Yamaha QL5 Reference Manual - Page 226

Effect Type List, Compander Hard Compander-h, Compander Soft, De-esser

Page 226 highlights

 COMPANDER HARD (COMPANDER-H), COMPANDER SOFT (COMPANDER-S) The hard and soft companders combine the effects of the compressor, expander and limiter. Output Level THRESHOLD 0dB WIDTH Input Level The companders function differently at the following levels: 1 0 dB and higher Functions as a limiter. 2 Exceeding the threshold Functions as a compressor. 3 Below the threshold and width ..........Functions as an expander. The hard compander has an expansion ratio of 5:1, while the soft compander has an expansion ratio of 1.5:1. The expander is essentially turned off when the width is set to maximum. The compressor has a fixed knee setting of 2. * The gain is automatically adjusted according to the ratio and threshold values, and can be increased by up to 18 dB. * The OUT GAIN parameter enables you to compensate for the overall level change caused by the compression and expansion processes. Parameter THRESHOLD (dB) RATIO ATTACK (ms) RELEASE (ms) OUT GAIN (dB) WIDTH (dB) Range -54 to 0 (55 points) 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 8.0:1, 10:1, 20:1 (15 points) 0-120 (121 points) 44.1kHz: 6 ms - 46.0 sec 48kHz: 5 ms - 42.3 sec (160 points) -18.0 to 0.0 (181 points) 1-90 (90 points) Description This determines the level at which compression is applied. This determines the amount of compression. This determines how soon the signal is compressed or expanded once the compander has been triggered. This determines how soon the compressor or expander returns to the normal gain once the trigger signal level drops below or exceeds the threshold respectively. The value is expressed as the duration required for the level to change by 6 dB. This sets the compander's output signal level. This determines how far below the threshold expansion will be applied. The expander is activated when the level drops below the threshold and width.  DE-ESSER This detects and compresses only the sibilants and other high-frequency consonants of the vocal. Parameter THRESHOLD FREQUENCY TYPE Q Range Description -54 to 0 (55 points) Threshold level at which the de-esser effect is applied. 1kHz-12.5kHz (45 points) Cutoff frequency of the filter used to detect the high frequencies. HPF, BPF Type of filter used to detect the frequency band. 10.0-0.10 (41 points) Q (steepness) of the filter when TYPE is BPF. Effect Type List Title Type Description REV-X Hall REV-X Room REV-X Plate REV-X HALL REV-X ROOM REV-X PLATE New reverb algorithm that delivers dense and rich reverberation, smooth decay, and provides a spaciousness and depth that enhances the original sound. Choose from three types depending on your location and needs; REV-X HALL, REV-X ROOM, and REV-X PLATE. Reverb Hall REVERB HALL Concert hall reverberation simulation with gate Reverb Room REVERB ROOM Room reverberation simulation with gate Reverb Stage REVERB STAGE Reverb designed for vocals, with gate Reverb Plate REVERB PLATE Plate reverb simulation with gate Stereo Reverb ST REVERB Stereo reverb Early Ref. EARLY REF. Early reflections without the subsequent reverb Gate Reverb GATE REVERB Gated early reflections Reverse Gate REVERSE GATE Gated reverse early reflections Mono Delay MONO DELAY Simple mono delay Stereo Delay STEREO DELAY Simple stereo delay Mod.Delay MOD.DELAY Simple repeat delay with modulation Delay LCR DELAY LCR 3-tap (left, center, right) delay Echo ECHO Stereo delay with crossed left/right feedback Chorus CHORUS Chorus Flange FLANGE Flanger Symphonic SYMPHONIC Proprietary Yamaha effect that produces a richer and more complex modulation than normal chorus Phaser PHASER 16-stage stereo phase shifter Dyna.Flange DYNA.FLANGE Dynamically controlled flanger Dyna.Phaser DYNA.PHASER Dynamically controlled phase shifter HQ. Pitch HQ.PITCH Mono pitch shifter, producing stable results Dual Pitch DUAL PITCH Stereo pitch shifter Tremolo TREMOLO Tremolo Auto Pan AUTO PAN Auto-panner Rotary ROTARY Rotary speaker simulation Ring Mod. RING MOD. Ring modulator Mod.Filter MOD.FILTER Modulated filter Dyna.Filter DYNA.FILTER Dynamically controlled filter Rev+Chorus REV+CHORUS Reverb and chorus in parallel RevChorus REVCHORUS Reverb and chorus in series Rev+Flange REV+FLANGE Reverb and flanger in parallel RevFlange REVFLANGE Reverb and flanger in series Rev+Sympho. REV+SYMPHO. Reverb and symphonic in parallel RevSympho. REVSYMPHO. Reverb and symphonic in series RevPan REVPAN Reverb and auto-pan in series Delay+Er. DELAY+ER. Delay and early reflections in parallel 7 Data List

