Yamaha AW16G Owner's Manual - Page 177

Dynamics library list These are the preset dynamics settings provided by the AW16G. For details on the function of each parameter, refer to page 174. 001 A.Dr.BD "CMP 002 A.Dr.BD "EXP 003 A.Dr.BD "GAT 004 A.Dr.BD "CPH Use these presets to apply CMP, EXP, GAT, or CPH respectively to the bass drum of an acoustic drum kit. 005 A.Dr.SN "CMP 006 A.Dr.SN "EXP 007 A.Dr.SN "GAT 008 A.Dr.SN "CPS These presets modify preset programs 1-4 for use with a snare drum. 009 A.Dr.Tom "EXP Expander for acoustic toms automatically reduces the volume when the toms are not played, helping to differentiate the bass and snare drums clearly. 010 A.Dr.OverTop "CPS Soft compander to emphasize the attack and ambience of cymbals using overhead microphones. It automatically reduces the volume when the cymbals are not played, helping differentiate the bass and snare drums clearly. 011 E.B.finger "CMP Compressor to equalize the attack and volume level of a finger-picked electric bass guitar. 012 E.B.slap "CMP Compressor to equalize the attack and volume level of a slap electric bass guitar. 013 Syn.Bass "CMP Compressor to adjust and/or emphasize the level of a synth bass. 014 Piano1 "CMP 015 Piano2 "CMP Piano1 brightens the sound to make it stand out slightly. Piano2 uses a deeper threshold setting, producing a more consistent overall level and sense of attack. 016 E.Guitar "CMP Suitable for electric guitar chording or arpeggios. Try various adjustments depending on your tone or playing style. 017 A.Guitar "CMP Compressor intended for acoustic guitar playing rhythm chords or arpeggios. 018 Strings1 "CMP 019 Strings2 "CMP 020 Strings3 "CMP Compressor suitable for strings. Numbers 19 and 20 can also be used on low-range instruments (cello, contrabass). 022 Syn.Pad "CMP This has a restraining effect on sounds that tend to become diffuse. For example, this is ideal for some richsounding synth pads that conversely lack definition. 023 SamplingPerc "CPS 024 Sampling BD "CMP 025 Sampling SN "CMP 026 Hip Comp "CPS It is effective to apply these programs to sampled sounds (such as from a CD-ROM) that are used among acoustic instruments, so that they will not seem to lack power and clarity. Four variations are provided; for Perc, BD, SN, and for looped materials (Hip Comp). 027 Solo Vocal1 "CMP 028 Solo Vocal2 "CMP These are variations that are suitable for solo vocal sources. 029 Chorus "CMP This variation of Vocal is suitable for choruses. 030 Compander(H) "CPH 031 Compander(S) "CPS A template for the compander program. 032 Click Erase "EXP Expander to remove click track sounds that may bleed out of the monitor headphones the musicians are using. 033 Announcer "CPH Hard compander reduces the level during the interval between the words, making the voice sound even. 034 Easy Gate "GAT A template for the gate program. 035 BGM Ducking "DUK Ducking background music for voiceovers, typically keyed from the announcer's channel. 036 Limiter1 "CMP 037 Limiter2 "CMP A limiter template. 1 has a slow release, and 2 is a peak stopping type. 038 Total Comp1 "CMP 039 Total Comp2 "CMP 040 Total Comp3 "CMP Since these presets are effective in restraining the overall level or improving the overall definition, it is useful to apply them to the stereo output during mixdown. You can apply theses presets to a stereo source, and adjust them to create interesting effects. 021 BrassSection "CMP Compressor intended for brass sounds with fast and strong attack. Appendix 177