Yamaha QL5 Reference Manual - Page 238

Equalizer601, Opendeck, M.band Dyna.

Page 238 highlights

 EQUALIZER601 This effect emulates the characteristics of 70's analog equalizers. Re-creating the distortion of typical analog circuits will add drive to the sound. Parameter LO TYPE LO F LO G MID1 Q MID1 F MID1 G MID2 Q MID2 F MID2 G INPUT OUTPUT MID3 Q MID3 F MID3 G MID4 Q MID4 F MID4 G HI TYPE HI F HI G LO SW MID1 SW MID2 SW MID3 SW MID4 SW HI SW Range HPF-2/1, LSH-1/2 16.0 Hz to 20.0 kHz -18.0 to +18.0 dB 0.50-16.0 16.0 Hz to 20.0 kHz -18.0 to +18.0 dB 0.50-16.0 16.0 Hz to 20.0 kHz -18.0 to +18.0 dB -18.0 to +18.0 dB -18.0 to +18.0 dB 0.50-16.0 16.0 Hz to 20.0 kHz -18.0 to +18.0 dB 0.50-16.0 16.0 Hz to 20.0 kHz -18.0 to +18.0 dB LPF-2/1, HSH-1/2 16.0 Hz to 20.0 kHz *1 -18.0 to +18.0 dB OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON TYPE CLEAN, DRIVE Description Type of EQ1 Cut-off frequency of EQ1 Gain of EQ1 Q of EQ2 Center frequency of EQ2 Gain of EQ2 Q of EQ3 Center frequency of EQ3 Gain of EQ3 Input gain Output gain Q of EQ4 Center frequency of EQ4 Gain of EQ4 Q of EQ5 Center frequency of EQ5 Gain of EQ5 Type of EQ6 Cut-off frequency of EQ6 Gain of EQ6 Switches EQ1 on/off Switches EQ2 on/off Switches EQ3 on/off Switches EQ4 on/off Switches EQ5 on/off Switches EQ6 on/off Selects the equalizer type. The CLEAN equalizer provides non-distorted, clear, typical digital sound, emulating variations in frequency response in the analog circuits. The DRIVE equalizer provides distorted, driven sound that enhances analog flavor, emulating changes in frequency response in the analog circuits. *1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2)  OPENDECK It emulates the tape compression created by two open reel tape recorders (a recording deck and a playback deck). You can change the sound quality by adjusting various elements, such as the deck type, tape quality, playback speed, etc. Parameter REC DEC REC LVL REC HI REC BIAS REPR DEC REPR LVL REPR HI REPR LO MAKE UP TP SPEED TP KIND Range Swss70, Swss78, Swss85, Amer70 -96.0 to +18.0 dB -6.0 to +6.0 dB -1.00 to +1.00 Swss70, Swss78, Swss85, Amer70 -96.0 to +18.0 dB -6.0 to +6.0 dB -6.0 to +6.0 dB Off, On 15ips, 30ips Old, New Description Selects the recording deck type Adjusts the input level of the recording deck. As you raise the level, tape compression is generated, which narrows the dynamic range and distorts the sound. Adjusts the high range gain of the recording deck Adjusts the bias of the recording deck Selects the playback deck type Adjusts the output level of the playback deck Adjusts the high range gain of the playback deck Adjusts the low range gain of the playback deck When you adjust the REC LVL, the REPR LVL reflects the change, maintaining the relative output level. You can change the amount of distortion without changing the output level. Selects the tape speed Selects the tape type  M.BAND DYNA. Two input, two output 3-band dynamics processor, with individual solo and gain reduction metering for each band. Parameter Range L-M XOVER 21.2 Hz-8.00 kHz M-H XOVER 21.2 Hz-8.00 kHz SLOPE -6 dB, -12 dB LOW GAIN -12.0 dB to +12.0 dB MID GAIN -12.0 dB to +12.0 dB HI. GAIN -12.0 dB to +12.0 dB TOTAL -72.0 dB to +12.0 dB CEILING -6.0 dB to 0.0 dB, OFF CMP.THRE -24.0 dB to 0.0 dB CMP.RAT 1:1 to 20:1 CMP.ATK 0-120 ms CMP.REL *1 CMP.KNEE 0-5 CMP.BYP OFF/ON EXP.THRE -54.0 dB to -24.0 dB EXP.RAT 1:1 to 5:1 EXP.REL *1 EXP.BYP OFF/ON LIM.THRE -12.0 dB to 0.0 dB Description Crossover frequency between the low and mid bands Crossover frequency between the mid and high bands Filter slope Low band gain Mid band gain High band gain Overall gain Restricts the output so that it will not exceed the specified level Threshold of the compressor Ratio of the compressor Attack time of the compressor Release time of the compressor Knee of the compressor Bypasses the compressor Threshold of the expander Ratio of the expander Release time of the expander Bypasses the expander Threshold of the limiter 19 Data List

