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Yamaha DSP5D Owner's Manual - Page 331

Delay+er., Delay, Delay+rev

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Information shown in the display Function menu Global functions Output functions ❏ REV→PAN One input, two output reverb and autopan effects in parallel. Parameter REV TIME INI. DLY HI. RATIO DIFF. DENSITY HPF LPF REV.BAL FREQ. DEPTH DIR. WAVE SYNC NOTE Range 0.3-99.0 s 0.0-500.0 ms 0.1-1.0 0-10 0-100% THRU, 21.2 Hz- 8.00 kHz 50.0 Hz-16.0 kHz, THRU 0-100% 0.05-40.00 Hz 0-100% *1 Sine, Tri, Square OFF/ON *2 Description Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and panned reverb balance (0% = all panned reverb, 100% = all reverb) Modulation speed Modulation depth Panning direction Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. *1. L↔R, L→R, L←R, Turn L, Turn R *2. ❏ DELAY+ER. One input, two output delay and early reflections effects in parallel. Parameter DELAY L DELAY R FB. DLY FB. GAIN HI. RATIO HPF LPF DLY/ER TYPE ROOMSIZE LIVENESS INI. DLY DIFF. DENSITY ER NUM. SYNC NOTE L NOTE R NOTE FB Range 0.0-1000.0 ms 0.0-1000.0 ms 0.0-1000.0 ms -99 to +99% 0.1-1.0 THRU, 21.2 Hz- 8.00 kHz 50.0 Hz-16.0 kHz, THRU 0-100% S-Hall, L-Hall, Random, Revers, Plate, Spring 0.1-20.0 0-10 0.0-500.0 ms 0-10 0-100% 1-19 OFF/ON *1 1 1 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and early reflections balance (0% = all delay, 100% = all early reflections) Type of early reflection simulation Reflection spacing Early reflections decay characteristics (0 = dead, 10 = live) Initial delay before reverb begins Spread Reverb density Number of early reflections Tempo parameter sync on/off Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right channel DELAY R Used in conjunction with TEMPO to determine FB. DLY *1. (Maximum value depends on the tempo setting) ❏ DELAY→ER. One input, two output delay and early reflections effects in series. Parameter DELAY L DELAY R FB. DLY FB. GAIN HI. RATIO HPF LPF DLY.BAL TYPE ROOMSIZE LIVENESS INI. DLY DIFF. DENSITY ER NUM. SYNC NOTE L NOTE R NOTE FB Range 0.0-1000.0 ms 0.0-1000.0 ms 0.0-1000.0 ms -99 to +99% 0.1-1.0 THRU, 21.2 Hz- 8.00 kHz 50.0 Hz-16.0 kHz, THRU 0-100% S-Hall, L-Hall, Random, Revers, Plate, Spring 0.1-20.0 0-10 0.0-500.0 ms 0-10 0-100% 1-19 OFF/ON *1 1 1 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and early reflected delay balance (0% = all early reflected delay, 100% = all delay) Type of early reflection simulation Reflection spacing Early reflections decay characteristics (0 = dead, 10 = live) Initial delay before reverb begins Spread Reverb density Number of early reflections Tempo parameter sync on/off Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right channel DELAY R Used in conjunction with TEMPO to determine FB. DLY *1. (Maximum value depends on the tempo setting) ❏ DELAY+REV One input, two output delay and reverb effects in parallel. Parameter DELAY L DELAY R FB. DLY FB. GAIN DELAY HI HPF LPF DLY/REV REV TIME INI. DLY REV HI DIFF. DENSITY SYNC NOTE L NOTE R NOTE FB Range 0.0-1000.0 ms 0.0-1000.0 ms 0.0-1000.0 ms -99 to +99% 0.1-1.0 THRU, 21.2 Hz- 8.00 kHz 50.0 Hz-16.0 kHz, THRU 0-100% 0.3-99.0 s 0.0-500.0 ms 0.1-1.0 0-10 0-100% OFF/ON *1 1 1 Description Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Delay high-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Delay and reverb balance (0% = all delay, 100% = all reverb) Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density Tempo parameter sync on/off Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right channel DELAY R Used in conjunction with TEMPO to determine FB. DLY *1. (Maximum value depends on the tempo setting) Input functions Appendices PM5D/PM5D-RH V2 / DSP5D Owner's Manual Reference section 331

