Adobe 22011292 User Guide - Page 113

Initial Amplification Fade Tab

Page 113 highlights

ADOBE AUDITION 99 User Guide Initial Amplification (Fade Tab) Move the slider(s) for the amount of volume change you wish to apply to the beginning of the selection. Any figure over an amplification value of 100% or 0dB makes the selection louder; a figure below 100% or 0dB reduces the volume. To achieve a fading in effect, choose an Initial Amplification value that's lower than that of the Final Amplification value. Final Amplification (Fade Tab) Move the slider(s) for the amount of volume change you wish to apply to the end of a selection. Any figure over an amplification value of 100% or 0dB makes the selection louder; a figure below 100% or 0dB reduces the volume. To achieve a fading out effect, choose a Final Amplification value that's lower than that of the Initial Amplification value. Linear Fades (Fade Tab) Select this radio button if you want the waveform's sample values to be faded in an even, linear fashion, which will produce a smooth slope from beginning to end. Logarithmic Fades (Fade Tab) This option tells Adobe Audition to use a logarithmic-style fade (also known as a "power fade"). This fades the amplitude of a signal at a constant rate, producing a steeper slope at one end of the fade (depending on whether you are fading in or out). DC Bias Adjust Some recording hardware may introduce a DC bias, which results in the recorded waveform appearing to be above or below the normal center line in the Wave Display. Many waveform transformations require that the signal be centered, and checking the DC Bias Adjust box ensures new recordings are perfectly centered. Choose the Absolute option to tell Adobe Audition the final DC value you want, as entered as a percentage in the L and R boxes. The main use for the option is to cancel out a DC that's not constant throughout the waveform. A super-lowcut filter is initiated to achieve this. Keep in mind that the actual amount adjusted varies with each sample. For instance, if you have a significant DC change in one area of the wave, at that boundary where the DC changes, the Absolute option will make all parts the same. (However, there will be a dip or peak right at the boundary point.) Select the Differential option to analyze the entire selected area to get the DC offset, and adjust every sample by the inverse of that exact amount. The Find Zero Now button will be enabled. Press it to scan the waveform and automatically enter the correct L and R percentages. To introduce a DC Bias by skewing the entire selected waveform above or below the center line, enter a positive or negative percentage. For example, a setting of 50% moves the entire waveform up halfway, and one of -50% moves it down halfway. Calculate Normalization Values When you press the Calculate Now button, Adobe Audition scans the selection and automatically adjusts the amplification sliders to the volume level that will normalize the selection to the entered peak level. Click on the OK button to apply these adjustments. Lock Left/Right With a stereo waveform loaded, the volume of the left and right channels may be individually adjusted. This lets you tweak the stereo balance or create cool panning effects. However, there are times when you want the amplitude of the left and right channels to be simultaneously lowered or raised. Check the Lock Left/Right box to make the scroll bars for the left and right channels to work in tandem and move together. Uncheck the Lock Left/Right box to adjust the channels separately.

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172
  • 173
  • 174
  • 175
  • 176
  • 177
  • 178
  • 179
  • 180
  • 181
  • 182
  • 183
  • 184
  • 185
  • 186
  • 187
  • 188
  • 189
  • 190
  • 191
  • 192
  • 193
  • 194
  • 195
  • 196
  • 197
  • 198
  • 199
  • 200
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
  • 224
  • 225
  • 226
  • 227
  • 228
  • 229
  • 230
  • 231
  • 232
  • 233
  • 234
  • 235
  • 236
  • 237
  • 238
  • 239
  • 240
  • 241
  • 242
  • 243
  • 244
  • 245
  • 246
  • 247
  • 248
  • 249
  • 250
  • 251
  • 252
  • 253
  • 254
  • 255
  • 256
  • 257
  • 258
  • 259
  • 260
  • 261
  • 262
  • 263
  • 264
  • 265
  • 266
  • 267
  • 268
  • 269
  • 270
  • 271
  • 272
  • 273
  • 274
  • 275
  • 276
  • 277
  • 278
  • 279
  • 280
  • 281
  • 282
  • 283
  • 284
  • 285
  • 286
  • 287
  • 288
  • 289
  • 290
  • 291
  • 292
  • 293
  • 294
  • 295
  • 296
  • 297
  • 298
  • 299
  • 300
  • 301
  • 302
  • 303
  • 304
  • 305
  • 306
  • 307
  • 308
  • 309
  • 310
  • 311
  • 312
  • 313
  • 314
  • 315
  • 316
  • 317
  • 318
  • 319
  • 320
  • 321
  • 322
  • 323
  • 324
  • 325
  • 326
  • 327
  • 328
  • 329
  • 330
  • 331
  • 332
  • 333
  • 334
  • 335
  • 336
  • 337
  • 338
  • 339
  • 340
  • 341
  • 342
  • 343
  • 344
  • 345
  • 346
  • 347
  • 348
  • 349
  • 350
  • 351
  • 352
  • 353
  • 354
  • 355
  • 356
  • 357
  • 358
  • 359
  • 360
  • 361
  • 362
  • 363
  • 364
  • 365
  • 366
  • 367
  • 368
  • 369
  • 370
  • 371
  • 372
  • 373
  • 374
  • 375
  • 376
  • 377
  • 378
  • 379
  • 380
  • 381
  • 382
  • 383
  • 384
  • 385
  • 386
  • 387
  • 388
  • 389
  • 390

