Home » Yamaha Manuals » Audio Mixers » Yamaha CS1D » Manual Viewer

Yamaha CS1D Owner's Manual - Page 540

E.B.Slap [COMP], E.B.Finger [COMP]

Get Yamaha CS1D PDF manuals and user guides

Add to My Manuals
Save this manual to your list of manuals

Page 540 highlights

Appendices 12 E.B.Finger [COMP] A compressor that evens out the attack and volume of a finger-plucked electric bass. No. THRESHOLD (dB) 12 -12 RATIO ( :1) 2 RANGE (dB) - ATTACK (s) 15m OUT GAIN (dB) 4.5 KNEE SOFT 2 WIDTH (dB) - RELEASE (s) 470m HOLD (s) - DECAY (s) - 13 E.B.Slap [COMP] A compressor that evens out the attack and volume of a slapped electric bass. No. THRESHOLD (dB) 13 -12 RATIO ( :1) 1.7 RANGE (dB) - ATTACK (s) 6m OUT GAIN (dB) 4.0 KNEE HARD WIDTH (dB) - RELEASE (s) 133m HOLD (s) - DECAY (s) - 14 Syn.Bass [COMP] A compressor that evens out the level of a synth bass and emphasizes it. No. THRESHOLD (dB) 14 -10 RATIO ( :1) 3.5 RANGE (dB) - ATTACK (s) 9m OUT GAIN (dB) 3.0 KNEE HARD WIDTH (dB) - RELEASE (s) 250m HOLD (s) - DECAY (s) - 15 Piano1 [COMP] 16 Piano2 [COMP] Piano1 makes the sound stand out slightly and brightens it. In contrast, Piano2 has a deeper threshold and evens out the overall level and sense of attack. No. THRESHOLD (dB) 15 -9 16 -18 RATIO ( :1) 2.5 3.5 RANGE (dB) - - ATTACK (s) 17m 7m OUT GAIN (dB) 1.0 6.0 KNEE HARD SOFT 2 WIDTH (dB) - - RELEASE (s) 238m 174m HOLD (s) - - DECAY (s) - - 17 E.Guitar [COMP] Suitable for electric guitar backing such as chording and arpeggios. Try making various adjustments according to the tone or playing technique. No. THRESHOLD (dB) 17 -8 RATIO ( :1) 3.5 RANGE (dB) - ATTACK (s) 7m OUT GAIN (dB) 2.5 KNEE SOFT 4 WIDTH (dB) - RELEASE (s) 261m HOLD (s) - DECAY (s) - 18 A.Guitar [COMP] Suitable for acoustic guitar strumming or arpeggios. No. THRESHOLD (dB) 18 -10 RATIO ( :1) 2.5 RANGE (dB) - ATTACK (s) 5m OUT GAIN (dB) 1.5 KNEE SOFT 2 WIDTH (dB) - RELEASE (s) 238m HOLD (s) - DECAY (s) - 19 Strings1 [COMP] 20 Strings2 [COMP] 21 Strings3 [COMP] These are compressors suitable for strings. No.20 and 21 can also be used on lowrange instruments (cello, contrabass). No. THRESHOLD (dB) 19 -11 20 -12 21 -17 RATIO ( :1) 2 1.5 1.5 RANGE (dB) - - - ATTACK (s) 33m 93m 76m OUT GAIN (dB) 1.5 1.5 2.5 KNEE SOFT 2 SOFT 4 SOFT 2 WIDTH (dB) - - - RELEASE (s) 749m 1.35m 186m HOLD (s) - - - DECAY (s) - - - 22 BrassSection [COMP] Suitable for sounds with a fairly rapid rise or strong sense of attack. No. THRESHOLD (dB) 22 -18 RATIO ( :1) 1.7 RANGE (dB) - ATTACK (s) 18m OUT GAIN (dB) 4.0 KNEE SOFT 1 WIDTH (dB) - RELEASE (s) 226mm HOLD (s) - DECAY (s) - 23 Syn.Pad [COMP] Pulls together sounds that tend to lack cohesiveness. Suitable for instruments that are pleasant to the ear but can tend to be diffuse, such as synth pads. No. THRESHOLD (dB) 23 -13 RATIO ( :1) 2 RANGE (dB) - ATTACK (s) 58m OUT GAIN (dB) 2.0 KNEE SOFT 1 WIDTH (dB) - RELEASE (s) 238m HOLD (s) - DECAY (s) - 8

