also use the PFL TRIM knob located in the lower part of this field to adjust the output level in a range of -20 dB- +10 dB. You can operate this knob using multifunction encoder 5. E Meter field • Level meter ....This indicates the level of the cue signal. • ACTIVE CUE indicator ...........This indicates the currently-active Cue group. • CLEAR CUE button ...........Clears all Cue selections. This operation can also be performed using the CLEAR CUE button in the MONITOR screen. 3 Use the buttons of the CUE MODE section to specify what will happen when multiple [CUE] keys within the same CUE group are turned on. Use the following two buttons to choose the Cue mode. ● MIX CUE button All channels or DCA groups within the same Cue group whose [CUE] key is on will be mixed for monitoring (MIX CUE mode). ● LAST CUE button Only the channel or DCA group whose [CUE] key was last turned on will be monitored (LAST CUE mode). HINT • [CUE] keys belonging to different Cue groups cannot be turned on simultaneously. The Cue group to which the lastpressed [CUE] key belongs will be turned on, allowing only the signals of that group to be monitored. 4 Use the buttons and knobs of the INPUT field, DCA field, and OUTPUT field to specify the output position and output level for each Cue group. Refer to the explanation for each item in step 2, and make the desired settings. 5 Press the [CUE] key of a desired channel or DCA group to turn it on. The Cue signal of the corresponding channel will be sent to the monitor signal output destination. The background of the Cue meter in the function access area will turn blue, indicating the Cue output level. An abbreviation of the currently-on Cue group or button is shown above the Cue meter. The abbreviations displayed for the Cue meter have the following meaning. IN DCA OUT EFFECT KEY IN INPUT CUE group DCA CUE group OUTPUT CUE group CUE button in the EFFECT popup window (Other cue group) KEY IN CUE button of the DYNAMICS 1 popup window (Other cue group) Monitor/Cue CUE meter 13 HINT • When using the MIX or MATRIX bus select buttons in the SENDS ON FADER popup window, you can press the selected button once again to turn on Cue for the corresponding MIX or MATRIX channel (→ p. 70). • If you want Cue operations and channel select operations to be linked, open the USER SETUP popup window, choose the PREFERENCE tab, and turn "[CUE]>[SEL] LINK" on (→ p. 214). 6 To adjust the Cue signal level, use the MONITOR LEVEL knob located in the SCENE MEMORY/MONITOR section of the top panel. If PHONES LEVEL LINK is ON, you can use both the MONITOR LEVEL knob and the PHONES LEVEL knob to adjust the Cue signal level when monitoring through headphones. M7CL Owner's Manual 159