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Data List
7
COMPANDER HARD (COMPANDER-H), COMPANDER SOFT
(COMPANDER-S)
The hard and soft companders combine the effects of the compressor, expander and limiter.
The companders function differently at the following levels:
1
0 dB and higher
..................................
Functions as a limiter.
2
Exceeding the threshold
....................
Functions as a compressor.
3
Below the threshold and width
..........
Functions as an expander.
The hard compander has an expansion ratio of 5:1, while the soft compander has an
expansion ratio of 1.5:1. The expander is essentially turned off when the width is set to
maximum. The compressor has a fixed knee setting of 2.
* The gain is automatically adjusted according to the ratio and threshold values, and can be increased by up to 18 dB.
* The OUT GAIN parameter enables you to compensate for the overall level change caused by the compression and
expansion processes.
DE-ESSER
This detects and compresses only the sibilants and other high-frequency consonants of the
vocal.
Effect Type List
Parameter
Range
Description
THRESHOLD (dB)
–54 to 0 (55 points)
This determines the level at which compression is
applied.
RATIO
1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1,
2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1,
8.0:1, 10:1, 20:1 (15 points)
This determines the amount of compression.
ATTACK (ms)
0–120 (121 points)
This determines how soon the signal is compressed or
expanded once the compander has been triggered.
RELEASE (ms)
44.1kHz: 6 ms – 46.0 sec
48kHz: 5 ms – 42.3 sec (160 points)
This determines how soon the compressor or
expander returns to the normal gain once the trigger
signal level drops below or exceeds the threshold
respectively. The value is expressed as the duration
required for the level to change by 6 dB.
OUT GAIN (dB)
–18.0 to 0.0 (181 points)
This sets the compander’s output signal level.
WIDTH (dB)
1–90 (90 points)
This determines how far below the threshold
expansion will be applied. The expander is activated
when the level drops below the threshold and width.
Parameter
Range
Description
THRESHOLD
–54 to 0 (55 points)
Threshold level at which the de-esser effect is applied.
FREQUENCY
1kHz–12.5kHz (45 points)
Cutoff frequency of the filter used to detect the high frequencies.
TYPE
HPF, BPF
Type of filter used to detect the frequency band.
Q
10.0–0.10 (41 points)
Q (steepness) of the filter when TYPE is BPF.
0dB
Input Level
Output Level
WIDTH
THRESHOLD
Title
Type
Description
REV-X Hall
REV-X HALL
New reverb algorithm that delivers dense and rich reverberation, smooth decay,
and provides a spaciousness and depth that enhances the original sound.
Choose from three types depending on your location and needs; REV-X HALL,
REV-X ROOM, and REV-X PLATE.
REV-X Room
REV-X ROOM
REV-X Plate
REV-X PLATE
Reverb Hall
REVERB HALL
Concert hall reverberation simulation with gate
Reverb Room
REVERB ROOM
Room reverberation simulation with gate
Reverb Stage
REVERB STAGE
Reverb designed for vocals, with gate
Reverb Plate
REVERB PLATE
Plate reverb simulation with gate
Stereo Reverb
ST REVERB
Stereo reverb
Early Ref.
EARLY REF.
Early reflections without the subsequent reverb
Gate Reverb
GATE REVERB
Gated early reflections
Reverse Gate
REVERSE GATE
Gated reverse early reflections
Mono Delay
MONO DELAY
Simple mono delay
Stereo Delay
STEREO DELAY
Simple stereo delay
Mod.Delay
MOD.DELAY
Simple repeat delay with modulation
Delay LCR
DELAY LCR
3-tap (left, center, right) delay
Echo
ECHO
Stereo delay with crossed left/right feedback
Chorus
CHORUS
Chorus
Flange
FLANGE
Flanger
Symphonic
SYMPHONIC
Proprietary Yamaha effect that produces a richer and more complex modulation
than normal chorus
Phaser
PHASER
16-stage stereo phase shifter
Dyna.Flange
DYNA.FLANGE
Dynamically controlled flanger
Dyna.Phaser
DYNA.PHASER
Dynamically controlled phase shifter
HQ. Pitch
HQ.PITCH
Mono pitch shifter, producing stable results
Dual Pitch
DUAL PITCH
Stereo pitch shifter
Tremolo
TREMOLO
Tremolo
Auto Pan
AUTO PAN
Auto-panner
Rotary
ROTARY
Rotary speaker simulation
Ring Mod.
RING MOD.
Ring modulator
Mod.Filter
MOD.FILTER
Modulated filter
Dyna.Filter
DYNA.FILTER
Dynamically controlled filter
Rev+Chorus
REV+CHORUS
Reverb and chorus in parallel
Rev
Chorus
REV
CHORUS
Reverb and chorus in series
Rev+Flange
REV+FLANGE
Reverb and flanger in parallel
Rev
Flange
REV
FLANGE
Reverb and flanger in series
Rev+Sympho.
REV+SYMPHO.
Reverb and symphonic in parallel
Rev
Sympho.
REV
SYMPHO.
Reverb and symphonic in series
Rev
Pan
REV
PAN
Reverb and auto-pan in series
Delay+Er.
DELAY+ER.
Delay and early reflections in parallel