Yamaha QL5 Reference Manual - Page 237

 AMP SIMULATE One input, two output guitar amp simulator. Parameter Range AMP TYPE *1 DST TYPE DST1, DST2, OVD1, OVD2, CRUNCH DRIVE 0-100 MASTER 0-100 BASS 0-100 MIDDLE 0-100 TREBLE 0-100 N. GATE 0-20 CAB DEP 0-100% EQ F 100 Hz-8.00 kHz EQ G -12.0 to +12.0 dB EQ Q 10.0-0.10 Description Guitar amp simulation type Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Bass tone control Middle tone control High tone control Noise reduction Speaker cabinet simulation depth EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth *1. STK-M1, STK-M2, THRASH, MIDBST, CMB-PG, CMB-VR, CMB-DX, CMB-TW, MINI, FLAT  COMP276 This effect emulates the characteristics of analog compressors that are widely used in recording studios. It produces a thick, strong frame sound suitable for drums and bass. You can control two monaural channels independently. Parameter INPUT 1 OUTPUT 1 RATIO 1 ATTACK 1 RELEASE1 Range -180 to 0 dB -180 to 0 dB 2:1, 4:1, 8:1, 12:1, 20:1 0.022-50.4 ms 10.88-544.22 ms MAKE UP1 OFF, ON SIDEHPF1 OFF, ON INPUT 2 OUTPUT 2 RATIO 2 ATTACK 2 RELEASE2 -180 to 0 dB -180 to 0 dB 2:1, 4:1, 8:1, 12:1, 20:1 0.022-50.4 ms 10.88-544.22 ms MAKE UP2 OFF, ON SIDEHPF2 OFF, ON Description Adjusts the CH1 input level Adjusts the CH1 output gain Ratio for CH1 compressor Attack time of CH1 compressor Release time of CH1 compressor Automatically corrects output gain reduction when CH1 compressor is applied When the HPF in the side chain of the CH1 compressor is turned on, the compression applied to the low range will be weakened, thus emphasizing the low range. Adjusts the CH2 input level Adjusts the CH2 output gain Ratio of CH2 compressor Attack time of CH2 compressor Release time of CH2 compressor Automatically corrects output gain reduction when the CH2 compressor is applied When the HPF in the side chain of the CH2 compressor is turned on, the compression applied to the low range will be weakened, thus emphasizing the low range.  COMP276S This effect emulates the characteristics of analog compressors that are widely used in recording studios. It produces a thick, strong frame sound suitable for drums and bass. You can link and control the L and R channel parameters. Parameter INPUT OUTPUT RATIO ATTACK RELEASE Range -180 to 0 dB -180 to 0 dB 2:1, 4:1, 8:1, 12:1, 20:1 0.022-50.4 ms 10.88-544.22 ms MAKE UP OFF, ON SIDE HPF OFF, ON Description Adjusts the input level Adjusts the output gain Ratio of the compressor Attack time of the compressor Release time of the compressor Automatically corrects output gain reduction when the compressor is applied When the HPF in the side chain of the compressor is turned on, the compression applied to the low range will be weakened, thus emphasizing the low range.  COMP260 This effect emulates the characteristics of mid 70's compressors/limiters that are the standard for live SR. You can control two monaural channels independently. You can also link several parameters via stereo links. Parameter THRE.1 KNEE1 ATTACK1 RELEASE1 RATIO1 OUTPUT1 THRE.2 KNEE2 ATTACK2 RELEASE2 RATIO2 OUTPUT2 Range -60 to 0.0 dB SOFT, MEDIUM, HARD 0.01-80.0 ms 6.2-999 ms 1.0-500, ∞ -20 to 40 dB -60 to 0.0 dB SOFT, MEDIUM, HARD 0.01-80.0 ms 6.2-999 ms 1.0-500, ∞ -20 to 40 dB ST LINK OFF, ON Description Threshold of CH compressor Knee of CH1 compressor Attack time of CH1 compressor Release time of CH1 compressor Ratio for CH1 compressor Adjusts the CH1 output gain Threshold of CH2 compressor Knee of CH2 compressor Attack time of CH2 compressor Release time of CH2 compressor Ratio of CH2 compressor Adjusts the CH2 output gain Links CH1 and CH2 as a stereo pair. THRE., KNEE, ATTACK, RELEASE, and RATIO parameters are linked; OUTPUT parameter is not linked  COMP260S This effect emulates the characteristics of mid 70's compressors/limiters that are the standard for live SR. You can link and control the L and R channel parameters. Parameter THRE. KNEE ATTACK RELEASE RATIO OUTPUT Range -60 to 0.0 dB SOFT, MEDIUM, HARD 0.01-80.0 ms 6.2-999 ms 1.0-500, ∞ -20 to 40 dB Description Threshold of the compressor Knee of the compressor Attack time of the compressor Release time of the compressor Ratio of the compressor Adjusts the output gain 18 Data List