Section	Page
Cover	1
PRECAUTIONS	4
Contents	6
1. Introduction	9
Thank you	9
An overview of the M7CL	9
About the models	11
The M7CL's channel structure	14
About the MIX bus types (VARI / FIXED)	15
About word clock	15
Conventions in this manual	15
About the firmware version	16
2. Panels and controls	17
Top panel	17
Rear panel	24
Under the front pad	27
3. Basic operation of the M7CL	29
Basic operations in the top panel / touch screen	29
Pressing the touch screen	29
Multiple selection (specifying a range)	29
Special operations for keys	29
Encoder operations	29
Multifunction encoder operations	30
The on-screen user interface	30
Tabs	30
Buttons	30
Faders / Knobs	31
List windows	31
Keyboard window	31
Popup windows	32
Dialog boxes	32
Viewing the touch screen	32
Function access area	32
Main area	33
Entering names	34
Using the tool buttons	35
About the tool buttons	35
Using libraries	35
Initializing settings	39
Copying/pasting settings	40
Comparing two settings	40
4. Connections and setup	43
Connecting SB168-ES units to the M7CL-48ES using the STAGE BOX SETUP function	43
Audio input/output connections	46
Setup items required when you start up the M7CL for the first time	50
Restoring the current scene to the default state	50
Word clock connections and settings	50
Making HA (Head Amp) gain settings	51
Sending an input channel signal to the STEREO bus	54
5. Input channel operations	57
Signal flow for input channels	57
Specifying the channel name and icon	59
Making HA (Head Amp) settings	61
Sending the signal from an input channel to the STEREO/MONO buses	63
Sending the signal from an input channel to a MIX bus	67
Using the SELECTED CHANNEL section	67
Using the Centralogic section	69
Using the faders (SENDS ON FADER mode)	70
Sending the signal from an input channel to the MATRIX buses	72
Using the SELECTED CHANNEL section	72
Using the Centralogic section	74
Using the faders (SENDS ON FADER mode)	75
Channel library operations	77
6. Output channel operations	79
Signal flow for output channels	79
Specifying the channel name and icon	81
Sending signals from MIX channels to the STEREO/MONO bus	82
Sending signals from MIX channels and STEREO/MONO channels to MATRIX buses	85
Using the SELECTED CHANNEL section	85
Using the Centralogic section	86
Channel library operations	88
7. Operations in the SELECTED CHANNEL section	89
About the SELECTED CHANNEL section	89
About the SELECTED CHANNEL VIEW screen	90
Operations in the SELECTED CHANNEL section	91
8. Operations in the Centralogic section	97
About the Centralogic section	97
About the OVERVIEW screen	98
Operations in the Centralogic section	100
Fixing the channels or DCA groups of the Centralogic section	104
9. Input/output patching	105
Changing the output patch settings	105
Changing the input patch settings	108
Inserting an external device into a channel	110
Directly outputting an INPUT channel	112
10. EQ and Dynamics	115
About EQ and dynamics	115
Using EQ	115
Using dynamics	118
Using the EQ or Dynamics libraries	121
EQ library	121
Dynamics library	121
11. Grouping and linking	123
About DCA Groups and Mute Groups	123
Using DCA groups	123
Assigning channels to a DCA group	123
Controlling DCA groups	125
Using mute groups	126
Assigning channels to mute groups	126
Controlling mute groups	127
Using the Mute Safe function	129
The Channel Link function	130
Linking the desired input channels	130
Copying, moving, or initializing a channel	132
Copying the parameters of a channel	132
Moving the parameters of a channel	133
Initializing the parameters of a channel	134
12. Scene memory	135
About scene memories	135
Using scene memories	135
Storing a scene	135
Recalling a scene	138
Using user-defined keys to recall	139
Editing scene memories	140
Sorting and renaming scene memories	140
Scene memory editing	142
Copying/pasting a scene	142
Clearing a scene	143
Cutting a scene	144
Inserting a scene	144
Using the Global Paste	145
Using the Global Paste function	145
Using the Focus function	147
Using the Recall Safe function	148
Using the Fade function	151
13. Monitor/Cue	153
About the monitor/cue functions	153
Using the Monitor function	154
Using the Cue function	157
About cue groups	157
Operating the Cue function	158
14. Talkback / Oscillator	161
About the talkback and oscillator functions	161
Using talkback	162
Using the oscillator	164
15. Meters	167
Operations in the METER screen	167
Using the MBM7CL meter bridge (option)	169
16. Graphic EQ and effects	171
About the virtual rack	171
Virtual rack operations	172
Graphic EQ operations	175
About the graphic EQ	175
Inserting a GEQ in a channel	175
Using the 31BandGEQ	177
Using the Flex15GEQ	178
About the internal effects	180
Using an internal effect via send/return	181
Inserting an internal effect into a channel	183
Editing the internal effect parameters	184
Using the Tap Tempo function	186
Using the Freeze effect	188
Using the graphic EQ and effect libraries	189
Using an external head amp	190
Connecting the M7CL-32/48 to the AD8HR	190
Connecting the M7CL-48ES to the AD8HR	191
Connecting the M7CL-32/48 to the SB168-ES	192
Remotely controlling an external head amp	193
17. MIDI	197
MIDI functionality on the M7CL	197
Basic MIDI settings	198
Using program changes to recall scenes and library items	200
Using control changes to control parameters	203
Using parameter changes to control parameters	205
18. User settings (Security)	207
User Level settings	207
User types and user authentication keys	207
Setting the Administrator password	208
Creating a user authentication key	209
Logging-in	209
Changing the password	211
Editing a user authentication key	212
Changing the user level	212
Preferences	214
User-defined keys	216
Console lock	217
Locking the console	217
Unlocking the console	217
Using a USB storage device to save/load data	218
Saving the M7CL's internal data on a USB storage device	218
Loading a file from a USB storage device	219
Converting and loading the file content from a USB storage device	220
Editing the files saved on a USB storage device	221
Formatting media on a USB storage device	224
19. Help function	225
Loading a Help file from a USB storage device	225
Loading a text file from a USB storage device	226
Viewing Help	227
Using user-defined keys to recall Help directly	227
20. Other functions	229
About the SETUP screen	229
Word Clock and Slot settings	230
Using cascade connections	232
Operations on the cascade slave M7CL	232
Operations on the cascade master M7CL	233
Basic settings for MIX buses and MATRIX buses	234
Setting the date and time of the internal clock	235
Setting the network address	236
Specifying the brightness of the touch screen, LEDs, and lamps	237
Initializing the M7CL's internal memory	238
Adjusting the detection point of the touch screen (Calibration function)	239
Adjusting the faders (Calibration function)	240
Adjusting the input/output gain (Calibration function)	241
Connecting SB168-ES units to the M7CL-48ES using the Stage Box Setup function	242
Changing settings to suit the connection	242
Changing the EtherSound settings from AVS-ESMonitor (M7CL-48ES)	243
Appendices	245
EQ Library List	245
DYNAMICS Library List	246
Dynamics Parameters	249
Effect Type List	252
Effects Parameters	253
Effects and tempo synchronization	265
Scene Memory/Effect Library to Program Change Table	266
Parameters that can be assigned to control changes	270
Control change parameter assignments	272
NRPN parameter assignments	274
Mixing parameter operation applicability	277
Functions that can be assigned to user-defined keys	280
MIDI Data Format	282
Warning/Error Messages	289
Troubleshooting	291
General Specifications	293
Input/output characteristics	293
Electrical characteristics	295
Mixer Basic Parameters	297
Pin Assignment	298
Dimensions	299
Installing the MBM7CL meter bridge (option)	300
MIDI Implementation Chart	301
Index	302
M7CL-48/M7CL-32 Block Diagram	307
M7CL-48ES Block Diagram	308
M7CL-48/M7CL-32 Level Diagram	309