Section	Page
Important	3
Read the following before operating the CS1D	3
Handling the included PM1D System Software disc	3
CS1D Exclusion of Certain Responsibility	4
About the LCD display	4
Cautions when handling the track pad	4
Operating Manual (Start-up)	6
Contents	7
Introduction	9
About the “CS1D Operating Manual (Start-up)”	9
Printing conventions in “CS1D Operating Manual (Start-up)”	9
Introducing the various components	10
Terms used in the “CS1D Operating Manual (Start-up)”	12
Connections (Standard mode)	14
Connecting the console and engine (Standard mode)	14
Connecting an analog input/output unit to the engine (Standard mode)	16
Connecting a digital input/output unit to the engine (Standard mode)	17
Connections (Mirror mode)	18
Connecting the console and engines (Mirror mode)	18
Connecting an analog input/output unit to the engines (Mirror mode)	20
Connecting a digital input/output unit to the engines (Mirror mode)	21
Turning on the power and verifying the connections	22
Turning on the power	22
Checking the status of each device (Standard mode)	23
Checking the engine (Standard mode)	23
Checking the analog input unit (Standard mode)	24
Checking the analog output unit (Standard mode)	25
Digital input/output unit (Standard mode)	25
Checking the status of each device (Mirror mode)	26
Engines (Mirror mode)	26
Checking the analog input unit (Mirror mode)	27
Checking the analog output unit (Mirror mode)	28
Checking the digital input/output unit (Mirror mode)	29
Basic settings (Standard mode)	30
Selecting the operation mode (Standard mode)	30
Setting the word clock (Standard mode)	32
Basic settings (Mirror mode)	34
Selecting the operation mode (Mirror mode)	34
Setting the word clock (Mirror mode)	36
Checking the operation of input units	38
Preparations for checking	38
Connect the monitor system	39
Connect an input source	40
Patch the input unit to an input channel	41
Monitor the input signal	44
Checking the operation of an output unit	46
Preparations for checking	46
Connect the monitor system	47
Connect an input source	48
Patch the input unit to an input channel	49
Patch the STEREO A channel to an output unit	50
Send the input signals of input channels 1/2 to the STEREO bus	52
Turn off the power	54
Operating Manual (Basic Operation)	55
Contents	56
Chapter 1. Introduction	60
About the “CS1D Operation Manual (Basic Operation)”	60
Printing conventions in the “CS1D Operation Manual (Basic Operation)”	60
Overview of the PM1D system	61
Full-digital/separate type SR mixing system	61
Component structure	61
Signal flow in the PM1D system	63
Number of inputs/outputs and channel structure	65
MIX buses/MATRIX buses	67
Scene memories/Libraries	67
Word clock synchronization	67
Chapter 2. The user interfaces of the CS1D	68
About the user interfaces	68
User interfaces within the display	68
User interface on the top panel of the CS1D	70
External user interfaces	71
Various basic operations	73
Click	73
Drag	73
Drag and drop	74
Scroll	74
Accessing the desired screen	75
Button operations	76
Moving the cursor	77
Adjusting the value of a knob or fader	78
Assigning a name	79
Chapter 3. Audio connections and patching	81
Audio connections	81
Audio connections for an analog input unit	81
Audio connections for an analog output unit	83
Audio connections for a digital input/output unit	84
Audio connections for the console	85
Patching	87
Input channel patching	87
Output channel patching	89
Chapter 4. Basic operation for input channels	91
About input channels	91
Blocks used to control input channels	91
Changing the channel assignments	92
Basic operation INPUT blocks/ST IN block	93
INPUT block/ST IN block controls and functions	93
Head amp settings	95
Sending a signal from an input channel to a STEREO bus	97
Sending a signal from an input channel to a MIX bus	98
Pairing settings	102
Basic operation in the SELECTED INPUT CHANNEL block	103
Controls and functions of the SELECTED INPUT CHANNEL block	103
