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Using the Monitor, SOLO SAFE CHANNEL

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Using the Monitor 133 E SOLO TRIM This parameter enables you to trim the level of the Solo signal in the range of -96 dB to +12 dB. F SOLO SAFE CHANNEL For Mixdown Solo mode, Input Channels can be conﬁgured individually so that they are not muted when other Input Channels are soloed (Solo Safe function). Signals from Input Channels with the SOLO SAFE CHANNEL button turned on are always fed to the Stereo bus, regardless of the channels' Solo function status. You can clear all Solo Safe settings by turning on the ALL CLEAR button. Tip: For example, if you set the internal effects processor's return signal to Solo Safe, you can monitor the soloed "processed (or wet)" signals. G MONITOR TRIM This parameter enables you to trim the level of the monitoring signal in the range of -96 dB to +12 dB. H MONO This button switches the Monitor signal into mono. Using the Monitor 1 Connect a monitoring system to the MONITOR OUT connectors. To monitor the signal via headphones, connect headphones to the PHONES jack. 2 Press the Monitor Source selector in the MONITOR section to select the monitoring signal source. To monitor the 01V96's internal signals, turn off the selector (the button should be raised). To monitor the signals at the 2TR IN connectors, turn on the selector (the button should be pushed in). PHONES 11 Monitoring MONITOR 2TR IN 0 10 LEVEL MONITOR OUT 0 10 LEVEL PHONES 3 Adjust the monitoring level using the MONITOR [MONITOR LEVEL] control while playing the sound sources. To adjust the level of the monitoring signal via headphones, turn the [PHONES LEVEL] control. 01V96-Owner's Manual

