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Initial Track Recording, Setting the Input Levels

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Initial Track Recording 49 4 Press the [PATCH] button repeatedly until the Patch | Out Patch page appears. On this page, make sure that the Output Patch settings remain set to default values, as shown below. 5 Tutorial By default (as shown in this example), the signals output from Bus Outs 1-8 are routed to the ADAT OUT connector (Tracks 1-8 of the hard disk recorder in this example), and to the slot output channels (Tracks 9-16 of the hard disk recorder in this example). If the Output Patch settings have been changed from the default settings, recall Output Patch memory #00 from the Output Patch library (page 171). Initial Track Recording This section explains how to make an initial recording to the hard disk recorder's tracks of a rhythm machine, synthesizer, bass, guitar, and microphone that are connected to INPUT connectors 1-12. Setting the Input Levels 1 Cue the musicians to play the musical instruments connected to INPUT connectors 1-12 while adjusting the corresponding [PAD] switches and [GAIN] controls so that the [PEAK] indicators temporarily ﬂash at the highest volumes. PAD 20dB -16 -60 GAIN PEAK [PAD] switch [GAIN] control [PEAK] indicator Tip: The [GAIN] controls adjust the analog input sensitivity. To make a high-quality recording with a wide dynamic range and little noise, set the [GAIN] controls as high as possible while avoiding clipping. 2 Press the LAYER [1-16] button. Input Channel Layer 1-16 is now available for control from the channel strip section. Tip: Since the fader and [ON] button positions of each layer are memorized, those positions for the corresponding layer are restored when you switch to that layer. 3 Press the DISPLAY ACCESS [HOME] button, then press the [F1] button to display the Meter | CH1-32 page. Meter pages are the start point for mixing and recording. They display channel input and output levels, and compressor and gate gain reduction amounts. 01V96-Owner's Manual

Section	Page
Important Information	4
Warnings	4
Cautions	4
Operating Notes	5
Interference	5
Exclusion of Certain Responsibility	5
Trademarks	6
Copyright	6
Yamaha Web Site	6
Package Contents	6
Optional Extras	6
About this Owner’s Manual	7
Conventions Used in this Manual	7
Installing the 01V96	7
Contents	8
1 Welcome	11
2 Control Surface & Rear Panel	13
Control Surface	13
Rear Panel	23
Installing an Optional Card	26
3 Operating Basics	27
About the Display	27
Selecting Display Pages	28
Display Interface	29
Selecting Layers	31
Selecting Channels	32
Selecting Fader Modes	33
Metering	34
4 Connections and Setup	37
Connections	37
Wordclock Connections and Settings	40
Input and Output Patching	43
5 Tutorial	47
Connections and Setup	47
Initial Track Recording	49
Overdubbing to Other Tracks	60
Mixing Recorded Tracks into Stereo (Mixdown)	63
6 Analog I/O & Digital I/O	69
Analog Inputs & Outputs	69
Digital Inputs & Outputs	71
Converting Sampling Rates of Signals Received at I/O Card Inputs	72
Monitoring Digital Input Channel Status	73
Dithering Digital Outputs	74
Setting the Transfer Format for Higher Sampling Rates	75
7 Input Channels	77
About Input Channels	77
Setting the Input Channels from the Display	79
Setting the Input Channels from the Control Surface	90
Pairing Input Channels	92
Naming Input Channels	94
8 Bus Outs	97
About Stereo Out	97
Bus Out 1–8	98
Setting the Stereo Out and Bus Out 1–8 from the Display	99
Setting the Stereo Out and Bus Out 1–8 from the Control Surface	104
Pairing Buses or Aux Sends	105
Attenuating Output Signals	106
Naming the Stereo Out and Bus Outs	107
9 Aux Outs	109
Aux Out 1–8	109
Setting Aux Out 1–8 from the Display	110
Viewing Aux Out Settings	112
Setting Aux Out 1–8 from the Control Surface	113
Setting Aux Send Levels	113
Viewing Aux Send Settings for Multiple Channels	117
Panning Aux Sends	119
Copying Channel Fader Positions to Aux Sends	120
10 Input & Output Patching	121
Input Patching	121
Output Patching	123
Patching Direct Outs	125
Insert Patching	127
11 Monitoring	131
Monitor	131
Monitor and Solo Setup	132
Using the Monitor	133
Using the Solo Function	134
12 Surround Pan	135
Using Surround Pan	135
Setting Up and Selecting Surround Pan Modes	136
Surround Panning	141
13 Grouping Channels & Linking Parameters	147
Grouping & Linking	147
Using Fader Groups and Mute Groups	148
Linking EQ and Compressor Parameters	150
14 Internal Effects	153
About the Internal Effects	153
Using Effects Processors via Aux Sends	154
Inserting the Internal Effects into Channels	156
Editing Effects	157
About Plug-Ins	159
15 Scene Memories	161
About Scene Memories	161
What is Stored in a Scene?	161
About Scene Numbers	162
Storing and Recalling Scenes	163
Auto Scene Memory Update	165
Fading Scenes	166
Recalling Scenes Safely	168
Sorting Scenes	169
16 Libraries	171
About the Libraries	171
General Library Operation	171
Using Libraries	173
17 Remote Control	185
About Remote Function	185
Pro Tools Remote Layer	186
Nuendo Remote Layer	202
Other DAW Remote Layer	202
MIDI Remote Layer	203
Machine Control Function	208
18 MIDI	211
MIDI & the 01V96	211
MIDI Port Setup	212
Assigning Scenes to Program Changes for Remote Recall	215
Assigning Parameters to Control Changes for Real-time Control	216
Controlling Parameters by Using Parameter Changes	221
Transmitting Parameter Settings via MIDI (Bulk Dump)	222
19 Other Functions	225
Changing the Input and Output Channel Names	225
Setting Preferences	226
Creating a Custom Layer by Combining Channels (User Assignable Layer)	229
Using the Oscillator	230
Using the User Defined Keys	231
Using Operation Lock	233
Cascading Consoles	234
Checking the Battery and the System Version	238
Initializing the 01V96	239
Calibrating the Faders	240
Appendix A: Parameter Lists	241
USER DEFINED KEYS	241
USER DEFINED KEYS Initial Assignments	243
Input Patch Parameters	243
Initial Input Patch Settings	245
Output Patch Parameters	247
Initial Output Patch Settings	249
User Defined Remote Layer Initial Bank Settings	250
Effects Parameters	254
Preset EQ Parameters	274
Preset Gate Parameters (fs = 44.1kHz)	278
Preset Compressor Parameters (fs = 44.1kHz)	278
Appendix B: Specifications	283
General Spec	283
Libraries	288
Analog Input Spec	289
Analog Output Specs	289
Digital Input Spec	290
Digital Output Spec	290
I/O SLOT Spec	290
CONTROL I/O Spec	291
Dimensions	291
Appendix C: MIDI	292
Scene Memory to Program Change Table	292
Initial Parameter to Control Change Table	293
MIDI Data Format	309
Appendix D: Options	323