Head amp settings	105
Sending signals from an input channel to the STEREO bus	106
Sending signals from an input channel to a MIX bus	108
Using the delay	110
Using the compressor	111
Using the noise gate	114
Using the 4 band EQ/HPF	116
Chapter 5. Basic operation for output channels	118
About the output channels	118
Blocks used to control the output channels	118
Switching the channel assignments	119
Basic operation of the MIX OUTPUT block	120
Controls and functions of the MIX OUTPUT block	120
Sending a signal from a MIX channel to an output unit	121
Sending a signal from a MIX channel to a MATRIX bus	122
Sending a signal from a MIX channel to the STEREO bus	124
Pairing MIX channels	125
Basic operation of the MATRIX OUTPUT block	128
Controls and functions of the MATRIX OUTPUT block	128
Sending a signal from a MATRIX channel to an output unit	128
Pairing MATRIX channels	129
Basic operation of the STEREO OUTPUT block	131
Controls and functions of the STEREO OUTPUT block	131
Sending a signal from a STEREO A/B channel to an output unit	132
Basic operation of the SELECTED OUTPUT CHANNEL block	133
Controls and functions of the SELECTED OUTPUT CHANNEL block	133
Sending a signal from an output channel to an output unit	134
Sending a signal from a MIX channel to a MATRIX bus/STEREO bus	136
Sending a signal from the STEREO A channel to the MATRIX bus	138
Delay settings	139
Compressor settings	140
6 band EQ/HPF settings	142
Chapter 6. Insert and direct out	144
Insert	144
Connecting the external device to be inserted	144
Inserting into an input channel	145
Inserting into an output channel	148
Direct out	150
Direct out connections	150
Directly outputting an input channel signal	150
Chapter 7. DCA groups/Mute groups	152
DCA groups	152
Assigning a channel to a DCA group	152
Controlling a DCA group	154
Mute groups	155
Assigning input channels to a mute group	155
Assigning output channels to a mute group	156
Controlling a mute group	157
Chapter 8. Scene memory	159
About scenes	159
Scene memory operations	161
Storing a scene	161
Recalling a scene	162
Using PREVIEW mode	163
Directly recalling a scene	164
Chapter 9. Recall safe/Mute safe	165
Recall safe	165
Using the console to set/defeat Recall Safe	165
Using the screen to set/defeat Recall Safe	166
Mute safe	167
Using the console to set/defeat Mute Safe	167
Using the screen to set/defeat Mute Safe	168
Chapter 10. Monitor	169
Basic operation of the MONITOR A/MONITOR B section	169
About MONITOR A/MONITOR B	169
Controls and functions of the MONITOR A/MONITOR B sections	170
Using the MONITOR A section to monitor a signal	170
Using the MONITOR B section to monitor a signal	172
Using the Cue/Solo function	174
Cue mode and Solo mode	174
Cue/Solo groups	175
Controls and functions of the CUE section	176
Using the Cue function	176
Using the Solo function	178
Chapter 11. Talkback/Oscillator	179
Talkback	179
Oscillator	181
Chapter 12. Internal effects	183
About the internal effects of the PM1D system	183
Patching an internal effect	184
Using an internal effect via the MIX bus	184
Inserting an internal effect into a channel	187
Basic operation of the effect screen	189
Editing effect parameters	189
Recalling effect data from the library	190
Storing effect data to the library	192
Chapter 13. Graphic EQ	193
Inserting a graphic EQ into a channel	193
Controlling a graphic EQ	195
Controlling a graphic EQ from the display	195
Controlling a graphic EQ from the DCA faders	196
Chapter 14. MIDI/Time Code	198
Using MIDI program changes to control events	198
Using time code to control events	201
Chapter 15. Using a memory card to save/load data	203
Saving a file onto a memory card	203
Loading a file from a memory card	205
Chapter 16. Various settings	207
Initial settings for the console	207
Setting the internal calendar and clock	209
Specifying the metering points	210
Input channel metering point	210
Output channel metering point	211
