Yamaha DSP5D Owner's Manual - Page 15

Regarding word clock synchronization, How this manual is organized, Conventions in this manual

Page 15 highlights

link selection of MIX channels with selection of MIX SEND SELECT keys. (➥ p.206) • In the USER DEFINE screen, functions such as DSP5D CONTROL and ENCODER MODE KEY have been added to the functions that can be assigned to userdefined keys. (➥ p.208) • In the FADER ASSIGN screen, options have been added, allowing you to use the STEREO/DCA strip section to control the monitor/cue level and on/off status. (➥ p.217) • In the FADER ASSIGN screen, you can now assign the desired channels of the DSP5D as well. (➥ p.217) • In the SECURITY screen, a LOAD LOCK function has been added, allowing you to disable loading for each type of file. (➥ p.218) • In the SECURITY screen, a RECALL LOCK option has been added, allowing you to lock parameters so that they will not be changed when a scene or library is recalled. (➥ p.218) ❏ Input/output functions • In the OUTPUT PATCH function OUTPUT PATCH screen, you can now change the patching of output channels to MIX OUT jacks 1-24. (➥ p.243) • In the OUTPUT PATCH function INSERT POINT 1 screen and the INPUT PATCH function INSERT/ Introduction DIRECT OUT POINT screen, a SET ALL button and CLEAR ALL button have been added, allowing you to turn all channels on/off in a single operation. (➥ p.246, 281) • In the OUTPUT PATCH function, a NAME screen has been added, allowing you to assign names to output channels for display in various screens (supported from V1.2). (➥ p.247) • In the INPUT VIEW function CH JOB screen, channel settings can now be moved as well as copied. (➥ p.314) • In the INPUT PATCH function INSERT/DIRECT OUT POINT screen, PRE ATT has been added as a direct output transmit location. (➥ p.282) • In the PAN/ROUTING function MIX SEND VIEW screen, the send position (PRE/POST) of the signal sent to the MIX bus is now indicated by the color of the bar graph. (➥ p.306) • You can now set a Q of up to 16 for the parametric EQ in the input channels, output channels, and GEQ modules. • You can now set a threshold level of down to -72 dB for an input channel GATE. Regarding word clock synchronization The signal used to synchronize digital audio signal processing is called "word clock." Normally, one device transmits a reference word clock signal, and the other devices receive this word clock signal and synchronize to it. In order to transmit or receive digital audio signals to or from an external device via the PM5D/DSP5D's digital input/output jacks or via a digital I/O card installed in a slot, the word clock must be synchronized between the devices. Be aware that if the word clock is not synchronized, the signals will not be transmitted correctly, and unpleasant noise will occur. Hint • For details on synchronizing the word clock of the PM5D/ DSP5D and external devices, refer to the explanation of word clock in Operating section "Chapter 4. Connections and setup" (➥ p.38), and to the Reference Section "WORD CLOCK screen" (➥ p.219). • As an exception, digital signals that are not synchronized with the PM5D/DSP5D can be input via a digital I/O card that contains a sampling rate converter, or via the 2TR IN/ OUT DIGITAL jacks. How this manual is organized This owner's manual is divided into the following three sections. ❏ Operating section This section explains the items on the front and rear panels, connections and setup, and how to operate the PM5D's basic functionality. In particular if you have not operated a digital console before, we recommend that you read chapters 2 through 7 first. ❏ Reference section This section explains the functionality and operation for all of the PM5D's screens. Refer to this section when you want to learn about the items in the screens. ❏ Appendices This contains various information such as library lists, parameter lists for the internal effects, the MIDI data format, and lists of warning messages and error messages. Conventions in this manual In this manual, non-locking panel switches that you press are called "keys," and those that change their on/off status when you push them in (locking types) are called "switches." Of the control knobs on the panel, those that turn from a minimum value to a maximum value are called "knobs," while those that turn endlessly are called "encoders." Controls located on the panel are enclosed in square brackets [ ] (e.g., [CUE] key, [PAD] switch) in order to distinguish them from the buttons and knobs displayed in the screen. For some controls, the section name is listed before the [ ] (e.g., CH [ON] key, EQ [FREQUENCY] encoder). Unless otherwise specified, references to the PM5D apply to both the PM5D model and the PM5D-RH model. If specifications differ between the PM5D model and the PM5D-RH model, such differences will be noted each time they occur. PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section 15