Section	Page
IMPORTANT SAFETY INSTRUCTIONS	2
PRECAUTIONS	4
Table of Contents	6
Operating section	10
Introduction	10
Thank you	10
An overview of the PM5D system	10
Differences between the PM5D model and the PM5D-RH model	11
About the channel structure of the PM5D	12
About the DSP5D	12
Differences with the PM5D	12
Regarding cascade connections between the PM5D and DSP5D	13
About PM5D Editor and DSP5D Editor	13
Firmware versions	14
Major new functionality in PM5D firmware V2.0	14
Regarding word clock synchronization	15
How this manual is organized	15
Conventions in this manual	15
Top, front, and rear panels	16
Top panel	16
Rear panel	18
Front panel	20
DSP5D front panel	21
DSP5D rear panel	22
Basic operation on the PM5D	23
About the various types of user interface	23
User interface in the display	23
DISPLAY ACCESS section	24
Data Entry section	24
External user interface	25
Basic operation	26
Click	26
Drag	26
Drag and drop	26
Accessing a desired screen	27
Moving the cursor	27
Scrolling the screen	28
Operating the buttons	29
Adjusting the setting of a knob or fader	29
Assigning a name	30
Connections and setup	31
Examples of systems expanded with the DSP5D	31
Example of simple input expansion (PM5D + one DSP5D unit)	31
PM5D + remotely connected input expansion (PM5D + DCU5D + two DSP5D units)	31
Control from DSP5D Editor (one DSP5D unit + PC)	32
Control from the LS9 (LS9 + one DSP5D unit + PC)	32
Audio connections	33
Analog audio connections	33
Analog output connections	34
Digital input/output connections	36
Installing an option card	37
Word clock connections and settings	38
About word clock	38
Selecting the word clock master	38
Restoring the current scene to the default state	40
Switching the target of panel operations (when cascade-connected with the DSP5D)	40
Input channel operations	41
About the input channels	41
AD IN section	43
Items in the AD IN section	43
Controlling the input sensitivity and phantom power (+48V) of the head amp	44
INPUT channel strip	45
Items in the INPUT channel strip	45
ST IN/FX RTN channel strip	47
Items in the ST IN/FX RTN channel strip	47
FADER FLIP/ENCODER MODE section	48
Items in the FADER FLIP/ENCODER MODE section	48
Various operations for input channels	49
Selecting the function of the encoders	49
Exchanging the fader and encoder functions	49
Sending a signal from an input channel to the STEREO bus	50
Sending the signal from the input channel to a MIX bus	51
Enabling/disabling pairing	53
Output channel operations	55
About the output channels	55
MIX section	57
Items in the MIX section	57
Operations in the MIX section	57
STEREO A/B channel strip	61
Items in the STEREO A/B channel strip	61
Operations in the STEREO A/B channel strip	62
MATRIX section	63
Items in the MATRIX section	63
Operations in the MATRIX section	63
Using the Selected Channel section	65
About the SELECTED CHANNEL section	65
Items in the SELECTED CHANNEL section	65
GROUP	65
CHANNEL SELECT	66
DELAY	66
GAIN/ATTENUATION/ø (Gain / Attenuation / Phase)	67
NOISE GATE	67
STEREO	68
COMPRESSOR	68
HPF (High Pass Filter)	69
EQUALIZER	69
Operations in the SELECTED CHANNEL section	70
Selecting a channel and editing its parameters	70
Compressor operations	71
Gate operations	72
EQ/HPF operations	73
Input Patch / Output Patch operations	74
Changing the input patch settings	74
