Yamaha CS1D Owner's Manual - Page 405
Define, Mix 1-48, Matrix 1-24, 2tr In 3-6, Direct In, Direct In Select, Comm In Communication
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Global functions If an input card with head amp is selected, this screen will allow you to switch between A/B jacks, turn phantom power on/off, switch between normal/ inverted phase, and adjust the input gain 2 4 2 DEFINE From the following choices, this selects the signal that will be monitored when "DEFINE" is selected in the MONITOR SOURCE section. • MIX 1-48............Output signal of MIX buses 1-48 • MATRIX 1-24 ....Output signal of MATRIX buses 1-24 • 2TR IN 3-6 .........Input signal from 2-TRACK IN DIGITAL jacks 3-6 of the CS1D • DIRECT IN.........The input signal from the connector selected in the DIRECT IN SELECT section (3) 3 3 DIRECT IN SELECT Select the two input connectors that will be monitored when "DIRECT IN" is selected as the signal for monitoring. When you click the button, a popup window will appear in which you can select the unit number/slot number/channel for the input jack. The input level of the signal is shown by the level meter at the left. 4 COMM IN (communication in) Here you can make settings for the COMM IN signal, which can always be monitored via the MONITOR A output. When a signal of a given level is input to COMM IN, the levels of the output signals of MONITOR OUT ANALOG jacks A/PHONES jack A and of the cue signal will be lowered. The amount by which the levels will be lowered at this time can be specified by the COMM IN DIMMER setting within the screen. Subsequently if one-second elapse without a given signal level being input, the levels will return to their original value over a one-second fade-in. The reference level that will trigger the COMM IN DIMMER will depend on the on/off state of the COMM IN signal gate. • If the gate is off The COMM IN DIMMER will operate when the input level exceeds -34 dB. • If the gate is on The COMM IN DIMMER will operate when the input level exceeds the level specified by the THRESHOLD parameter of the gate. Hint The COMM IN signal can always be monitored via the MONITOR A output without being affected by the setting of the MONITOR A SOURCE button. For example, this provides a convenient way to keep in touch with on-stage staff. The COMM IN signal cannot be monitored from the MONITOR B output. 70