Yamaha AW2400 Owner's Manual - Page 74

Signal flow during bouncing, About mixdown and bouncing

Page 74 highlights

About mixdown and bouncing "Bouncing" is the action of mixing the signals recorded on multiple tracks, and recording the mixed result into one to four vacant tracks. (This action is also called "pingpong recording.") For example if you've recorded individual instruments of a drum set on multiple tracks, you can bounce these tracks down to two tracks, and then switch the bounce-source tracks to different virtual tracks so that they will be free to record new instruments. Bouncing differs from mixdown in the following ways. • The destination of the track channels is Bus 1/Bus 2 rather than the stereo bus. • The recording-destination will be a vacant audio track (or tracks). • You can't add the signals of input channels. The diagram below shows the signal flow during bouncing. This diagram shows an example in which the track 1- 8 signals are bounced to tracks 9-12. After bouncing, you can switch the virtual tracks for tracks 1-8, and use these tracks to record other instrumental performances. Mixdown and bounce operations 8 ● Signal flow during bouncing Effect send Internal Effects Recorder section Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Track 8 Track 9 Track 10 Track 11 Track 12 Effect return channels Track channels Stereo output channel Effect return Bus 1 Bus 2 74 AW2400 Owner's Manual Mixer section

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AW2400
Owner’s Manual
About mixdown and bouncing
Mixdown and bounce operations
74
8
“Bouncing” is the action of mixing the signals recorded
on multiple tracks, and recording the mixed result into one
to four vacant tracks. (This action is also called “ping-
pong recording.”) For example if you’ve recorded individ-
ual instruments of a drum set on multiple tracks, you can
bounce these tracks down to two tracks, and then switch
the bounce-source tracks to different virtual tracks so that
they will be free to record new instruments.
Bouncing differs from mixdown in the following ways.
The destination of the track channels is Bus 1/Bus 2
rather than the stereo bus.
The recording-destination will be a vacant audio
track (or tracks).
You can’t add the signals of input channels.
The diagram below shows the signal flow during bounc-
ing. This diagram shows an example in which the track 1–
8 signals are bounced to tracks 9–12. After bouncing, you
can switch the virtual tracks for tracks 1–8, and use these
tracks to record other instrumental performances.
Signal flow during bouncing
Track 9
Track 10
Track 11
Track 12
Track 1
Track 2
Track 3
Track 4
Track 5
Track 6
Track 7
Track 8
Internal Effects
Bus 1
Bus 2
Effect return
Recorder
section
Mixer section
Effect send
Effect return channels
Track channels
Stereo output channel