Changing the output patch settings	75
Inserting an external device into a channel	77
Connecting an external device for insertion	77
Patching the insert-out and insert-in	78
Directly outputting the signal of an input channel	80
Grouping and linking	81
About DCA Groups and Mute Groups	81
Items in the ASSIGN MODE section	81
Items in the DCA strip	81
Using DCA Groups	82
Assigning channels to DCA groups	82
Controlling DCA groups	83
Using mute groups	83
Assigning channels to mute groups	83
Controlling mute groups	84
Using the Mute Safe function	84
Using EQ Link and Compressor Link	85
Scene memory	87
About scenes	87
Items in the SCENE MEMORY section	88
Using scene memories	89
Storing a scene	89
Recalling a scene	90
Using PREVIEW mode	90
Using the Auto Store function	91
Using the Direct Recall function	91
Using the Selective Recall function	92
Using the Recall Safe function	94
Using the Fade function	95
Using the Tracking Recall function	96
Using the Global Paste function	97
Monitor and Cue	99
About the MONITOR and CUE sections	99
Using the Monitor function	100
Items in the MONITOR section	100
Monitoring a signal	101
Using the Cue/Solo functions	102
Items in the CUE section	102
About CUE mode and SOLO mode	102
Cue and Solo groups	103
Using the Cue function	104
Using the Solo function	104
Talkback and Oscillator	105
About the TALKBACK/OSCILLATOR sections	105
Items in the TALKBACK/OSCILLATOR sections	105
Using talkback	106
Using the oscillator	107
Meters	108
Items in the meter section	108
Switching the meter display	108
Switching the metering point	109
Specifying the metering point for input channels	109
Specifying the metering point for output channels	109
Viewing the gain reduction of the internal gates and compressors	110
Viewing the gain reduction for input channels	110
Viewing the gain reduction for output channels	110
Effects	111
About the internal effects	111
Using an internal effect via a MIX bus	112
Inserting an internal effect into a channel	113
Basic operations in the effect screen	114
Recalling settings from the effect library	114
Editing the effect parameters	115
Storing settings in the effect library	115
Using the Tap Tempo function	116
Using the Freeze effect	117
Graphic EQ and Parametric EQ	118
Patching the GEQ modules	118
Expanding the GEQ modules	119
Basic graphic EQ operations	119
Controlling the graphic EQ from the display	119
Controlling the graphic EQ from the DCA section	120
Basic parametric EQ operations	121
Controlling the parametric EQ from the display	121
Controlling the parametric EQ from the SELECTED CHANNEL section	122
Remote control	123
MIDI on the PM5D	123
Using program changes to control events	123
Using control changes to control events	125
Using the MIDI Remote function	127
Assigning MIDI messages to controllers	127
Using MIDI remote channels	131
Transmitting MIDI events when you switch scenes	132
Using GPI (General Purpose Interface)	133
Using GPI IN	133
Calibrating the GPI IN ports	135
Using GPI OUT	136
Using memory cards	138
Using memory cards with the PM5D	138
Saving files to a memory card	138
Loading files from a memory card	140
Surround pan	142
About surround pan	142
Bus configuration and operation in surround mode	143
About the surround buses	143
How the MIX section will operate	143
Basic settings for surround buses	144