Section	Page
Important Information	4
Warnings	4
Cautions	4
Operating Notes	5
Interference	5
Exclusion of Certain Responsibility	5
Trademarks	6
Copyright	6
Yamaha Web Site	6
Package Contents	6
Optional Extras	6
About this Owner’s Manual	7
Conventions Used in this Manual	7
Installing the 01V96	7
Contents	8
1 Welcome	11
2 Control Surface & Rear Panel	13
Control Surface	13
Rear Panel	23
Installing an Optional Card	26
3 Operating Basics	27
About the Display	27
Selecting Display Pages	28
Display Interface	29
Selecting Layers	31
Selecting Channels	32
Selecting Fader Modes	33
Metering	34
4 Connections and Setup	37
Connections	37
Wordclock Connections and Settings	40
Input and Output Patching	43
5 Tutorial	47
Connections and Setup	47
Initial Track Recording	49
Overdubbing to Other Tracks	60
Mixing Recorded Tracks into Stereo (Mixdown)	63
6 Analog I/O & Digital I/O	69
Analog Inputs & Outputs	69
Digital Inputs & Outputs	71
Converting Sampling Rates of Signals Received at I/O Card Inputs	72
Monitoring Digital Input Channel Status	73
Dithering Digital Outputs	74
Setting the Transfer Format for Higher Sampling Rates	75
7 Input Channels	77
About Input Channels	77
Setting the Input Channels from the Display	79
Setting the Input Channels from the Control Surface	90
Pairing Input Channels	92
Naming Input Channels	94
8 Bus Outs	97
About Stereo Out	97
Bus Out 1–8	98
Setting the Stereo Out and Bus Out 1–8 from the Display	99
Setting the Stereo Out and Bus Out 1–8 from the Control Surface	104
Pairing Buses or Aux Sends	105
Attenuating Output Signals	106
Naming the Stereo Out and Bus Outs	107
9 Aux Outs	109
Aux Out 1–8	109
Setting Aux Out 1–8 from the Display	110
Viewing Aux Out Settings	112
Setting Aux Out 1–8 from the Control Surface	113
Setting Aux Send Levels	113
Viewing Aux Send Settings for Multiple Channels	117
Panning Aux Sends	119
Copying Channel Fader Positions to Aux Sends	120
10 Input & Output Patching	121
Input Patching	121
Output Patching	123
Patching Direct Outs	125
Insert Patching	127
11 Monitoring	131
Monitor	131
Monitor and Solo Setup	132
Using the Monitor	133
Using the Solo Function	134
12 Surround Pan	135
Using Surround Pan	135
Setting Up and Selecting Surround Pan Modes	136
Surround Panning	141
13 Grouping Channels & Linking Parameters	147
Grouping & Linking	147
Using Fader Groups and Mute Groups	148
Linking EQ and Compressor Parameters	150
14 Internal Effects	153
About the Internal Effects	153
Using Effects Processors via Aux Sends	154
Inserting the Internal Effects into Channels	156
Editing Effects	157
About Plug-Ins	159
15 Scene Memories	161
About Scene Memories	161
What is Stored in a Scene?	161
About Scene Numbers	162
Storing and Recalling Scenes	163
Auto Scene Memory Update	165
Fading Scenes	166
Recalling Scenes Safely	168
Sorting Scenes	169
16 Libraries	171
About the Libraries	171
General Library Operation	171
Using Libraries	173
17 Remote Control	185
About Remote Function	185
Pro Tools Remote Layer	186
Nuendo Remote Layer	202
Other DAW Remote Layer	202
MIDI Remote Layer	203
Machine Control Function	208
18 MIDI	211
MIDI & the 01V96	211
MIDI Port Setup	212
Assigning Scenes to Program Changes for Remote Recall	215
Assigning Parameters to Control Changes for Real-time Control	216
Controlling Parameters by Using Parameter Changes	221
Transmitting Parameter Settings via MIDI (Bulk Dump)	222
19 Other Functions	225
Changing the Input and Output Channel Names	225
Setting Preferences	226
Creating a Custom Layer by Combining Channels (User Assignable Layer)	229
Using the Oscillator	230
Using the User Defined Keys	231
Using Operation Lock	233
Cascading Consoles	234
Checking the Battery and the System Version	238
Initializing the 01V96	239
Calibrating the Faders	240
Appendix A: Parameter Lists	241
USER DEFINED KEYS	241
USER DEFINED KEYS Initial Assignments	243
Input Patch Parameters	243
Initial Input Patch Settings	245
Output Patch Parameters	247
Initial Output Patch Settings	249
User Defined Remote Layer Initial Bank Settings	250
Effects Parameters	254
Preset EQ Parameters	274
Preset Gate Parameters (fs = 44.1kHz)	278
Preset Compressor Parameters (fs = 44.1kHz)	278
Appendix B: Specifications	283
General Spec	283
Libraries	288
Analog Input Spec	289
Analog Output Specs	289
Digital Input Spec	290
Digital Output Spec	290
I/O SLOT Spec	290
CONTROL I/O Spec	291
Dimensions	291
Appendix C: MIDI	292
Scene Memory to Program Change Table	292
Initial Parameter to Control Change Table	293
MIDI Data Format	309
Appendix D: Options	323

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Using the Monitor

133

01V96—Owner’s Manual

Monitoring

SOLO TRIM

This parameter enables you to trim the level of the Solo signal in the range of –96 dB to

+12 dB.

SOLO SAFE CHANNEL

For Mixdown Solo mode, Input Channels can be conﬁgured individually so that they

are not muted when other Input Channels are soloed (Solo Safe function). Signals from

Input Channels with the SOLO SAFE CHANNEL button turned on are always fed to the

Stereo bus, regardless of the channels’ Solo function status. You can clear all Solo Safe

settings by turning on the ALL CLEAR button.

MONITOR TRIM

This parameter enables you to trim the level of the monitoring signal in the range of

–96 dB to +12 dB.

MONO

This button switches the Monitor signal into mono.

Using the Monitor

Connect a monitoring system to the MONITOR OUT connectors.

To monitor the signal via headphones, connect headphones to the PHONES jack.

Press the Monitor Source selector in the MONITOR section to select the mon-

itoring signal source.

To monitor the 01V96’s internal signals, turn off the selector (the button should be raised).

To monitor the signals at the 2TR IN connectors, turn on the selector (the button should be

pushed in).

Adjust the monitoring level using the MONITOR [MONITOR LEVEL] control

while playing the sound sources.

To adjust the level of the monitoring signal via headphones, turn the [PHONES LEVEL]

control.

Tip:

For example, if you set the internal effects processor’s return signal to Solo Safe, you can

monitor the soloed “processed (or wet)” signals.

PHONES

MONITOR

OUT

MONITOR

2TR IN

LEVEL

PHONES

LEVEL