Yamaha DM2000 Owner's Manual - Page 47

Tr Out Digital Aes/ebu 1 & 2, Midi In, Out & Thru Ports - meter bridge

Page 47 highlights

Rear Panel 33 K 2TR OUT DIGITAL AES/EBU 1 & 2 These XLR-3-32-type connectors output AES/EBU format digital audio, and are typically connected to the digital stereo inputs of 2-track recorders. The following signals can be patched to these outputs: Stereo Out, Bus Outs, Aux Sends, Matrix Sends, Direct Outs, Insert Outs, and Control Room. The sampling rate of the digital audio output can be set independently of the DM2000 sampling rate by using the internal sampling rate converters. Dither can be applied for digital audio transfer to lower-resolution systems. See "2TR Digital Outs" on page 52 for more information. L 2TR IN DIGITAL COAXIAL 3 This phono connector accepts consumer format (IEC-60958) digital audio, and is typically used to connect the digital stereo output of a 2-track recorder. Signals connected here can be monitored via the CONTROL ROOM MONITOR OUT by pressing the CONTROL ROOM [2TR D3] button. In addition, this input can be patched to Input Channels or Insert Ins. Unsynchronized digital audio signals can be converted by the internal sampling rate converters. See "2TR Digital Ins" on page 53 for more information. M 2TR IN DIGITAL AES/EBU 1 & 2 These XLR-3-31-type connectors accept AES/EBU format digital audio, and are typically used to connect the digital stereo outputs of 2-track recorders. Signals connected here can be monitored via the CONTROL ROOM MONITOR OUT by pressing the CONTROL ROOM [2TR D1] button or [2TR D2] button. In addition, these inputs can be patched Input Channels or Insert Ins. Unsynchronized digital audio signals can be converted by the internal sampling rate converters. See "2TR Digital Ins" on page 53 for more information. N METER port This 15-pin D-sub connector is for connecting the optional MB2000 Peak Meter Bridge. O CONTROL port This 25-pin D-sub connector provides access to the GPI (General Purpose Interface) through which external equipment can be triggered when specified DM2000 faders or USER DEFINE KEYS are operated. It can also be used to control a "RECORDING" light outside of a studio, to trigger the Solo function of an 02R Digital Recording Console, or to turn on Talkback from an external device. See "GPI (General Purpose Interface)" on page 228 for more information. P REMOTE port This 9-pin D-sub connector can be used to connect an optional Yamaha AD824 AD Converter, providing remote and recallable control of its head amp settings. Machines that support the Sony P2 protocol can also be controlled from the DM2000 via this port. A straight cable should be used to connect a P2 device; a reversed cable for an AD824. See "Controlling AD824 A/D Converters" on page 229 and "About Machine Control (MMC & P2)" on page 220 for more information. Q MIDI IN, OUT & THRU ports These standard MIDI IN, OUT, and THRU ports are used to connect the DM2000 to other MIDI equipment. Supported MIDI messages include Program Changes for Scene recall, Control Changes and Parameter Changes for real-time parameter control, Bulk Dump for data storage, MIDI Clock, MTC, and MMC. See "MIDI I/O" on page 182 for more information. R CASCADE IN & OUT ports These 64-pin connectors can be used to cascade up to four DM2000s to create a multiple-unit mixing system. The DM2000 can also be cascaded with an 02R Digital Recording Console. See "Cascading Consoles" on page 58 for more information. DM2000-Owner's Manual

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Rear Panel
33
DM2000—Owner’s Manual
K
2TR OUT DIGITAL AES/EBU 1 & 2
These XLR-3-32-type connectors output AES/EBU format digital audio, and are typically
connected to the digital stereo inputs of 2-track recorders. The following signals can be
patched to these outputs: Stereo Out, Bus Outs, Aux Sends, Matrix Sends, Direct Outs,
Insert Outs, and Control Room. The sampling rate of the digital audio output can be set
independently of the DM2000 sampling rate by using the internal sampling rate converters.
Dither can be applied for digital audio transfer to lower-resolution systems. See “2TR Dig-
ital Outs” on page 52 for more information.
L
2TR IN DIGITAL COAXIAL 3
This phono connector accepts consumer format (IEC-60958) digital audio, and is typically
used to connect the digital stereo output of a 2-track recorder. Signals connected here can
be monitored via the CONTROL ROOM MONITOR OUT by pressing the CONTROL
ROOM [2TR D3] button. In addition, this input can be patched to Input Channels or
Insert Ins. Unsynchronized digital audio signals can be converted by the internal sampling
rate converters. See “2TR Digital Ins” on page 53 for more information.
M
2TR IN DIGITAL AES/EBU 1 & 2
These XLR-3-31-type connectors accept AES/EBU format digital audio, and are typically
used to connect the digital stereo outputs of 2-track recorders. Signals connected here can
be monitored via the CONTROL ROOM MONITOR OUT by pressing the CONTROL
ROOM [2TR D1] button or [2TR D2] button. In addition, these inputs can be patched
Input Channels or Insert Ins. Unsynchronized digital audio signals can be converted by the
internal sampling rate converters. See “2TR Digital Ins” on page 53 for more information.
N
METER port
This 15-pin D-sub connector is for connecting the optional MB2000 Peak Meter Bridge.
O
CONTROL port
This 25-pin D-sub connector provides access to the GPI (General Purpose Interface)
through which external equipment can be triggered when specified DM2000 faders or
USER DEFINE KEYS are operated. It can also be used to control a “RECORDING” light
outside of a studio, to trigger the Solo function of an 02R Digital Recording Console, or to
turn on Talkback from an external device. See “GPI (General Purpose Interface)” on page
228 for more information.
P
REMOTE port
This 9-pin D-sub connector can be used to connect an optional Yamaha AD824 AD Con-
verter, providing remote and recallable control of its head amp settings. Machines that sup-
port the Sony P2 protocol can also be controlled from the DM2000 via this port. A straight
cable should be used to connect a P2 device; a reversed cable for an AD824. See “Controlling
AD824 A/D Converters” on page 229 and “About Machine Control (MMC & P2)” on
page 220 for more information.
Q
MIDI IN, OUT & THRU ports
These standard MIDI IN, OUT, and THRU ports are used to connect the DM2000 to other
MIDI equipment. Supported MIDI messages include Program Changes for Scene recall,
Control Changes and Parameter Changes for real-time parameter control, Bulk Dump for
data storage, MIDI Clock, MTC, and MMC. See “MIDI I/O” on page 182 for more infor-
mation.
R
CASCADE IN & OUT ports
These 64-pin connectors can be used to cascade up to four DM2000s to create a multi-
ple-unit mixing system. The DM2000 can also be cascaded with an 02R Digital Recording
Console. See “Cascading Consoles” on page 58 for more information.