Controlling surround pan	145
Notes regarding surround pan	147
Other functions	148
Using the user defined keys	148
Items in the USER DEFINED section	148
Assigning functions to the User Defined keys	148
Executing functions assigned to the User Defined keys	149
Using the FADER MODE section	149
Items in the FADER MODE section	149
Assigning the FADER MODE section layer	149
Switching the FADER MODE section layer	150
Locking the PM5D (Security functions)	151
Setting the System Password or Console Password	151
Using Parameter Lock or Console Lock	152
Using cascade connections	153
Example of cascade connections between the PM5D and DSP5D	153
Example of cascade connections between PM5D units	153
Specifying the DSP5D’s machine ID number	153
Basic settings for cascade connection	154
Selecting the buses used for cascade connection	156
Connecting the PM5D to your computer via USB	158
Caution when using the USB TO HOST connector	158
Connecting the DSP5D to your computer via Ethernet	159
Initializing the PM5D’s internal memory	160
Initializing the DSP5D’s internal memory	160
Adjusting the faders and input/output gain (Calibration)	161
Calibrating the faders	161
Adjusting the analog input gain (PM5D-RH model only)	162
Adjusting the output gain	162
Reference section	163
Information shown in the display	163
Upper part of the display (always visible)	163
Main area of the display	164
Lower part of the display (always visible)	164
Function menu	165
Global functions	166
EFFECT functions	166
EFFECT PARAM (Effect parameter) screen	166
EFFECT ASSIGN screen	168
EFFECT LIBRARY screen	169
PLUG-IN screen	170
GEQ function	170
GEQ PARAM (GEQ parameter) screen	170
GEQ ASSIGN screen	173
GEQ LIBRARY screen	174
SCENE function	175
SCENE screen	175
EVENT LIST screen	177
SELECTIVE RECALL screen	180
RECALL SAFE screen	182
FADE TIME screen	184
TRACKING RECALL screen	186
GLOBAL PASTE screen	187
MIDI REMOTE function	188
MIDI SETUP screen	188
MIDI PGM CHANGE (MIDI program change) screen	190
MIDI CTRL CHANGE (MIDI control change) screen	191
MIDI REMOTE screen	192
GPI screen	194
FADER START screen	196
TRANSPORT screen	198
DME CONTROL screen	199
UTILITY function	204
PREFERENCE 1/2 screens	204
USER DEFINE screen	208
SAVE screen	211
LOAD screen	215
FADER ASSIGN screen	217
SECURITY screen	218
SYS/W.CLOCK function	219
WORD CLOCK screen	219
MIXER SETUP screen	221
CASCADE screen	226
HA (Head Amp) screen	228
OUTPUT PORT ATT (Output port attenuation) screen	229
DITHER screen	229
HA LIBRARY screen	230
METER function	231
INPUT METER screen	231
OUTPUT METER screen	232
INPUT GR (Input Gain Reduction) screen	233
OUTPUT GR (Output Gain Reduction) screen	234
MON/CUE function	234
TALKBACK screen	234
OSCILLATOR screen	236
2TR I/O screen	237
MONITOR screen	238
CUE/SOLO screen	240
Output functions	243
OUTPUT PATCH function	243
OUTPUT PATCH screen	243
INSERT PATCH screen	244
INSERT POINT screen	246
NAME screen	247
OUTPUT PATCH LIBRARY screen	247
OUTPUT INSERT function	248
INSERT IN MIX 1-24 screen	248
INSERT IN MATRIX/STEREO/MONITOR screen	248
HA LIBRARY screen	249
OUTPUT EQ function	250
EQ PARAM (EQ Parameter) screen	250
MIX 1-24 screen	251
MATRIX/STEREO screen	251
OUTPUT EQ LIBRARY screen	252
OUTPUT COMP function	253
COMP PARAM (Compressor parameter) screen	253
MIX 1-24 screen	255
MATRIX/STEREO screen	255