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Data List
19
EQUALIZER601
This effect emulates the characteristics of 70’s analog equalizers. Re-creating the distortion
of typical analog circuits will add drive to the sound.
OPENDECK
It emulates the tape compression created by two open reel tape recorders (a recording deck
and a playback deck). You can change the sound quality by adjusting various elements, such
as the deck type, tape quality, playback speed, etc.
M.BAND DYNA.
Two input, two output 3-band dynamics processor, with individual solo and gain reduction
metering for each band.
Parameter
Range
Description
LO TYPE
HPF-2/1, LSH-1/2
Type of EQ1
LO F
16.0 Hz to 20.0 kHz
Cut-off frequency of EQ1
LO G
–18.0 to +18.0 dB
Gain of EQ1
MID1 Q
0.50–16.0
Q of EQ2
MID1 F
16.0 Hz to 20.0 kHz
Center frequency of EQ2
MID1 G
–18.0 to +18.0 dB
Gain of EQ2
MID2 Q
0.50–16.0
Q of EQ3
MID2 F
16.0 Hz to 20.0 kHz
Center frequency of EQ3
MID2 G
–18.0 to +18.0 dB
Gain of EQ3
INPUT
–18.0 to +18.0 dB
Input gain
OUTPUT
–18.0 to +18.0 dB
Output gain
MID3 Q
0.50–16.0
Q of EQ4
MID3 F
16.0 Hz to 20.0 kHz
Center frequency of EQ4
MID3 G
–18.0 to +18.0 dB
Gain of EQ4
MID4 Q
0.50–16.0
Q of EQ5
MID4 F
16.0 Hz to 20.0 kHz
Center frequency of EQ5
MID4 G
–18.0 to +18.0 dB
Gain of EQ5
HI TYPE
LPF-2/1, HSH-1/2
Type of EQ6
HI F
16.0 Hz to 20.0 kHz
*1
*1.
16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2)
Cut-off frequency of EQ6
HI G
–18.0 to +18.0 dB
Gain of EQ6
LO SW
OFF, ON
Switches EQ1 on/off
MID1 SW
OFF, ON
Switches EQ2 on/off
MID2 SW
OFF, ON
Switches EQ3 on/off
MID3 SW
OFF, ON
Switches EQ4 on/off
MID4 SW
OFF, ON
Switches EQ5 on/off
HI SW
OFF, ON
Switches EQ6 on/off
TYPE
CLEAN, DRIVE
Selects the equalizer type.
The CLEAN equalizer provides non-distorted, clear, typical digital sound,
emulating variations in frequency response in the analog circuits. The
DRIVE equalizer provides distorted, driven sound that enhances analog
flavor, emulating changes in frequency response in the analog circuits.
Parameter
Range
Description
REC DEC
Swss70, Swss78, Swss85,
Amer70
Selects the recording deck type
REC LVL
–96.0 to +18.0 dB
Adjusts the input level of the recording deck. As you raise the level, tape
compression is generated, which narrows the dynamic range and distorts
the sound.
REC HI
–6.0 to +6.0 dB
Adjusts the high range gain of the recording deck
REC BIAS
–1.00 to +1.00
Adjusts the bias of the recording deck
REPR DEC
Swss70, Swss78, Swss85,
Amer70
Selects the playback deck type
REPR LVL
–96.0 to +18.0 dB
Adjusts the output level of the playback deck
REPR HI
–6.0 to +6.0 dB
Adjusts the high range gain of the playback deck
REPR LO
–6.0 to +6.0 dB
Adjusts the low range gain of the playback deck
MAKE UP
Off, On
When you adjust the REC LVL, the REPR LVL reflects the change,
maintaining the relative output level. You can change the amount of
distortion without changing the output level.
TP SPEED
15ips, 30ips
Selects the tape speed
TP KIND
Old, New
Selects the tape type
Parameter
Range
Description
L-M XOVER
21.2 Hz–8.00 kHz
Crossover frequency between the low and mid bands
M-H XOVER
21.2 Hz–8.00 kHz
Crossover frequency between the mid and high bands
SLOPE
–6 dB, –12 dB
Filter slope
LOW GAIN
–12.0 dB to +12.0 dB
Low band gain
MID GAIN
–12.0 dB to +12.0 dB
Mid band gain
HI. GAIN
–12.0 dB to +12.0 dB
High band gain
TOTAL
–72.0 dB to +12.0 dB
Overall gain
CEILING
–6.0 dB to 0.0 dB, OFF
Restricts the output so that it will not exceed the specified level
CMP.THRE
–24.0 dB to 0.0 dB
Threshold of the compressor
CMP.RAT
1:1 to 20:1
Ratio of the compressor
CMP.ATK
0–120 ms
Attack time of the compressor
CMP.REL
*1
Release time of the compressor
CMP.KNEE
0–5
Knee of the compressor
CMP.BYP
OFF/ON
Bypasses the compressor
EXP.THRE
–54.0 dB to –24.0 dB
Threshold of the expander
EXP.RAT
1:1 to 5:1
Ratio of the expander
EXP.REL
*1
Release time of the expander
EXP.BYP
OFF/ON
Bypasses the expander
LIM.THRE
–12.0 dB to 0.0 dB
Threshold of the limiter