Yamaha QL5 Reference Manual - Page 227

Effects Parameters, REV-X HALL, REV-X ROOM, REV-X PLATE

Page 227 highlights

Title Type Description DelayEr. DELAYER. Delay and early reflections in series Delay+Rev DELAY+REV Delay and reverb in parallel DelayRev DELAYREV Delay and reverb in series DistDelay DISTDELAY Distortion and delay in series Multi Filter MULTI FILTER 3-band parallel filter (24 dB/octave) Freeze FREEZE Simple sampler Distortion DISTORTION Distortion Amp Simulate AMP SIMULATE Guitar amp simulation Comp276 COMP276 This compressor emulates the characteristics of an analog compressor that has become a sought-after classic in recording studios. Comp276S COMP276S This is a stereo model of COMP276. Comp260 COMP260 This compressor emulates the characteristics of a compressor/limiter of the latter 1970s that has become a sought-after classic for live SR. Comp260S COMP260S This is a stereo model of the COMP260. Equalizer601 EQUALIZER601 This equalizer emulates the characteristics of an analog equalizer of the 1970s. It can be used to obtain a sense of drive. OpenDeck OPENDECK This is a tape saturation effect that emulates the tape compression produced by two open-reel tape recorders: a recording deck and a reproduction deck. M.Band Dyna. M.BAND DYNA. Multi-band dynamics processor M.Band Comp M.BAND COMP Multi-band compressor Effects Parameters  REV-X HALL, REV-X ROOM, REV-X PLATE Newly-developed two input, two output reverb algorithm. Delivers dense and rich reverberation, smooth decay, and provides a spaciousness and depth that enhances the original sound. Choose from three types depending on your location and needs; REV-X HALL, REV-X ROOM, and REV-X PLATE. Parameter Range REV TIME 0.28-27.94 s*1 INI. DLY 0.0-120.0 ms HI. RATIO 0.1-1.0 LO. RATIO 0.1-1.4 LO.FREQ 22.0 Hz-18.0 kHz DIFF. 0-10 ROOM SIZE 0-28 DECAY 0-53 HPF THRU, 22.0 Hz-8.00 kHz LPF 1.00 kHz-18.0 kHz, THRU Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Frequency point for LO.RATIO setting Reverb diffusion (left-right reverb spread) Size of room Gate closing speed High-pass filter cutoff frequency Low-pass filter cutoff frequency *1. These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ depending on the effect type and ROOM SIZE setting.  REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output hall, room, stage, and plate reverb simulations, all with gates. Parameter REV TIME INI. DLY HI. RATIO LO. RATIO DIFF. DENSITY E/R DLY E/R BAL. HPF LPF GATE LVL ATTACK HOLD DECAY Range 0.3-99.0 s 0.0-500.0 ms 0.1-1.0 0.1-2.4 0-10 0-100% 0.0-100.0 ms 0-100% THRU, 21.2 Hz-8.00 kHz 50.0 Hz-16.0 kHz, THRU OFF, -60 to 0 dB 0-120 ms *1 *2 Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left-right reverb spread) Reverb density Delay between early reflections and reverb Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) High-pass filter cutoff frequency Low-pass filter cutoff frequency Level at which gate kicks in Gate opening speed Gate open time Gate closing speed *1. 0.02 ms-2.13 s (fs=44.1 kHz), 0.02 ms-1.96 s (fs=48 kHz) *2. 6.0 ms-46.0 s (fs=44.1 kHz), 5.0 ms-42.3 s (fs=48 kHz) 8 Data List

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Data List
8
Effects Parameters
REV-X HALL, REV-X ROOM, REV-X PLATE
Newly-developed two input, two output reverb algorithm. Delivers dense and rich
reverberation, smooth decay, and provides a spaciousness and depth that enhances the
original sound. Choose from three types depending on your location and needs; REV-X
HALL, REV-X ROOM, and REV-X PLATE.
REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
One input, two output hall, room, stage, and plate reverb simulations, all with gates.
Delay
Er.
DELAY
ER.
Delay and early reflections in series
Delay+Rev
DELAY+REV
Delay and reverb in parallel
Delay
Rev
DELAY
REV
Delay and reverb in series
Dist
Delay
DIST
DELAY
Distortion and delay in series
Multi Filter
MULTI FILTER
3-band parallel filter (24 dB/octave)
Freeze
FREEZE
Simple sampler
Distortion
DISTORTION
Distortion
Amp Simulate
AMP SIMULATE
Guitar amp simulation
Comp276
COMP276
This compressor emulates the characteristics of an analog compressor that has
become a sought-after classic in recording studios.
Comp276S
COMP276S
This is a stereo model of COMP276.
Comp260
COMP260
This compressor emulates the characteristics of a compressor/limiter of the latter
1970s that has become a sought-after classic for live SR.
Comp260S
COMP260S
This is a stereo model of the COMP260.
Equalizer601
EQUALIZER601
This equalizer emulates the characteristics of an analog equalizer of the 1970s. It
can be used to obtain a sense of drive.
OpenDeck
OPENDECK
This is a tape saturation effect that emulates the tape compression produced by
two open-reel tape recorders: a recording deck and a reproduction deck.
M.Band Dyna.
M.BAND DYNA.
Multi-band dynamics processor
M.Band Comp
M.BAND COMP
Multi-band compressor
Title
Type
Description
Parameter
Range
Description
REV TIME
0.28–27.94 s
*1
*1.
These values are for when the effect type is REV-X HALL and the ROOM SIZE=28. The range will differ depending
on the effect type and ROOM SIZE setting.
Reverb time
INI. DLY
0.0–120.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
LO. RATIO
0.1–1.4
Low-frequency reverb time ratio
LO.FREQ
22.0 Hz–18.0 kHz
Frequency point for LO.RATIO setting
DIFF.
0–10
Reverb diffusion (left-right reverb spread)
ROOM SIZE
0–28
Size of room
DECAY
0–53
Gate closing speed
HPF
THRU, 22.0 Hz–8.00 kHz
High-pass filter cutoff frequency
LPF
1.00 kHz–18.0 kHz,
THRU
Low-pass filter cutoff frequency
Parameter
Range
Description
REV TIME
0.3–99.0 s
Reverb time
INI. DLY
0.0–500.0 ms
Initial delay before reverb begins
HI. RATIO
0.1–1.0
High-frequency reverb time ratio
LO. RATIO
0.1–2.4
Low-frequency reverb time ratio
DIFF.
0–10
Reverb diffusion (left-right reverb spread)
DENSITY
0–100%
Reverb density
E/R DLY
0.0–100.0 ms
Delay between early reflections and reverb
E/R BAL.
0–100%
Balance of early reflections and reverb
(0% = all reverb, 100% = all early reflections)
HPF
THRU, 21.2 Hz–8.00 kHz
High-pass filter cutoff frequency
LPF
50.0 Hz–16.0 kHz, THRU
Low-pass filter cutoff frequency
GATE LVL
OFF, –60 to 0 dB
Level at which gate kicks in
ATTACK
0–120 ms
Gate opening speed
HOLD
*1
*1.
0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)
Gate open time
DECAY
*2
*2.
6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)
Gate closing speed