User defined function settings	212
Reference Manual (Hardware)	215
Contents	216
How the “CS1D Reference Manual (Hardware)” is organized	218
Printing conventions in the “CS1D Reference Manual (Hardware)”	220
INPUT block	221
INPUT block channel assignments	222
ST IN block	229
Channel assignments for the ST IN block	230
SELECTED INPUT CHANNEL block	236
+48/ø/INSERT (+48/phase/insert) section	238
INPUT section	239
DELAY section	239
MIX SEND section	240
COMPRESSOR section	242
NOISE GATE section	244
EQUALIZER section	246
STEREO section	247
GAIN section	248
ATTENUATOR section	248
FADER section	249
DCA section	250
SAFE section	251
CHANNEL SELECT section	251
GLOBAL CONTROL section	253
Display	256
MIX OUTPUT block	257
Channel assignments in the MIX OUTPUT block	258
MIX channel section	259
MIX LAYER section	262
MATRIX OUTPUT block	263
MATRIX OUTPUT block channel assignments	264
MATRIX channel section	265
MATRIX LAYER section	268
STEREO OUTPUT block	269
SELECTED OUTPUT CHANNEL block	273
DELAY section	276
COMPRESSOR section	277
EQUALIZER section	279
OUTPUT section	280
DCA section	282
SAFE section	283
CHANNEL SELECT section	283
DCA GROUP block	286
Select the items you wish to control from the DCA faders	287
DCA fader section	288
FADER STATUS section	290
MASTER block	294
TALKBACK section	295
OSCILLATOR section	296
Card slot section	297
CUE section	298
MONITOR A section	300
MONITOR B section	302
ENGINE section	304
GLOBAL LAYER section	304
METER section	305
SCENE MEMORY block	306
LCD FUNCTION ACCESS/USER DEFINE block	313
LCD ACCESS GLOBAL section	314
LCD ACCESS OUTPUT section	314
LCD ACCESS INPUT section	315
USER DEFINE	315
Data entry block	316
Meter bridge block	318
Meter section (left)	319
Meter section (right)	319
TIME CODE section	320
SCENE MEMORY section	320
Rear panel block	321
DIGITAL I/O section	322
2-TRACK IN DIGITAL section	323
STEREO OUT DIGITAL section	323
WORD CLOCK section	324
LAMP connectors	324
2-TRACK IN ANALOG section	325
MONITOR OUT ANALOG section	325
TALKBACK IN 2 section	326
CUE OUT ANALOG section	326
DC POWER section	327
CONTROL section 1	328
CONTROL section 2	329
Input/output signal flow	330
Front panel block	331
Reference Manual (Software)	332
Contents	333
How the “CS1D Reference Manual (Software)” is organized	336
Printing conventions in the “CS1D Reference Manual (Software)”	336
Information shown in the display	337
Function menu	341
Global functions	344
EFFECT functions	344
EFFECT 1–EFFECT 8	344
EFFECT ASSIGN	347
GEQ (graphic EQ) functions	348
GEQ PARAMETER	348
GEQ ASSIGN 1-12/13-24 (graphic EQ assign 1–12/13–24)	351
SCENE functions	353
MEMORY	353
RECALL SAFE	358
FADE TIME	360
DIRECT RECALL	362
MIDI/GPI/TC function	364
MIDI PROGRAM (MIDI program change)	364
TC EVENT (time code event)	368
UTILITY functions	371
PREFERENCE	371
USER DEFINE	373
LOAD/SAVE	375
SYS/W.CLOCK (system/word clock) function	379
SYSTEM CONNECTION	379
INPUT UNIT	382
OUTPUT UNIT	385
WORD CLOCK	388
DITHER	391
METER functions	393
Input metering	393
Output metering	395
MON/CUE (monitor/cue) functions	397
TALKBACK	397
OSCILLATOR	399
2TR IN (2 track in)	402
ST OUT DIGITAL (stereo out digital)	403
MONITOR A	404
MONITOR B	407
CUE/SOLO	409
Output functions	411
OUT PATCH (output patch) functions	411
OUTPUT PATCH	411
INSERT PATCH	413
INSERT POINT	415
INSERT VIEW	416
NAME	418
OUT INSERT (output insert) function	421
MIX 1-24 INS / MIX 25-48 INS / MATRIX 1-24 INS / ST MAS INS/UNIT LIB	421
OUT EQ (output equalizer) function	424
EQ PARAMETER	424
MIX 1-24/MIX 25-48/MATRIX 1-24/STEREO A, B	426
OUT COMP (output compressor) function	428
COMP PRM (compressor parameters)	428
MIX 1-12 – MIX 37-48/MATRIX 1-12 – MATRIX 13-24/STEREO A, B	431
OUT DELAY (output delay) function	434
MIX 1-24 /MIX 25-48/MATRIX 1-24/STEREO A, B	434
OUT DCA/MUTE (output DCA/mute) function	436
DCA ASSIGN	436
MUTE GROUP ASSIGN	438
MATRIX/ST (matrix/stereo) function	440
MATRIX/ST ROUTING (matrix/stereo routing)	440
MIX to MATRIX	443
