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Yamaha AW16G Owner's Manual - Page 110

Recording/playing a pad performance

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Quick loop sampler 6 To switch the sample bank for each pad, repeatedly press the [SAMPLE EDIT] key to access the SETUP page of the SAMPLE screen. 1 23 1 One shot/loop mode An icon indicates whether the sample assigned to the pad is set to One Shot mode ( ) or Loop mode ( ). B Pad number This indicates the pad number 1-4. C Bank This selects the sample bank (A-D) used by each pad. The name of the sample assigned to that bank is displayed at the right. Tip! If no sample is assigned to the selected bank, the sample name area will indicate [-NO REC-]. 7 Move the cursor to the bank area for the desired pad, and turn the [DATA/JOG] dial. The sample bank will change, and the sample name will change accordingly. 8 As desired, use the knobs and keys of the Selected Channel section to process the sound of pads 1-4. EQ, dynamics, and effect send 1/2 levels can be adjusted for the pad channels in the same way as for the track channels or input channels. Press a pad 1-4 to select the pad channel that you want to control, and use the knobs and keys of the Selected Channel section. Tip! • When you press a pad 1-4, the assigned sample will always sound. If you want to select a pad for operations without making it sound, hold down the [PAD SEL] key and press a pad 1-4. • The playback sounds of pads 1-4 are sent via pad channels 1-4 to the stereo bus. By using the MIXDOWN page of the RECORD screen, you can record your pad performance on the stereo track (→ p. 89). A recording on the stereo track can also be moved to an audio track (→ p. 128). Recording/playing a pad performance Here's how you can record your pad performance (pad events) onto the pad tracks. 1 In the Quick Navigation section, repeatedly press the [RECORD] key or hold down the [RECORD] key and use the CURSOR [ ]/[ ] keys to access the PAD page of the RECORD screen. In the PAD page you can record pad events on the pad tracks. 12 34 1 One Shot/Loop mode An icon indicates whether the sample assigned to the pad is set to One Shot mode ( ) or Loop mode ( ). B Pad track number This shows the pad track number 1-4. At the right is shown the name of the sample for the sample bank selected for that pad. C Track status button This indicates the operating state of the track. If you move the cursor to this button and press the [ENTER] key, the following two displays will alternate. The pad track can be recorded The pad track can be played. Note Depending on the settings in the PAD page of the TRACK screen, this may also indicate (muted). D Pad track view In this area, the pad events recorded in the pad track are shown as a bar graph. Locator positions are shown as icons in the lower part of the screen. 2 Move the cursor to the track status button, and press the [ENTER] key several times to switch the button display to (ready to record). (You may select more than one pad track.) Tip! The track status button can be switched only when the recorder is stopped. 3 Use the track channel faders and the [STEREO] fader to set the audio tracks to an appropriate level for monitoring. 4 Locate the song to the point at which you want to begin recording. 110