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Initial Track Recording

01V96—Owner’s Manual

Tutorial

Press the [PATCH] button repeatedly until the Patch | Out Patch page

appears. On this page, make sure that the Output Patch settings remain set

to default values, as shown below.

By default (as shown in this example), the signals output from Bus Outs 1–8 are routed to

the ADAT OUT connector (Tracks 1–8 of the hard disk recorder in this example), and to the

slot output channels (Tracks 9–16 of the hard disk recorder in this example).

If the Output Patch settings have been changed from the default settings, recall Output

Patch memory #00 from the Output Patch library (page 171).

Initial Track Recording

This section explains how to make an initial recording to the hard disk recorder’s tracks of

a rhythm machine, synthesizer, bass, guitar, and microphone that are connected to INPUT

connectors 1–12.

Setting the Input Levels

Cue the musicians to play the musical instru-

ments connected to INPUT connectors 1–12

while adjusting the corresponding [PAD]

switches and [GAIN] controls so that the

[PEAK] indicators temporarily ﬂash at the

highest volumes.

Press the LAYER [1–16] button.

Input Channel Layer 1–16 is now available for control from the channel strip section.

Press the DISPLAY ACCESS [HOME] button, then press the [F1] button to dis-

play the Meter | CH1-32 page.

Meter pages are the start point for mixing and recording. They display channel input and

output levels, and compressor and gate gain reduction amounts.

Tip:

The [GAIN] controls adjust the analog input sensitivity. To make a high-quality record-

ing with a wide dynamic range and little noise, set the [GAIN] controls as high as possible

while avoiding clipping.

Tip:

Since the fader and [ON] button positions of each layer are memorized, those positions

for the corresponding layer are restored when you switch to that layer.

20dB

GAIN

-16

-60

PAD

PEAK

[PAD] switch

[GAIN] control

[PEAK] indicator