Yamaha AW2400 Owner's Manual - Page 237

Appendix, Mastering library list

Page 237 highlights

Appendix Mastering library list No. Name 00 Initial Data 01 VITAL MIX 02 SOFT COMP 03 HARD ATTACKY 04 SOFT ATTACKY 05 LO-FI 06 DARK/SOFT 07 DARK/HARD 08 BRIGHT 09 LO BOOST 10 HARD LIMIT 11 LIMITER 12 NARROW 13 DIST Description Initialize to a state in which EQ and DYN are not applied. Standard mastering effect that enhances the overall loudness, creating a mix with extended low and high ranges. Use on the two-track mix for any type of song. Soft compressor that enhances the overall loudness without greatly changing the original nuances (dynamics). Ideal for songs in which the mid and low ranges are important. Limiter that emphasizes the attacks and produces an overall "flattened" feel. Ideal for songs that emphasize the rhythm. Soft compressor that enhances the overall loudness and emphasizes the attacks without greatly changing the original nuances (dynamics). Ideal for songs in which the low and mid ranges are important, and that emphasize the rhythm. Limiter that produces a "lo-fi" character. Soft limiter that produces the slightly flattened feel characteristic of the 60's and 70's. (Ideal for Beatles-type rock of the 60's and 70's, or more recently for a Vincent Gallo feel.) Hard limiter that produces a strongly flattened feel characteristic of the 60's and 70's. (Ideal when you want to make the song sound like 60's or 70's rock such as the Beatles.) Compressor that produces a boosted high range. Compressor that produces a boosted low range. Limiter that produces an extremely flattened feel. Ideal for hard-edged songs. Limiter without EQ. Ideal when you need only limiting. Limiter that produces a sound like that of a small AM radio. Limiter that distorts the sound within the effect. Appendix AW2400 Owner's Manual 237

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237
AW2400
Owner’s Manual
Appendix
Appendix
Mastering library list
No.
Name
Description
00
Initial Data
Initialize to a state in which EQ and DYN are not applied.
01
VITAL MIX
Standard mastering effect that enhances the overall loudness, creating a mix with extended low and high ranges.
Use on the two-track mix for any type of song.
02
SOFT COMP
Soft compressor that enhances the overall loudness without greatly changing the original nuances (dynamics).
Ideal for songs in which the mid and low ranges are important.
03
HARD ATTACKY
Limiter that emphasizes the attacks and produces an overall “flattened” feel. Ideal for songs that emphasize the
rhythm.
04
SOFT ATTACKY
Soft compressor that enhances the overall loudness and emphasizes the attacks without greatly changing the origi-
nal nuances (dynamics). Ideal for songs in which the low and mid ranges are important, and that emphasize the
rhythm.
05
LO-FI
Limiter that produces a “lo-fi” character.
06
DARK/SOFT
Soft limiter that produces the slightly flattened feel characteristic of the 60’s and 70’s.
(Ideal for Beatles-type rock of the 60’s and 70’s, or more recently for a Vincent Gallo feel.)
07
DARK/HARD
Hard limiter that produces a strongly flattened feel characteristic of the 60’s and 70’s.
(Ideal when you want to make the song sound like 60’s or 70’s rock such as the Beatles.)
08
BRIGHT
Compressor that produces a boosted high range.
09
LO BOOST
Compressor that produces a boosted low range.
10
HARD LIMIT
Limiter that produces an extremely flattened feel. Ideal for hard-edged songs.
11
LIMITER
Limiter without EQ. Ideal when you need only limiting.
12
NARROW
Limiter that produces a sound like that of a small AM radio.
13
DIST
Limiter that distorts the sound within the effect.