Section	Page
PRECAUTIONS	3
Contents	6
Before you start	9
Introduction	9
Remember to back up your data	9
About the CD-RW drive	10
Installing the CD-RW drive	10
Removing the CD-RW drive	11
Using the CD-RW drive	11
Connecting the AC adaptor	12
Turning the power on/off	12
Introducing the AW16G	13
Features of the AW16G	13
AW16G terminology	15
Recorder section	15
Mixer section	15
Quick Loop Sampler section	16
Overall	16
Parts of the AW16G and what they do	17
Top panel	17
Rear panel	21
Front panel	22
Basic operation on the AW16G	23
Viewing the display	23
Accessing a screen/page/channel	23
Switching a button on/off	24
Editing a value in the display	24
Inputting text	24
Using the Selected Channel section	25
Listening to the demo song	27
Connect external devices and turn on the power	27
Loading the demo song	28
Playing the demo song	29
Mixing the demo song	30
Recording to a sound clip	33
Connecting your instrument or mic	33
Adjusting the input level	34
Recording/playing a sound clip	35
Track recording	39
Creating a new song	39
Direct recording and Bus recording	40
Assigning input signals to tracks (Direct recording)	42
Assigning input signals to tracks (Bus recording)	45
Enabling the metronome	47
Recording on a track	48
Pairing input channels/track channels	49
Using the input library	50
Using the EQ library	52
Using the dynamics library	53
Overdubbing	55
About overdubbing	55
Assigning the input signal to a track	56
Instantly recalling an EQ library	56
Instantly recalling a dynamics library	57
Setting the mix balance and pan	57
Overdubbing	58
Punch-in/out	59
Manual punch-in/out	59
Auto punch-in/out	59
Using the Undo List	61
Switching virtual tracks	62
Saving the current song	63
Loading an existing song	64
Various types of playback	65
Using the locator	65
Using markers	67
Adjusting the position of a locate point or marker	68
Erasing a locate point or marker	69
Repeatedly playing a specific region (the A-B Repeat function)	70
Finding a location while you listen to the sound (the Nudge function)	71
Finding a location while you view the waveform	72
Using libraries and scene memories	73
About the libraries	73
About scene memories	73
Basic operation for libraries and scene memories	74
Storing library or scene data	74
Recalling library or scene data	75
Deleting library or scene data	75
Naming library or scene data	76
Details on libraries and scene memory	77
Input library	77
EQ library	77
Dynamics library	78
Effect library	78
Mastering library	78
Sample library	78
Channel library	79
Scene memories	79
Using the Recall Safe function	80
Mixdown and bounce operations	81
About mixdown and bouncing	81
Preparing for mixdown	83
Using the internal effects via send/return	84
Recording on the stereo track	86
Bounce (ping-pong) recording procedure	87
Convenient functions during mixdown/ bounce operations	89
Adding input signals or pad performances during mixdown	89
Using meters to check the level of each channel	90
Viewing all parameters for a certain channel	90
Initializing a channel	91
Editing the EQ parameters	92
Editing the dynamics parameters	93
Editing the parameters of an internal effect	94
Inserting an effect into a track channel	96
Creating an audio CD	97
Creating an audio CD	97
Types of media that you can use with the CD-RW drive	97
Methods of writing an audio CD	98
Basic settings for the CD-RW drive	99
Writing audio data (Track At Once)	100
Writing audio data (Disc At Once)	102
Finalizing CD-R/RW media	104
Erasing CD-RW media	105
Playing an audio CD	106
Quick loop sampler	107
About the quick loop sampler	107
Using sample libraries	109
Recording/playing a pad performance	110
Importing from an audio CD/WAV file to a pad	112
Importing from an audio track/stereo track to a pad	114
Sampling an external input signal	115
Editing the sample name	117
Trimming the playback region	118
Switching the playback mode for each pad	119
Using the Slice function	120
Deleting an unwanted sample	122
Track editing	123
What you can do using editing commands	123
Basic procedure for track editing	124
List of editing commands	126
ERASE	126
DELETE	127
INSERT	127
COPY	128
MOVE	129
EXCHANGE	130
TIME COMP/EXP (Time Compression/Expansion)	130
PITCH CHANGE	131
EXPORT	131
Exporting WAV files and importing audio CD or WAV files	132
Exporting WAV files	132
Importing from an audio CD or WAV file	133
Song management	137
About songs	137
Editing the song name	138
Editing various settings for the song	139
Copying or deleting a song	140
Optimizing a song	141
Creating a tempo map	142
Importing data from an existing song	144
Backing up songs and sample libraries	145
Restoring songs or sample libraries	147
Exchanging song data with the AW4416/AW2816	148
MIDI and utility functions	149
What you can do using MIDI	149
Basic MIDI settings	150
Transmitting the AW16G’s settings via MIDI (Bulk Dump)	154
Using the MIDI Remote function	155
About the MIDI Remote function	155
Using the MIDI Remote function presets	155
Using the user-defined Remote function	157
Using the test tone oscillator	159
Digital input settings/Checking and initializing the internal hard disk	160
Overall settings for the AW16G	162
Using the AW16G with external devices	163
Using the AW16G with a “workstation synth”	163
Synchronizing the AW16G with the workstation’s sequencer	163
Recording/playing AW16G mix operations on the workstation’s sequencer	164
Switching AW16G scenes from the workstation’s sequencer	165
Remotely controlling a tone generator module	166
Using external effects	167
Connecting an MD recorder	169
Mixing down to an MD recorder	169
Recording audio data from an MD recorder	170
Appendix	171
Input library list	171
Mastering library list	172
EQ library list	173
Dynamics Parameters	174
Dynamics library list	177
Effects library list	178
Effects Parameters	180
Sample library list	192
Troubleshooting	194
Display message list	198
About the CD-ROM included with the AW16G	200
Caution	200
Contents of the CD-ROM	200
Restoring the internal hard disk to the factory-set condition	200
Installing a remote file	201
MIDI data format	204
MIDI Implementation Chart	211
Specifications	212
Dimensions	214
Index	215

