Yamaha QY700 Owner's Manual - Page 181

EG attack time, EG decay time, EG release time, Vibrato rate, Vibrato depth, Vibrato delay

Page 181 highlights

3. Voice edit Volume portion that is passed portion that is cut Overtones Frequency Cutoff frequency • The filter resonance can be specified for each part to modify the sound. • Resonance boosts the volume in the area of the cutoff frequency, emphasizing the overtones in that area. By appropriate settings of Resonance, you can simulate the body resonance of stringed instruments etc., or produce sounds typical of analog synthesizers. Volume Resonance Cutoff Frequency 0101 1101 Filter Cutoff Filter Resonance -64-+00-+63 -64-+00-+63 10. EG attack time, EG decay time, EG release time • Release Time adjusts the time over which the volume falls from the sustain level (when the note is released) to reach a level of 0. Smaller values will cause the sound to reach silence more quickly. Attack Time Decay Time Release Time 0101 1101 • EG Attack Time -64-+00-+63 • EG Decay Time -64-+00-+63 • EG Release Time -64-+00-+63 11. Vibrato rate, Vibrato depth, Vibrato delay • These parameters are the vibrato settings. • Rate adjusts the speed at which pitch is modulated, Depth adjust the depth of modulation, and Delay adjusts the time from when the note is played until vibrato begins to occur. • These parameters adjust the time-based changes that occur between the moment that a note is played to when the sound disappears. • Attack Time adjusts the time over which the volume rises from zero (when the note is played) to reach the maximum level. Smaller values will produce a faster attack. • Decay Time adjusts the time over which the volume falls from the maximum to reach the sustain level. Smaller values will produce a more sharply defined sound. 0101 1101 Rate Depth Delay Delay Rate -64-+00-+63 -64-+00-+63 -64-+00-+63 Depth 180 Chapter 3. VOICE MODE

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180
Chapter 3. VOICE MODE
The filter resonance can be specified for each part to modify
the sound.
Resonance boosts the volume in the area of the cutoff fre-
quency, emphasizing the overtones in that area. By appro-
priate settings of Resonance, you can simulate the body reso-
nance of stringed instruments etc., or produce sounds typi-
cal of analog synthesizers.
0101
1101
Filter Cutoff
-64–+00–+63
Filter Resonance
-64–+00–+63
10. EG attack time,
EG decay time,
EG release time
These parameters adjust the time-based changes that occur
between the moment that a note is played to when the sound
disappears.
Attack Time adjusts the time over which the volume rises
from zero (when the note is played) to reach the maximum
level.
Smaller values will produce a faster attack.
Decay Time adjusts the time over which the volume falls
from the maximum to reach the sustain level.
Smaller values will produce a more sharply defined sound.
3. Voice edit
Release Time adjusts the time over which the volume falls
from the sustain level (when the note is released) to reach a
level of 0.
Smaller values will cause the sound to reach silence more
quickly.
0101
1101
EG Attack Time
-64–+00–+63
EG Decay Time
-64–+00–+63
EG Release Time
-64–+00–+63
11. Vibrato rate, Vibrato depth, Vibrato delay
These parameters are the vibrato settings.
Rate adjusts the speed at which pitch is modulated, Depth
adjust the depth of modulation, and Delay adjusts the time
from when the note is played until vibrato begins to occur.
0101
1101
Rate
-64–+00–+63
Depth
-64–+00–+63
Delay
-64–+00–+63
Frequency
Volume
Cutoff frequency
Overtones
portion that is cut
portion that is
passed
Attack Time
Decay Time
Release Time
Rate
Depth
Delay
Resonance
Cutoff
Frequency
Volume