COMP LIBRARY (Compressor library) screen	256
OUTPUT DELAY function	257
MIX 1-24 screen	257
MATRIX/STEREO screen	257
OUTPUT DCA/GROUP function	258
DCA GROUP ASSIGN screen	258
MUTE GROUP ASSIGN screen	259
EQ LINK ASSIGN screen	260
COMP LINK ASSIGN (Compressor link assign) screen	261
MATRIX/ST function	262
MATRIX/ST ROUTING screen	262
MIX to MATRIX VIEW screen	264
LCR screen	267
SURR SETUP screen	268
OUTPUT VIEW function	270
CH VIEW (Channel view) screen	270
SIGNAL FLOW screen	272
FADER VIEW screen	273
CH JOB (Channel job) screen	274
OUTPUT CH LIBRARY screen	275
Input functions	277
INPUT PATCH function	277
INPUT PATCH screen	277
DIRECT OUT PATCH screen	278
INSERT PATCH screen	279
INSERT/DIRECT OUT POINT screen	281
NAME screen	282
INPUT PATCH LIBRARY screen	283
INPUT HA/INSERT function	283
CH 1-24 (Input channel 1-24) screen	283
CH 25-48 (Input channel 25-48) screen	283
STIN/FXRTN (ST IN/FXRTN channel) screen	283
INSERT 1-24 screen	284
INSERT 25-48 screen	284
INSERT STIN screen	284
HA LIBRARY screen	285
INPUT ø/EQ function	286
EQ PARAM (EQ parameter) screen	286
EQ 1-24 screen	287
EQ 25-48 switch	287
EQ STIN/FXRTN screen	287
ø/ATT 1-48 (Phase/Attenuation 1-48) screen	288
ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN) screen	288
INPUT EQ LIBRARY screen	289
INPUT GATE/COMP function	289
GATE PARAM (Gate parameter) screen	289
COMP PARAM (Compressor parameter) screen	291
CH 1-12 (Input channel 1-12) screen	293
CH 13-24 (Input channel 13-24) screen	293
CH 25-36 (Input channel 25-36) screen	293
CH 37-48 (Input channel 37-48) screen	293
ST IN (ST IN channel) screen	293
GATE LIBRARY screen	294
COMP LIBRARY (Compressor library) screen	295
INPUT DELAY function	295
CH 1-24 (Input channel 1-24) screen	295
CH 25-48 (Input channel 25-48) screen	295
ST IN (ST IN channel) screen	295
INPUT DCA/GROUP function	296
DCA GROUP ASSIGN screen	296
MUTE GROUP ASSIGN screen	297
EQ LINK ASSIGN screen	298
COMP LINK ASSIGN (Compressor link assign) screen	299
PAN/ROUTING function	299
CH to MIX (Channel to mix) screen	299
MIX SEND VIEW screen	305
FIX ASSIGN VIEW screen	307
LCR screen	308
SURR PARAM (Surround parameter) screen	309
SURR VIEW (Surround view) screen	310
M/S screen	311
INPUT VIEW function	311
CH VIEW (Channel view) screen	311
SIGNAL FLOW screen	313
FADER VIEW screen	314
CH JOB screen	314
INPUT CH LIBRARY (Input channel library) screen	316
Appendices	317
EQ Library List	317
GATE Library List	318
Compressor Library List	319
Dynamics Parameters	321
GATE section	321
COMP section	322
Effect Library List	324
Effects Parameters	325
Effects and tempo synchronization	336
Scene Memory/Effect Library to Program Change Table	337
Parameters that can be assigned to control changes	341
Control change parameter assignments	343
NRPN parameter assignments	360
Channel Library List	364
List of parameters available for Pair, Recall Safe or OUTPUT ISOLATION operation	365
MIDI Data Format	368
Warning Messages	377
Error Messages	379
Troubleshooting	380
General Specifications	381
PM5D/PM5D-RH	381
DSP5D	383
Input/output characteristics	384
Electrical characteristics	389
PM5D/PM5D-RH	389
DSP5D	391
Other Functions	393
Pin Assignment	394
Dimensions	395
MIDI Implementation Chart	396
Index	397
PM5D/PM5D-RH Block Diagram	403
DSP5D Block Diagram	404
PM5D Level Diagram	405
PM5D-RH Level Diagram	406
DSP5D Level Diagram	407