SUB IN	445
LCR	447
OUT CH VIEW (output channel view) function	449
CH VIEW (channel view)	449
Input functions	453
IN PATCH functions	453
INPUT PATCH	453
DIRECT OUT PATCH	455
INSERT PATCH	457
INSERT/DIRECT POINT	459
INSERT/DIRECT VIEW	461
NAME	463
IN HA/INSERT (Input head amp/insert) functions	466
CH 1-24 – CH 73-96/ST IN 1-8/CH 1-24 INS – CH 73-96 INS/ST IN INS/UNIT LIB	466
IN EQ (Input equalizer) functions	469
EQ PARAMETER	469
CH 1-24 – CH 73-96/ST IN 1-8	472
IN GATE/COMP function	474
GATE PRM (gate parameters)	474
COMP PRM (compressor parameters)	477
CH 1-12 – CH 85-96/ST IN 1-4 – ST IN 5-8	480
IN DELAY functions	483
CH 1–24 – CH 72-96/ST IN 1-8	483
IN DCA/MUTE functions	485
DCA ASSIGN	485
MUTE GROUP ASSIGN	487
PAN/ROUTING function	489
CH to MIX (channel to mix)	489
LCR	495
IN CH VIEW (input channel view) function	497
CH VIEW (channel view)	497
Libraries	501
Basic library operation	501
UNIT LIBRARY	505
PATCH LIBRARY	507
NAME LIBRARY	509
INPUT EQ LIBRARY	511
OUTPUT EQ LIBRARY	513
INPUT GATE LIBRARY	515
INPUT COMP LIBRARY	517
OUTPUT COMP LIBRARY	519
INPUT CHANNEL LIBRARY	521
OUTPUT CHANNEL LIBRARY	523
EFFECT LIBRARY	525
GEQ LIBRARY	527
Other	529
Memory initialization	529
Reference Manual (Appendices)	530
Contents	531
Appendices	533
Preset EQ Program Parameters	533
・ INPUT EQ LIBRARY	533
• OUTPUT EQ LIBRARY	537
Preset Dynamics Program Settings	538
• INPUT GATE LIBRARY	538
• INPUT COMP LIBRARY	539
• OUTPUT COMP LIBRARY	542
Compressor Types	543
COMP	543
EXPANDER	545
COMPANDER (HARD & SOFT)	546
Gate Types	548
GATE	548
DUCKING	549
Preset Effects Programs	550
• Basic effect programs	550
• Advanced reverb programs	551
Effects Parameters	553
• REVERB [Type: STEREO]	553
• EARLY REF. [Type: STEREO]	553
• GATE REVERB, REVERSE GATE [Type: STEREO]	554
• ECHO [Type: STEREO]	555
• CHORUS [Type: STEREO]	555
• FLANGE [Type: STEREO]	556
• SYMPHONIC [Type: STEREO]	556
• PHASER [Type: STEREO]	557
• AUTO PAN [Type: STEREO]	557
• TREMOLO [Type: STEREO]	558
• HQ. PITCH [Type: MIX]	558
• DUAL PITCH [Type: STEREO]	559
• REV + CHORUS [Type: MIX]	559
· REV -> CHORUS [Type: MIX]	560
• REV + FLANGE [Type: MIX]	560
· REV -> FLANGE [Type: MIX]	561
• REV + SYMPHONIC [Type: MIX]	561
· REV -> SYMPHONIC [Type: MIX]	562
· REV -> PAN [Type: MIX]	562
• DELAY + ER. [Type: MIX]	563
· DELAY -> ER. [Type: MIX]	563
• DELAY + REV [Type: MIX]	564
· DELAY -> REV [Type: MIX]	564
• AMP SIMULATE [Type: MIX]	565
• DYNA. FILTER [Type: STEREO]	565
• DYNA. FLANGE [Type: STEREO]	565
• DYNA. PHASER [Type: STEREO]	566
Scene Memory/Effect Library to Program Change Table	567
Channel library list	576
Parameters copied when pairing	577
MIDI Data Format	579
Warning Message	580
Error Message	581
About the PM1D system version checking function	581
Troubleshooting	582
General Specifications	585
Controls & Indicators	592
Analog Input Characteristics	597
Analog Output Characteristics	597
Digital Input & Output Characteristics	598
Pin Assignment DIGITAL I/O ENGINE A1, A2, B1, B2 (D-SUB Half Pitch Connector 68P)	599
Pin Assignment DIGITAL I/O CONSOLE 1, 2 (D-SUB Half Pitch Connector 68P)	600
Pin Assignment GPI (D-SUB Connector 25P)	601
Pin Assignment OUTPUT A,B,C (D-SUB Half Pitch Connector 68P)	602
Pin Assignment INPUT A,B (D-SUB Half Pitch Connector 68P)	603
Pin Assignment DIGITAL I/O INPUT 1-10 D-SUB Half Pitch Connector 68P)	604
Pin Assignment DIGITAL I/O OUTPUT 1-6 (D-SUB Half Pitch Connector 68P)	605
Pin Assignment DIGITAL I/O CASCADE IN (D-SUB Half Pitch Connector 68P)	606
Pin Assignment DIGITAL I/O CASCADE OUT (D-SUB Half Pitch Connector 68P)	607
Pin Assignment DIGITAL I/O CONSOLE 1,2 (D-SUB Half Pitch Connector 68P)	608
Pin Assignment CONTROL I/O REMOTE RS-422 D-SUB Connector 9P)	609
Pin Assignment CONTROL I/O GPI (D-SUB Connector 25P)	609
Accessories	610
Dimensions	610
Cards Specifications	611
• LMY2-ML	611
• LMY4-AD	612
• LMY4-DA	613
MIDI Implementation Chart	615
PM1D V2.0 System Block Diagram	616