99
ADOBE AUDITION
User Guide
Initial Amplification (Fade Tab)
Move the slider(s) for the amount of volume change you wish to apply to the beginning
of the selection. Any figure over an amplification value of 100% or 0dB makes the selection louder; a figure below 100%
or 0dB reduces the volume.
To achieve a fading in effect, choose an Initial Amplification value that’s lower than that of the Final Amplification value.
Final Amplification (Fade Tab)
Move the slider(s) for the amount of volume change you wish to apply to the end of
a selection. Any figure over an amplification value of 100% or 0dB makes the selection louder; a figure below 100% or
0dB reduces the volume.
To achieve a fading out effect, choose a Final Amplification value that’s lower than that of the Initial Amplification value.
Linear Fades (Fade Tab)
Select this radio button if you want the waveform’s sample values to be faded in an even,
linear fashion, which will produce a smooth slope from beginning to end.
Logarithmic Fades (Fade Tab)
This option tells Adobe Audition to use a logarithmic-style fade (also known as a “power
fade”). This fades the amplitude of a signal at a constant rate, producing a steeper slope at one end of the fade (depending
on whether you are fading in or out).
DC Bias Adjust
Some recording hardware may introduce a DC bias, which results in the recorded waveform appearing
to be above or below the normal center line in the Wave Display. Many waveform transformations require that the signal
be centered, and checking the DC Bias Adjust box ensures new recordings are perfectly centered.
Choose the Absolute option to tell Adobe Audition the final DC value you want, as entered as a percentage in the L and
R boxes. The main use for the option is to cancel out a DC that’s not constant throughout the waveform. A super-low-
cut filter is initiated to achieve this. Keep in mind that the actual amount adjusted varies with each sample. For instance,
if you have a significant DC change in one area of the wave, at that boundary where the DC changes, the Absolute option
will make all parts the same. (However, there will be a dip or peak right at the boundary point.)
Select the Differential option to analyze the entire selected area to get the DC offset, and adjust every sample by the
inverse of that exact amount. The Find Zero Now button will be enabled. Press it to scan the waveform and automatically
enter the correct L and R percentages.
To introduce a DC Bias by skewing the entire selected waveform above or below the center line, enter a positive or
negative percentage. For example, a setting of 50% moves the entire waveform up halfway, and one of -50% moves it
down halfway.
Calculate Normalization Values
When you press the Calculate Now button, Adobe Audition scans the selection and
automatically adjusts the amplification sliders to the volume level that will normalize the selection to the entered peak
level. Click on the OK button to apply these adjustments.
Lock Left/Right
With a stereo waveform loaded, the volume of the left and right channels may be individually adjusted.
This lets you tweak the stereo balance or create cool panning effects. However, there are times when you want the
amplitude of the left and right channels to be simultaneously lowered or raised. Check the Lock Left/Right box to make
the scroll bars for the left and right channels to work in tandem and move together. Uncheck the Lock Left/Right box to
adjust the channels separately.