Match case Limit results 1 per page

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

Reference section

331

Information shown

in the display

Function

Global

functions

Output

functions

Input

functions

Appendices

❏

REV

→

PAN

One input, two output reverb and autopan effects in

parallel.

❏

DELAY+ER.

One input, two output delay and early reflections effects in

parallel.

❏

DELAY

→

ER.

One input, two output delay and early reflections effects in

series.

❏

DELAY+REV

One input, two output delay and reverb effects in parallel.

Parameter

Range

Description

REV TIME

0.3–99.0 s

Reverb time

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

HPF

THRU, 21.2 Hz–

8.00 kHz

High-pass ﬁlter cutoff frequency

LPF

50.0 Hz–16.0 kHz,

THRU

Low-pass ﬁlter cutoff frequency

REV.BAL

0–100%

Reverb and panned reverb bal-

ance (0% = all panned reverb,

100% = all reverb)

FREQ.

0.05–40.00 Hz

Modulation speed

DEPTH

0–100%

Modulation depth

DIR.

*1.

↔

R, L

→

R, L

←

R, Turn L, Turn R

Panning direction

WAVE

Sine, Tri, Square

Modulation waveform

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE

*2.

Used in conjunction with TEMPO

to determine FREQ.

Parameter

Range

Description

DELAY L

0.0–1000.0 ms

Left channel delay time

DELAY R

0.0–1000.0 ms

Right channel delay time

FB. DLY

0.0–1000.0 ms

Feedback delay time

FB. GAIN

–99 to +99%

Feedback gain (plus values for

normal-phase feedback, minus

values for reverse-phase feedback)

HI. RATIO

0.1–1.0

High-frequency feedback ratio

HPF

THRU, 21.2 Hz–

8.00 kHz

High-pass ﬁlter cutoff frequency

LPF

50.0 Hz–16.0 kHz,

THRU

Low-pass ﬁlter cutoff frequency

DLY/ER

0–100%

Delay and early reﬂections bal-

ance (0% = all delay, 100% = all

early reﬂections)

TYPE

S-Hall, L-Hall, Ran-

dom, Revers, Plate,

Spring

Type of early reﬂection simulation

ROOMSIZE

0.1–20.0

Reﬂection spacing

LIVENESS

0–10

Early reﬂections decay characteris-

tics (0 = dead, 10 = live)

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

ER NUM.

1–19

Number of early reﬂections

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE L

*1.

(Maximum value depends on the tempo setting)

Used in conjunction with TEMPO

to determine left channel DELAY L

NOTE R

Used in conjunction with TEMPO

to determine right channel DELAY

NOTE FB

Used in conjunction with TEMPO

to determine FB. DLY

Parameter

Range

Description

DELAY L

0.0–1000.0 ms

Left channel delay time

DELAY R

0.0–1000.0 ms

Right channel delay time

FB. DLY

0.0–1000.0 ms

Feedback delay time

FB. GAIN

–99 to +99%

Feedback gain (plus values for

normal-phase feedback, minus

values for reverse-phase feedback)

HI. RATIO

0.1–1.0

High-frequency feedback ratio

HPF

THRU, 21.2 Hz–

8.00 kHz

High-pass ﬁlter cutoff frequency

LPF

50.0 Hz–16.0 kHz,

THRU

Low-pass ﬁlter cutoff frequency

DLY.BAL

0–100%

Delay and early reﬂected delay

balance (0% = all early reﬂected

delay, 100% = all delay)

TYPE

S-Hall, L-Hall, Ran-

dom, Revers, Plate,

Spring

Type of early reﬂection simulation

ROOMSIZE

0.1–20.0

Reﬂection spacing

LIVENESS

0–10

Early reﬂections decay characteris-

tics (0 = dead, 10 = live)

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

ER NUM.

1–19

Number of early reﬂections

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE L

*1.

(Maximum value depends on the tempo setting)

Used in conjunction with TEMPO

to determine left channel DELAY L

NOTE R

Used in conjunction with TEMPO

to determine right channel DELAY

NOTE FB

Used in conjunction with TEMPO

to determine FB. DLY

Parameter

Range

Description

DELAY L

0.0–1000.0 ms

Left channel delay time

DELAY R

0.0–1000.0 ms

Right channel delay time

FB. DLY

0.0–1000.0 ms

Feedback delay time

FB. GAIN

–99 to +99%

Feedback gain (plus values for

normal-phase feedback, minus

values for reverse-phase feedback)

DELAY HI

0.1–1.0

Delay high-frequency feedback

ratio

HPF

THRU, 21.2 Hz–

8.00 kHz

High-pass ﬁlter cutoff frequency

LPF

50.0 Hz–16.0 kHz,

THRU

Low-pass ﬁlter cutoff frequency

DLY/REV

0–100%

Delay and reverb balance (0% =

all delay, 100% = all reverb)

REV TIME

0.3–99.0 s

Reverb time

INI. DLY

0.0–500.0 ms

Initial delay before reverb begins

REV HI

0.1–1.0

High-frequency reverb time ratio

DIFF.

0–10

Spread

DENSITY

0–100%

Reverb density

SYNC

OFF/ON

Tempo parameter sync on/off

NOTE L

*1.

(Maximum value depends on the tempo setting)

Used in conjunction with TEMPO

to determine left channel DELAY L

NOTE R

Used in conjunction with TEMPO

to determine right channel DELAY

NOTE FB

Used in conjunction with TEMPO

to determine FB. DLY