Match case Limit results 1 per page

Quick loop sampler

110

To switch the sample bank for each pad,

repeatedly press the [SAMPLE EDIT] key to

access the SETUP page of the SAMPLE screen.

One shot/loop mode

An icon indicates whether the sample assigned to

the pad is set to One Shot mode (

) or Loop mode

(

Pad number

This indicates the pad number 1–4.

Bank

This selects the sample bank (A–D) used by each

pad. The name of the sample assigned to that bank

is displayed at the right.

Tip!

If no sample is assigned to the selected bank, the sample

name area will indicate [-NO REC-].

Move the cursor to the bank area for the

desired pad, and turn the [DATA/JOG] dial.

The sample bank will change, and the sample name

will change accordingly.

As desired, use the knobs and keys of the

Selected Channel section to process the

sound of pads 1–4.

EQ, dynamics, and effect send 1/2 levels can be

adjusted for the pad channels in the same way as

for the track channels or input channels. Press a pad

1–4 to select the pad channel that you want to con-

trol, and use the knobs and keys of the Selected

Channel section.

Tip!

•

When you press a pad 1–4, the assigned sample will

always sound. If you want to select a pad for operations

without making it sound, hold down the [PAD SEL] key

and press a pad 1–4.

•

The playback sounds of pads 1–4 are sent via pad chan-

nels 1–4 to the stereo bus. By using the MIXDOWN

page of the RECORD screen, you can record your pad

performance on the stereo track (

→

p. 89). A recording

on the stereo track can also be moved to an audio track

(

→

p. 128).

Recording/playing a pad performance

Here’s how you can record your pad performance (pad

events) onto the pad tracks.

In the Quick Navigation section, repeatedly

press the [RECORD] key or hold down the

[RECORD] key and use the CURSOR [

]/[

]

keys to access the PAD page of the RECORD

screen.

In the PAD page you can record pad events on the

pad tracks.

One Shot/Loop mode

An icon indicates whether the sample assigned to

the pad is set to One Shot mode (

) or Loop mode

(

Pad track number

This shows the pad track number 1–4. At the right is

shown the name of the sample for the sample bank

selected for that pad.

Track status button

This indicates the operating state of the track. If you

move the cursor to this button and press the

[ENTER] key, the following two displays will alter-

nate.

..............................

The pad track can be recorded.

..............................

The pad track can be played.

Note

Depending on the settings in the PAD page of the TRACK

screen, this may also indicate

(muted).

Pad track view

In this area, the pad events recorded in the pad

track are shown as a bar graph. Locator positions

are shown as icons in the lower part of the screen.

Move the cursor to the track status button,

and press the [ENTER] key several times to

switch the button display to

(ready to

record). (You may select more than one pad

track.)

Tip!

The track status button can be switched only when the

recorder is stopped.

Use the track channel faders and the [STE-

REO] fader to set the audio tracks to an

appropriate level for monitoring.

Locate the song to the point at which you

want to begin recording.