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PM5D/PM5D-RH V2 / DSP5D Owner’s Manual
Operating section
15
1
Introduction
link selection of MIX channels with selection of MIX
SEND SELECT keys. (
p.206)
In the USER DEFINE screen, functions such as DSP5D
CONTROL and ENCODER MODE KEY have been
added to the functions that can be assigned to user-
defined keys. (
p.208)
In the FADER ASSIGN screen, options have been
added, allowing you to use the STEREO/DCA strip sec-
tion to control the monitor/cue level and on/off status.
(
p.217)
In the FADER ASSIGN screen, you can now assign the
desired channels of the DSP5D as well. (
p.217)
In the SECURITY screen, a LOAD LOCK function has
been added, allowing you to disable loading for each
type of file. (
p.218)
In the SECURITY screen, a RECALL LOCK option has
been added, allowing you to lock parameters so that
they will not be changed when a scene or library is
recalled. (
p.218)
Input/output functions
In the OUTPUT PATCH function OUTPUT PATCH
screen, you can now change the patching of output
channels to MIX OUT jacks 1–24. (
p.243)
In the OUTPUT PATCH function INSERT POINT
screen and the INPUT PATCH function INSERT/
DIRECT OUT POINT screen, a SET ALL button and
CLEAR ALL button have been added, allowing you to
turn all channels on/off in a single operation.
(
p.246, 281)
In the OUTPUT PATCH function, a NAME screen has
been added, allowing you to assign names to output
channels for display in various screens (supported from
V1.2). (
p.247)
In the INPUT VIEW function CH JOB screen, channel
settings can now be moved as well as copied. (
p.314)
In the INPUT PATCH function INSERT/DIRECT
OUT POINT screen, PRE ATT has been added as a
direct output transmit location. (
p.282)
In the PAN/ROUTING function MIX SEND VIEW
screen, the send position (PRE/POST) of the signal
sent to the MIX bus is now indicated by the color of the
bar graph. (
p.306)
You can now set a Q of up to 16 for the parametric EQ
in the input channels, output channels, and GEQ
modules.
You can now set a threshold level of down to –72 dB
for an input channel GATE.
Regarding word clock synchronization
The signal used to synchronize digital audio signal process-
ing is called “word clock.” Normally, one device transmits
a reference word clock signal, and the other devices receive
this word clock signal and synchronize to it.
In order to transmit or receive digital audio signals to or
from an external device via the PM5D/DSP5D’s digital
input/output jacks or via a digital I/O card installed in a
slot, the word clock must be synchronized between the
devices. Be aware that if the word clock is not synchro-
nized, the signals will not be transmitted correctly, and
unpleasant noise will occur.
Hint
For details on synchronizing the word clock of the PM5D/
DSP5D and external devices, refer to the explanation of
word clock in Operating section “Chapter 4. Connections
and setup” (
p.38), and to the Reference Section “WORD
CLOCK screen” (
p.219).
As an exception, digital signals that are not synchronized
with the PM5D/DSP5D can be input via a digital I/O card
that contains a sampling rate converter, or via the 2TR IN/
OUT DIGITAL jacks.
How this manual is organized
This owner’s manual is divided into the following three
sections.
Operating section
This section explains the items on the front and rear pan-
els, connections and setup, and how to operate the PM5D’s
basic functionality. In particular if you have not operated a
digital console before, we recommend that you read chap-
ters 2 through 7 first.
Reference section
This section explains the functionality and operation for all
of the PM5D’s screens. Refer to this section when you want
to learn about the items in the screens.
Appendices
This contains various information such as library lists,
parameter lists for the internal effects, the MIDI data for-
mat, and lists of warning messages and error messages.
In this manual, non-locking panel switches that you press
are called “keys,” and those that change their on/off status
when you push them in (locking types) are called
“switches.” Of the control knobs on the panel, those that
turn from a minimum value to a maximum value are
called “knobs,” while those that turn endlessly are called
“encoders.”
Controls located on the panel are enclosed in square brack-
ets [
] (e.g., [CUE] key, [PAD] switch) in order to
distinguish them from the buttons and knobs displayed in
the screen. For some controls, the section name is listed
before the [
] (e.g., CH [ON] key, EQ [FREQUENCY]
encoder).
Unless otherwise specified, references to the PM5D apply
to both the PM5D model and the PM5D-RH model. If
specifications differ between the PM5D model and the
PM5D-RH model, such differences will be noted each time
they occur.
Conventions in this manual