Match case Limit results 1 per page

Appendices

E.B.Finger [COMP]

A compressor that evens out the attack and volume of a finger-plucked electric bass.

E.B.Slap [COMP]

A compressor that evens out the attack and volume of a slapped electric bass.

Syn.Bass [COMP]

A compressor that evens out the level of a synth bass and emphasizes it.

E.Guitar [COMP]

Suitable for electric guitar backing such as chording and arpeggios. Try making vari-

ous adjustments according to the tone or playing technique.

A.Guitar [COMP]

Suitable for acoustic guitar strumming or arpeggios.

BrassSection [COMP]

Suitable for sounds with a fairly rapid rise or strong sense of attack.

Syn.Pad [COMP]

Pulls together sounds that tend to lack cohesiveness. Suitable for instruments that are

pleasant to the ear but can tend to be diffuse, such as synth pads.

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–12

—

15m

4.5

SOFT 2

—

470m

—

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–12

1.7

—

4.0

HARD

—

133m

—

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–10

3.5

—

3.0

HARD

—

250m

—

Piano1 [COMP]

Piano2 [COMP]

Piano1 makes the sound stand out slightly and brightens it. In contrast, Piano2 has a

deeper threshold and evens out the overall level and sense of attack.

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–9

2.5

—

17m

1.0

HARD

—

238m

—

–18

3.5

—

6.0

SOFT 2

—

174m

—

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–8

3.5

—

2.5

SOFT 4

—

261m

—

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–10

2.5

—

1.5

SOFT 2

—

238m

—

Strings1 [COMP]

Strings2 [COMP]

Strings3 [COMP]

These are compressors suitable for strings. No.20 and 21 can also be used on low-

range instruments (cello, contrabass).

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–11

—

33m

1.5

SOFT 2

—

749m

—

–12

1.5

—

93m

1.5

SOFT 4

—

1.35m

—

–17

1.5

—

76m

2.5

SOFT 2

—

186m

—

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–18

1.7

—

18m

4.0

SOFT 1

—

226mm

—

No.

THRESHOLD

(dB)

RATIO

(

:1)

RANGE

(dB)

ATTACK

(s)

OUT GAIN

(dB)

KNEE

WIDTH

(dB)

RELEASE

(s)

HOLD

(s)

DECAY

(s)

–13

—

58m

2.0

SOFT 1

—

238m

—