Match case Limit results 1 per page

Operating the Cue function

M7CL

Owner’s Manual

Monitor/Cue

159

•

DCA TRIM knob

...........

Adjusts the level of cue output from

a DCA group in a range of -20 dB–

+10 dB. You can operate this knob

using multifunction encoder 4.

•

DCA UNITY button

...........

If this button is on, pressing the

[CUE] key of a DCA group will

always monitor the corresponding

DCA group at unity gain (the same

level at when the fader in the Centr-

alogic section is at 0 dB).

OUTPUT ﬁeld

Here you can select one of the following choices as the

position from which output channels will be cued.

•

PFL (Pre-Fader Listen) button

...........

The pre-fader signal will be output

•

AFL (After-Fader Listen) button

...........

The signal immediately after the

[ON] key will be output

•

PFL TRIM knob

...........

If you select PFL, you can also use

the PFL TRIM knob located in the

lower part of this ﬁeld to adjust the

output level in a range of -20 dB–

+10 dB. You can operate this knob

using multifunction encoder 5.

Meter ﬁeld

•

Level meter

....

This indicates the level of the cue

signal.

•

ACTIVE CUE indicator

...........

This indicates the currently-active

Cue group.

•

CLEAR CUE button

...........

Clears all Cue selections. This oper-

ation can also be performed using

the CLEAR CUE button in the MON-

ITOR screen.

Use the buttons of the CUE MODE section

to specify what will happen when multiple

[CUE] keys within the same CUE group are

turned on.

Use the following two buttons to choose the Cue

mode.

●

MIX CUE button

All channels or DCA groups within the same Cue

group whose [CUE] key is on will be mixed for

monitoring (MIX CUE mode).

●

LAST CUE button

Only the channel or DCA group whose [CUE] key

was last turned on will be monitored (LAST CUE

mode).

Use the buttons and knobs of the INPUT

field, DCA field, and OUTPUT field to spec-

ify the output position and output level for

each Cue group.

Refer to the explanation for each item in step 2, and

make the desired settings.

Press the [CUE] key of a desired channel or

DCA group to turn it on.

The Cue signal of the corresponding channel will be

sent to the monitor signal output destination.

The background of the Cue meter in the function

access area will turn blue, indicating the Cue output

level. An abbreviation of the currently-on Cue group

or button is shown above the Cue meter.

The abbreviations displayed for the Cue meter have

the following meaning.

To adjust the Cue signal level, use the

MONITOR LEVEL knob located in the

SCENE MEMORY/MONITOR section of the

top panel.

If PHONES LEVEL LINK is ON, you can use both

the MONITOR LEVEL knob and the PHONES

LEVEL knob to adjust the Cue signal level when mon-

itoring through headphones.

•

[CUE] keys belonging to different Cue groups cannot be

turned on simultaneously. The Cue group to which the last-

pressed [CUE] key belongs will be turned on, allowing only

the signals of that group to be monitored.

HINT

INPUT CUE group

DCA

DCA CUE group

OUT

OUTPUT CUE group

EFFECT

CUE button in the EFFECT popup window

(Other cue group)

KEY IN

KEY IN CUE button of the DYNAMICS 1 popup

window (Other cue group)

CUE meter

•

When using the MIX or MATRIX bus select buttons in the

SENDS ON FADER popup window, you can press the

selected button once again to turn on Cue for the correspond-

ing MIX or MATRIX channel (

→

p. 70).

•

If you want Cue operations and channel select operations to

be linked, open the USER SETUP popup window, choose the

PREFERENCE tab, and turn “[CUE]>[SEL] LINK” on (

→

p. 214

HINT